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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
(-) XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Barnes, Clive

Year: 1966
Complete Citation:
Barnes, Clive. “Dance: Ives sans Currier.” The New York Times, December 5, 1966, 65.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1966
Complete Citation:
Barnes, Clive. “Ives sans Currier.” The New York Times. December 5, 1966: 65.

Notes:

“It is a strange engrossing bal-let. Charles Ives was a strange, engrossing composer.” John Tuvas, choreographer.

Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Baron, Carol K.

Year: 1993
Complete Citation:
Baron, Carol K. “In the Premises, What Would He Do?: Charles Ives’s Challenge to Conservative Critics.” Paper presented at International Kongress der Gesellschaft für Musikforschung. Freiburg, Germany, September, 1993.
Source: Conference paper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Battisti, Frank

Year: 1998
Complete Citation:
Battisti, Frank. “The Legacy of Charles Ives.” Instrumentalist 52/7 (Febru-ary 1998): 68-74.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Beal, Amy

Year: 2003
Complete Citation:
Beal, Amy. “The Army, the Airwaves, and the Avant-Garde: American Classical Music in Postwar West Germany.” American Music 21, no. 4 (Winter 2003): 474-513.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Beal, Amy C.

Year: 2000
Complete Citation:
Beal, Amy C. “Negotiating Cultural Allies: American Music in Darmstadt, 1946-1956.” Journal of the American Musicological Society, vol. 53, no. 1 (2000): 105-139.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2000
Complete Citation:
Beal, Amy C. “Negotiating Cultural Allies: American Music in Darmstadt, 1946-1956.” Journal of the American Musicological Society (Spring 2000) 53/1: 105-135.
Notes:

Translation by Amy C. Beal, p. 128-135.

Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2003
Complete Citation:
Beal, Amy C. 2003. “The Army, the Airwaves, and the Avant-Garde: American Classical Music in Postwar West Germany.” American Music 21, no.4 (Winter): 474-513.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2006
Complete Citation:
Beal, Amy. New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification. Berkeley, CA: University of California Press, 2006.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Beck, Jill

Year: 1985
Complete Citation:
Beck, Jill. “Principles and Techniques of Choreography: A Study of Five Choreographies from 1983.” Ph.D. diss., City University of New York, 1985.
Source: Ph.D. Dissertation
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Beck, Nora M.

Year: 1993
Complete Citation:
Beck, Nora M. “An Examination of Gender in Selected Writ-ings and Music of Charles Ives.” Paper presented at Feminist Theory and Music: Toward a Common Language. Minneapolis, Minnesota, June, 1991.
Source: Conference Paper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Beckwith, John

Year: 1977
Complete Citation:
Beckwith, John. “Reflections on Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 230-232. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Bernheimer, Martin

Year: 1976
Complete Citation:
Bernheimer, Martin. “Dance Review: ‘Ivesiana’ by L.A. Ballet.” Los Angeles Times, August 3, 1976, E7.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Bernstein, Leonard

Year: 1982
Complete Citation:
Bernstein, Leonard. “Speech to die National Press Club.” In Findings, 160-162. New York, NY: Doubleday, 1982.
Source: Book
V. General Music Studies
S. Reception Studies and Related Scholarship

Blankert, Beppie, choreographer

Year: 1993
Complete Citation:
Beppie Blankert, choreographer. Charles Ives Trilogy (1993); ballet. Based on the life of Charles Ives. Volume 1. “Charles." Music: songs, piano works, and violin sonatas. Volume 2. "Ives."Music: large ensemble music. For 13 musicians; Rutger van Leyden, director. Volume 3. “Dance Concert.” Music: Holidays Symphony; Serenity.
Source: Performance (dance)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Block, Geoffrey and J. Peter Burkholder, eds.

Year: 1996
Complete Citation:
Block, Geoffrey, and J. Peter Burkholder, eds. “Contemporary Views of Ives and His Music: Profiles 1932-1955.” In Charles Ives and His World, 363-442. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Blum, Robert Stephen

Year: 1977
Complete Citation:
Blum, Robert Stephen. “Ives’s Position in Social and Musical History.” The Musical Quarterly 63 (1977): 459-482.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Blum, Stephen

Year: 1985
Complete Citation:
Blum, Stephen. “Charles Ives and American Ethnomusicology.” Paper presented at Joint annual meeting of AMS and SEM. Vancouver, Canada, 1985.
Source: Conference paper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Bolcom, William

Year: 1976
Complete Citation:
Bolcom, William. “The Old Curmudgeon’s Corner.” Musical Newsletter 4/4 (1976): 20-21.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Borum, Poul

Year: 1996
Complete Citation:
Borum, Poul. “Musikkens Borum.” Dansk Musik Tidsskrift, Vol. 70, No. 5 (1996): 160-166.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship