Rudhyar, Dane
Year: 1938
Complete Citation:
Rudhyar, Dane. “The Birth of the Transcendental Movement and Its Manifestations in Music and the Modern Dance.” New Mexico Daily Examiner, August 21, 1938, 195-196.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Saminsky, Lazare
Year: 1932
Complete Citation:
Saminsky, Lazare. “Europe and America in Music Today.” Modern Music (January-February 1932): 93--95.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Scharnhorst, Gary
Year: 1988
Complete Citation:
Scharnhorst, Gary. “From Soldier to Saint: Robert Gould Shaw and the Rhetoric of Racial Justice.” Civil War History 34 (December 1988): 321.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Schiff, David
Year: 2009
Complete Citation:
Schiff, David. “Ives’s Ears.” Nation 288, no. 1 (January 5, 2009): 30--33.Source: Journal
V. General Music Studies
S. Reception Studies and Related Scholarship
Schulman, Jennie
Year: 2000
Complete Citation:
Schulman, Jennie. “Eliot Feld brings provocation to NYC ballet.” Back Stage 41, no. 7 (February 2000).Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 2000
Complete Citation:
Schulman, Jennie. “Eliot Feld Brings Provocation to NYC Ballet.” Back Stage 41, no.7 (February 2000).Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 2004
Complete Citation:
Schulman, Jennie. “NYC ballet in Balanchine American Fest.” Back Stage 45, no. 25 (June 2004).Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Schwarz, K.R.
Year: 1988
Complete Citation:
Schwarz, K.R. “Dance; As American as Robbins & Ives.(Arts and Leisure Desk).” The New York Times, January 31, 1988.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Schwarz, K. Robert
Year: 1988
Complete Citation:
Schwarz, K. Robert. “As American as Robbins & Ives: The New Ballet Choreographed by Jerome Robbins to Songs by Charles Ives Reflects the Composer's Life.” The New York Times, January 31, 1988, H10.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Searle, Humphrey
Year: 1939
Complete Citation:
Searle, Humphrey. “Growing Pains in England.” Modern Music 16/4 (May--June 1939): 220-224.Notes: Quotation from article: “One would like to hear more of Americans. A concert given by the BBC last winter included works by Whithorne, Carpenter, and Fuleihan, but what about Copland, Piston, Sessions, Ives, Harris? Their music is hardly ever played here.”
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Sherwood, Gayle
Year: 2001
Complete Citation:
Sherwood, Gayle. “Ives and Neurasthenia: A Response to Stuart Feder.” Journal of the American Musicological Society 54, no.3 (Fall 2001): 641-643.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Siegmeister, Elie
Year: 1961
Complete Citation:
Siegmeister, Elie. “The Case of Mr. Ives.” Music Today 4/1 (June--August 1961): 1-2.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Sinclair, James
Year: 1996
Complete Citation:
Sinclair, James. “An Ives Experience.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 38-39. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
VI. Topical Studies
S. Reception Studies and Related Scholarship
Sloat, Susanna
Year: 1997
Complete Citation:
Sloat, Susanna. “Review of Charles Ives Trilogy (1993); ballet, Volume 1.” Attitude Brooklyn (Fall 1997): 82--83.Notes: Review of Volume 1 Performance: 1997 June 6: New York; St. Mark's Church; Dance Studio.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Smith, Catherine Parsons
Year: 1994
Complete Citation:
Smith, Catherine Parsons. “‘A Distinguished Virility’: Feminism and Modernism in American Art Music.” In Cecilia Reclaimed: Feminism Perspectives on Gender and Music, edited by Susan C. Cook and Judy S. Tsou, 94-95. Urbana, Illinois: University of Illinois Press, 1994.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Sokolow, Anna
Year: 1980
Complete Citation:
Sokolow, Anna. Quartertones. New York, New York: Dance Notation Bureau, 1980.Source: Book
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Sokolow, Anna and Ilene Fox
Year: 1983
Complete Citation:
Sokolow, Anna and Ilene Fox. “Scenes from the music of Charles Ives.” New York, NY: Dance Notation Bureau, 1983.Notes: Choreography from 1971.
Source: Book
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Sokolow, Anna, choreographer
Year: 1976
Complete Citation:
Anna Sokolow, choreographer. Ellis Island (1976); ballet; Juilliard Dance Ensemble.
Music: excerpts from Sonata No. 2, "Concord, Mass., 1840--1860” for piano; Set No. 3; Sonata No. 3 for violin and piano; The Rainbow; Hymn, Tone Roads No. 1.
Prf: 1976 May 7: New York; Juilliard Theater; Andrew Rangell, piano.Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1988
Complete Citation:
Anna Sokolow, choreographer. Scenes from the Music of Charles Ives (1988); ballet; Anna Sokolow Company.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Solie, Ruth A., ed.
Year: 1995
Complete Citation:
Solie, Ruth A. “Charles Ives and gender ideology.” In Musicology and difference: gender and sexuality in music scholarship. Berkeley, CA: University of California Press, 1995.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship