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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
(-) XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Henahan, Donal

Year: 1987
Complete Citation:
Henahan, Donal. 1987. “Is an Icon Becoming a Has--Been?” New York Times, April 5.
Source: Newspaper
V. General Music Studies
S. Reception Studies and Related Scholarship

Henahan, Donald

Year: 1974
Complete Citation:
Henahan, Donald. “Composers Uncommemorated.” The Atlanta Constitution, July 6, 1974, 6T.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Hirsch, Edward

Year: 1986
Complete Citation:
Hirsch, Edward. “The Night Parade: Homage to Charles Ives.” The Geor-gia Review.
Source: Poem
Reprints:

Hirsch, Edward. “The Night Parade: Homage to Charles Ives.” In <i>Wild Gratitude</i>. Knopf Poetry Series, 21. New York, NY: Alfred A. Knopf, 1986: 30--33.

XIII. Ives in Literature
A. Poetry

Hoffman, Daniel

Year: 1970
Complete Citation:
Hoffman, Daniel. “Snatches for Charles Ives.” In Broken Laws. New York, New York: Oxford University Press, 1970.
Source: Poem
Reprints:

Reprint: Beyond Silence: Selected Shorter Poems, 1948-2003. Baton Rouge: Louisiana State University Press, 2003: 181.

XIII. Ives in Literature
A. Poetry
Year: 1977
Complete Citation:
Hoffman, Daniel. “Snatches for Charles Ives.” In Able was I ere I saw Elba: selected poems, 1954-74. London, United Kingdom: Hutchinson, 1977.
Source: Poem
XIII. Ives in Literature
A. Poetry

Holmes, Janet

Year: 2001
Complete Citation:
Holmes, Janet. “Humanophone.” In Humanophone, 46-52. Notre Dame, IN: Univer-sity of Notre Dame Press, 2001.
Source: Poem in Book
XIII. Ives in Literature
A. Poetry

Horowitz, Joseph

Year: 2012
Complete Citation:
Horowitz, Joseph. “Charles Ives: Gentility and Rebellion.” In Moral Fire: Musical Portraits from America's Fin de Siècle. Berkeley: University of California Press, 2012.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Houston, Peyton

Year: 1975
Complete Citation:
Houston, Peyton. “Concord: In Memory of C. I.” A Garland for Charles Ives: Special Supplement to Parnassus: Poetry in Review 3/2 (Spring/Summer 1975): 327--328.
Source: Poem
XIII. Ives in Literature
A. Poetry

Hubbs, Nadine

Year: 2019
Complete Citation:
Hubbs, Nadine. “Being Musical: Gender, Sexuality, and Musical Identity in Twentieth-Century America.” In The Queer Composition of America's Sound: Gay Modernists, American Music, and National Identity. Berkeley, CA: University of California Press, 2004.
Source: Newsletter
VI. Topical Studies
S. Reception Studies and Related Scholarship

Hutton, Edna Rait

Year: 1963
Complete Citation:
Hutton, Edna Rait. “The Legacy of Charles Ives.” Pan Pipes 55/2 (January 1963): 13-14, 30.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

J. W. Larson, Arthur W. Murphy, and Brooks Shepard, Jr.

Year: 1964
Complete Citation:
HiFi Stereo Review (November) 13/5: 8, 12.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Jaffin, David

Year: 2013
Complete Citation:
Jaffin, David. “Charles Edward Ives.” In Light sources: poems. Bristol, United Kingdom: Shearsman Books, 2013.
Source: Poem
XIII. Ives in Literature
A. Poetry

John Heiss, J. Peter Burkholder, Richard Dyer, Vivian Perlis, and Jan Swafford

Year: 2005
Complete Citation:
John Heiss, J. Peter Burkholder, Richard Dyer, Vivian Perlis, and Jan Swafford. “Ives and His Time and Ours.” Panel at at Charles Ives and His World, as Tribute to Iconoclastic American Com-poser. New England Conservatory of Music, Jordan Hall and Williams Hall, Boston, Massachusetts, March 13--17, 2005.
VI. Topical Studies
S. Reception Studies and Related Scholarship

Johnson, Owen

Year: 1912
Complete Citation:
Johnson, Owen. Stover at Yale. Boston, MA: Little, Brown, 1912.
Source: Book
XIII. Ives in Literature
B. Fiction

Johnson, Ronald

Year: 1975
Complete Citation:
Johnson, Ronald. “Charles Ives: Two Eyes, Two Ears.” Parnassus: Poetry in Review 3/2 (Spring/Summer 1975): 345-349.
Source: Journal
XIII. Ives in Literature
A. Poetry

Kamper, Dietrich

Year: 1987
Complete Citation:
Kamper, Dietrich. “Wandlungen des Ives-Bildes.” In Amerikanische Musik seit Charles Ives: Interpretation, Quellentexte, Komponistenmonographien, 3-14, Laaber, Germany: Laaber-Verlag, 1987.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Khittl, Christoph

Year: 1995
Complete Citation:
Khittl, Christoph. “‘Jenseits im Diesseits’: Ubungen zur Rezeptionsasthetik und Rezeptionsdidaktik.” Polyaisthesis 3 (1995): 98-106.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Kirkpatrick, John.

Year: 1975-76
Complete Citation:
Kirkpatrick, John. “Thoughts on the Ives Year.” Student Musicologists at Minnesota 6 (1975-1976): 218-224.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Kramer, Lawrence

Year: 1993
Complete Citation:
Kramer, Lawrence. “Ives’s Misogyny and Post-Reconstruction America.” Paper presented at Feminist Theory and Music: Toward a Common Language. Minneapolis, Minnesota, June, 1991.
Source: Conference Paper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1996
Complete Citation:
Kramer, Lawrence. “Powers of Blackness: Africanist Discourse in Mod-ern Concert Music.” Black Music Research Journal 16/1 (Spring 1996): 53-70.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship