John Heiss, J. Peter Burkholder, Richard Dyer, Vivian Perlis, and Jan Swafford
Year: 2005
Complete Citation:
John Heiss, J. Peter Burkholder, Richard Dyer, Vivian Perlis, and Jan Swafford. “Ives and His Time and Ours.” Panel at at Charles Ives and His World, as Tribute to Iconoclastic American Com-poser. New England Conservatory of Music, Jordan Hall and Williams Hall, Boston, Massachusetts, March 13--17, 2005.VI. Topical Studies
S. Reception Studies and Related Scholarship
Johnson, Lockrem
Year: 1960
Complete Citation:
Johnson, Lockrem. “Reviewed Works: Robert Browning Overture, for Large Orchestra by Charles E. Ives; The Rainbow (After the Poem by William Wordsworth), for Chamber Orchestra. [Flute, Basset or English Horn, str. and Piano] by Charles E. Ives; Persian Set. [Picc. (Or Fl.), Cl. Tar. (Or Guitar or Mandolin), Dr. (Persian Dr. or Tom-Tom), Vlns. I, II, III, Vc., Cb., Piano] by Henry Cowell.” Notes, vol. 17, no. 4 (September 1960): 656-657.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Kamper, Dietrich
Year: 1987
Complete Citation:
Kamper, Dietrich. “Wandlungen des Ives-Bildes.” In Amerikanische Musik seit Charles Ives: Interpretation, Quellentexte, Komponistenmonographien, 3-14, Laaber, Germany: Laaber-Verlag, 1987.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Keys, Ivor
Year: 1952
Complete Citation:
Keys, Ivor. “Sonata No. 3.” Music & Letters 33, no. 1 (January 1952): 91-92.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Khittl, Christoph
Year: 1995
Complete Citation:
Khittl, Christoph. “‘Jenseits im Diesseits’: Ubungen zur Rezeptionsasthetik und Rezeptionsdidaktik.” Polyaisthesis 3 (1995): 98-106.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Kirby, Fred
Year: 1967
Complete Citation:
Kirby, Fred. “Ives Boom Boon to Peer- Southern.” Billboard 79 (April 22, 1967): 32--33.Notes: Includes comments from Wladimir Lakond, international director of musical education and serious music department of Peer- Southern. States that Peer- Southern has over 100 copyrights of Ives’s music.
Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Kirkpatrick, John
Year: 1949
Complete Citation:
Kirkpatrick, John. “Review of ‘Three-Page Sonata,’ [etc.].” Music Library Association Notes, Second Series, Vol. 6, No. 3 (June, 1949).Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1961
Complete Citation:
Kirkpatrick, John. “Ives as Revealed in His Marginalia.” Cornell University Music Review, Vol. 4 (1961).Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1965
Complete Citation:
Kirkpatrick, John. “Preface.” In Charles Ives — Symphony No. 4. New York, NY: Associated Music Publishers, 1965.Source: Preface
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1973
Complete Citation:
Kirkpatrick, John. “Comparison of Sources.” In Charles E. Ives, Central Park in the Dark, edited by John Kirkpatrick and Jacques- Louis Monod, 32. Hillsdale, NY: Boelke- Bomart, 1973.Source: Essay in Score
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1973
Complete Citation:
Kirkpatrick, John. “Editor's Note.” In Charles E. Ives, Turn Ye, Turn Ye, edited by John Kirkpatrick, 2-4. Bryn Mawr, PA: Mercury Music, 1973.Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1975
Complete Citation:
Kirkpatrick, John. “Editor’s Notes.” In Charles E. Ives, Study No. 21: Some South--Paw Pitching!, edited by John Kirkpatrick, 7-12. Bryn Mawr, PA: Mercury Music, 1975.Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1984
Complete Citation:
Kirkpatrick, John. “Critical Commentary.” In Charles E. Ives, Trio for Violin, Violoncello, and Piano, edited by John Kirkpatrick. New York, NY: Peer International, 1984.Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1990
Complete Citation:
Kirkpatrick, John. “Critical Commentary.” In Charles Ives, Study No. 23 for Piano, edited by John Kirkpatrick, 11--13. Bryn Mawr, PA: Merion Music, 1990.Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Kirkpatrick, John.
Year: 1973
Complete Citation:
Kirkpatrick, John. “Comparison of Sources.” In Charles E. Ives, The Pond, 8. Hillsdale, NY: Boelke--Bomart, 1973.Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1975-76
Complete Citation:
Kirkpatrick, John. “Thoughts on the Ives Year.” Student Musicologists at Minnesota 6 (1975-1976): 218-224.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Kohs, Ellis B.
Year: 1952
Complete Citation:
Kohs, Ellis B. “Violin Sonata No. 2.” Notes 9, no. 2 (March 1952): 329-330.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Kramer, Lawrence
Year: 1993
Complete Citation:
Kramer, Lawrence. “Ives’s Misogyny and Post-Reconstruction America.” Paper presented at Feminist Theory and Music: Toward a Common Language. Minneapolis, Minnesota, June, 1991.Source: Conference Paper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1996
Complete Citation:
Kramer, Lawrence. “Powers of Blackness: Africanist Discourse in Mod-ern Concert Music.” Black Music Research Journal 16/1 (Spring 1996): 53-70.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Kubik, Gail T.
Year: 1936
Complete Citation:
Kubik, Gail T. “Review of New Music Editions.” Musical Leader. March 28, 1936.Source: Newspaper
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
