Barry, Malcolm
Year: 1979
Complete Citation:
Barry, Malcolm. “Modern.” Concert Reviews. Music and Musicians 27, no. 12 (August 1979): 47.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Barros, Paul de
Year: 2002
Complete Citation:
Barros, Paul de. “Reviews: Sideshow: “Songs of Charles Ives.”” Down Beat: Jazz, Blues & Beyond, Vol. 69, No. 5 (2002): 61-62.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Battisti, Frank
Year: 1998
Complete Citation:
Battisti, Frank. “The Legacy of Charles Ives.” Instrumentalist 52/7 (Febru-ary 1998): 68-74.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Beal, Amy
Year: 2003
Complete Citation:
Beal, Amy. “The Army, the Airwaves, and the Avant-Garde: American Classical Music in Postwar West Germany.” American Music 21, no. 4 (Winter 2003): 474-513.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Beal, Amy C.
Year: 2000
Complete Citation:
Beal, Amy C. “Negotiating Cultural Allies: American Music in Darmstadt, 1946-1956.” Journal of the American Musicological Society (Spring 2000) 53/1: 105-135.Notes: Translation by Amy C. Beal, p. 128-135.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2000
Complete Citation:
Beal, Amy C. “Negotiating Cultural Allies: American Music in Darmstadt, 1946-1956.” Journal of the American Musicological Society, vol. 53, no. 1 (2000): 105-139.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2003
Complete Citation:
Beal, Amy C. 2003. “The Army, the Airwaves, and the Avant-Garde: American Classical Music in Postwar West Germany.” American Music 21, no.4 (Winter): 474-513.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2006
Complete Citation:
Beal, Amy. New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification. Berkeley, CA: University of California Press, 2006.Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Beck, Nora M.
Year: 1993
Complete Citation:
Beck, Nora M. “An Examination of Gender in Selected Writ-ings and Music of Charles Ives.” Paper presented at Feminist Theory and Music: Toward a Common Language. Minneapolis, Minnesota, June, 1991.Source: Conference Paper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Beckwith, John
Year: 1977
Complete Citation:
Beckwith, John. “Reflections on Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 230-232. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Bellison, L.
Year: 1954
Complete Citation:
Bellison, L. “2 Get the Right Pitch on the Jew’s-Harp: Professional Musicians, both from City, Win Chance to Play Under Stokowski.” The New York Times, February 17, 1954, 26.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Bender, William
Year: 1965
Complete Citation:
Bender, William. “‘New’ Ives Work: Bravo.” New York Herald Tribune. April 27, 1965, 15.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Bender, William and Todd Gorman
Year: 2011
Complete Citation:
Bender, William and Todd Gorman. “Guide to Records - IVES: Quartets.” American Record Guide, Vol. 74, No. 2 (2011): 151-152.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Berger, Arthur V.
Year: 1932
Complete Citation:
Berger, Arthur V. “Music.” New York Daily Mirror. May 3, 1932: 24.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
Berger, Arthur V. “Ruggles Work Performed.” Sunday Mirror (New York). January 24, 1932.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
Berger, Arthur V. “Yaddo Musical Festival.” Daily Mirror, New York, Final Edition. May 3, 1932: 18.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
Berger, Arthur V. “Pan-American Association.” Daily Mirror, New York, Extra Edition, February 17, 1932, 18.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1946
Complete Citation:
Berger, Arthur V. “Three New Sonatas.” New York Herald Tribune, November 12, 1946, 21.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Bermúdez, Santiago Martín
Year: 2004
Complete Citation:
Bermúdez, Santiago Martín. “Charles Ives: La Soldedad.” Scherzo: Revista de Música, Vol. 19 (2004): 106-108.Source: Magazine (review?)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2012
Complete Citation:
Bermúdez, Santiago Martín. “Discos: Ives, incandescente.” Scherzo: Revista de Música, Vol. 27 (2012): 59.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews