Clarkson, Austin
Year: 1977
Complete Citation:
Clarkson, Austin. “Charles Ives Here-and-Now-and-After,” 241-243. In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 241-243. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Cober, Alan E.
Year: 1994
Complete Citation:
Cober, Alan E. Illustration. Atlantic Monthly 273/1 (January 1994): 106.Source: Illustration
XVI. Photographs and Artwork
B. Artwork
Copland, Aaron
Year: 1968
Complete Citation:
Copland, Aaron. “The Ives Case.” In The New Music: 1900-1960. New York, NY: W.W. Norton, 1968. Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Cowell, Henry
Year: 1933
Complete Citation:
Cowell, Henry. “Europe and America in Music Today.” Modern Music X, 2 (January-February 1933): 95.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Cowell, Sidney
Complete Citation:
Cowel, Sidney. Photograph of Ives and Henry Cowell. Reproduced: brochure about Cowell (Broadcast Music, Inc.).Source: Photograph
XVI. Photographs and Artwork
A. Photographs
Crutchfield, Will
Year: 1987
Complete Citation:
Crutchfield, Will. “Why Our Greatest Composer Needs Serious Attention.” The New York Times, May 10, 1987, sec. 2, 19, 22.Source: Newspaper
V. General Music Studies
S. Reception Studies and Related Scholarship
Daniel, Oliver
Year: 1975
Complete Citation:
Daniel, Oliver. The Charles Ives Centennial: A personal memoir by Oliver Daniel. BMI: The Many Worlds of Music 3 (1974): 32-35.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Dattel, Michel
Complete Citation:
Dattel, Michel. Homage to Charles Ives (1996--1999); mixed media (col-lage, watercolor, ink) on paper (16 x 24 inches).Notes: “A graphic interpretation of Ives’ music, especially ‘The Unanswered Question’ (1906) and ‘Three Places in New England’ (1903--1904).”
Source: Mixed media
XVI. Photographs and Artwork
B. Artwork
Dayton. Daryl D
Year: 1975-1976
Complete Citation:
Dayton, Daryl D. “Charles Ives in the USIA.” Student Musicologists at Min-nesota 6 (1975-76): 87-94.Source: Journal
V. General Music Studies
S. Reception Studies and Related Scholarship
Dickinson, Peter
Year: 1974
Complete Citation:
Dickinson, Peter. “A New Perspective for Ives.” The Musical Times 115 (September 1974): 836-8-38.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1974
Complete Citation:
Dickinson, Peter. “A New Perspective for Ives.” Musical Times 115/1580 (October 1974): 836-838.Source: Journal
V. General Music Studies
S. Reception Studies and Related Scholarship
Dolbin, Benedikt bred
Complete Citation:
Dolbin, Benedikt bred. Sketch. Eastern Underwriter.Source: Sketch
XVI. Photographs and Artwork
B. Artwork
Downes, Olin
Year: 1925
Complete Citation:
Olin Downes. “Placing the Critics.” The League of Composers’ Review II, 2 (April 1925): 33-35.Notes: <i>The League of Composers’ Review</i> was succeeded by <i>Modern Music</i>
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1946
Complete Citation:
Downes, Olin. “Tardy Recognition.” The New York Times, April 14, 1946, sec. 2, 5.Source: Newspaper
Reprints: In <i>Charles Ives and His World</i>, 276-277. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1957 (writings from 1955 and before)
Complete Citation:
Downes, Olin. “The tardy recognition of Charles Ives.” In Olin Downes on music: a selection from his writings during the half-century 1906 to 1955, edited by Irene Downes. New York, NY: Simon and Schuster, 1957.Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Drosd, Nancy
Complete Citation:
Drosd, Nancy. Caricature, 1972. High Fidelity/Musical America 24/10 (October 1974): cover and on the magazine’s advertisements for subscriptions.Notes: Based on the Adolf E. Brotman sketch and/or a photograph by Halley Erskine.
Source: Illustration
Reprints: Peer International Corporation for Ives brochures
XVI. Photographs and Artwork
B. Artwork
Dwinell, Paul
Year: 1964
Complete Citation:
Dwinell, Paul. “The Resurrection of Charles E. Ives.” Listen 1/5 (Septem-ber-October): 15--16.Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
Eidenbenz, Michael
Year: 2004
Complete Citation:
Eidenbenz, Michael. “Zum ernsthaften Komponisten geweiht.” Dissonanz (2004): 55-56.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Elliott Schwartz and Barney Childs, eds.
Year: 1967
Complete Citation:
Elliott Schwartz and Barney Childs, eds. Contemporary Composers on Contemporary Music. New York, NY: Holt, Rinehart and Winston, 1967.Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Erskine, Halley
Year: 1951
Complete Citation:
Erskine, Halley. Photographs. Spring, 1951. In A Charles Ives Omnibus, by James Mack Burk and Michael J. Budds, 50, 57, and 859-860. Hillsdale, New York: Pendragon Press, 2008.Source: Photograph
Reprints: The full collection consists of eighty-four photographs of Ives alone or with Mrs. Ives at their West Redding home. Some have appeared as covers of recordings and in magazines as well as in several books. [Date determined from letter from Ms. Erskine to Ives (in the Charles Ives Papers at Yale University) and a letter to Ms. Erskine from Harmony Ives (in the James Mack Burk Col-lection).]
XVI. Photographs and Artwork
A. Photographs
