Solomon, Maynard
Year: 1989
Complete Citation:
Maynard Solomon. Counter-response to J. Philip Lambert. Journal of the American Musicological Society xlii (1989): 209-218.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1989
Complete Citation:
Solomon, Maynard. “Communications.” Journal of the American Musico- logical Society 42/1 (1989): 209-218.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Starr, Larry
Year: 1991
Complete Citation:
Starr, Larry. “Review of ‘Decoration Day’ by Charles Ives.” Notes 47/3 (March 1991): 959-961.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Stevens, Halsey
Year: 1954
Complete Citation:
Stevens, Halsey. Review of “Scherzo (Over the Pavements). For chamber orchestra. Performable also as chamber music.” Notes 12, no. 2 (December 1954): 326.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Stevenson, Robert
Year: 1949
Complete Citation:
Stevenson, Robert. “Choral and Piano Works by Charles Ives Issued.” Musical America, Vol. 69 (June 1949).Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Stiller, Andrew
Year: 1986
Complete Citation:
Stiller, Andrew. “Who Owns American Music?” Opus 3/1 (December 1986): 18, 60.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Stone, Kurt
Year: 1964
Complete Citation:
Stone, Kurt. Review of Charles Ives: Washington’s Birthday. Hallowe’en; The Pond; Central Park in the Dark. The Musical Quarterly, vol. 50, no. 1, 1964, 115-122.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Suhor, Charles
Year: 1976
Complete Citation:
Suhor, Charles. “To Charles Ives.” The English Journal, vol. 65, no. 5 (1976): 45-46.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Swift, Richard
Year: 1974
Complete Citation:
Swift, Richard. “Charles Ives: Study No. 22 for Piano, edited by John Kirkpatrick.” Notes 31, no. 1 (September 1974): 158-159.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1976
Complete Citation:
Swift, Richard. “Reviewed Work: Study no. 21: Some Southpaw Pitching by Charles Ives, John Kirkpatrick.” Notes 33, no. 2 (December 1976): 413.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1977
Complete Citation:
Swift, Richard. “Reviewed Works: A New England Symphony: Three Places in New England, First Orchestral Set by Charles Ives, James B. Sinclair; “Country Band” March for Theater Orchestra by Charles Ives, James B. Sinclair.” Notes 34, no. 1 (September 1977): 197.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Taruskin, Richard
Year: 1975
Complete Citation:
Taruskin, Richard. “To the Editor.” Current Musicology 19 (1975): 33-40.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Taubman, Howard
Year: 1949
Complete Citation:
Taubman, Howard. “Posterity Catches Up with Charles Ives, An Interview.” New York Times Magazine, October 23, 1949.Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1949
Complete Citation:
Taubman, Howard. “Posterity Catches Up with Charles Ives.” The New York Times, October 23, 1949, sec. 6, 15, 34-36.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1958
Complete Citation:
Taubman, Howard. “Forget Posterity.” The New York Times. November 23, 1958, sec. 2, 11.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Téllez, José Luis
Year: 2004
Complete Citation:
Téllez, José Luis. “Charles Ives: Las Paradojas del Profeta.” Scherzo: Revista de Música, Vol. 19 (2004): 110-115.Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
Thomson, Virgil
Year: 1971
Complete Citation:
Thomson, Virgil. “The Ives Case.” New York Review of Books 14, no. 10, May 21, 1970, 9--11.Source: Magazine
Reprints: Thomson, Virgil. “The Ives Case.” In <i>American Music Since 1910</i>, 22-30. New York: Holt, Rinehart and Winston, 1971. * Thomson, Virgil. “The Ives Case.” <i>A Virgil Thomson Reader</i>, 460-67. Boston: Houghton Mifflin, 1981. * Thomson, Virgil. “The Ives Case.” In <i>Virgil Thomson: The State of Music & Other Writings</i>, edited by Tim Page. New York, NY: Library of America, 2016.
VI. Topical Studies
S. Reception Studies and Related Scholarship
Tick, Judith
Year: 1993
Complete Citation:
Tick, Judith. 1993. “Charles Ives and Gender Ideology.” In Musicology and Difference: Gender and Sexuality in Music Scholarship, edited by Ruth Solie, 125--147. Berkeley, CA: University of California Press.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Trimble, Lester
Year: 1957
Complete Citation:
Trimble, Lester. “Review of ‘The Browning Overture,’ by Charles E. Ives” The Musical Quarterly, Vol. 43 (1957).Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Ulrich, Homer
Year: 1956
Complete Citation:
Ulrich, Homer. “Review of Trio for Violin, Cello, Piano by Charles Ives.” Notes 13/3 (June 1956): 527. Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions