Image
Complete Citation:
Taubman, Howard. “Posterity Catches Up with Charles Ives, An Interview.” New York Times Magazine, October 23, 1949.
Bibliography
Genres
Taubman, Howard
Year: 1949
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 1958
Complete Citation:
Taubman, Howard. “Forget Posterity.” The New York Times. November 23, 1958, sec. 2, 11.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Téllez, José Luis
Year: 2004
Complete Citation:
Téllez, José Luis. “Charles Ives: Las Paradojas del Profeta.” Scherzo: Revista de Música, Vol. 19 (2004): 110-115.Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Thomas, Richard
Year: 2001
Complete Citation:
Thomas, Richard. “Who’s Who in Stamps: Charles Ives, Composer.” Linn’s Stamp News 74/3784 (May 7, (2001): 30.Source: Postage Stamp
Reprints:
Short biography mentioning several of Ives's compositions.
XVI. Photographs and Artwork
C. Other
C. Other
Year: 2001
Complete Citation:
Thomas, Richard. “Who’s Who in Stamps: Charles Ives, Composer.” Linn’s Stamp News 74/3784 (May 7, 2001): 30.Notes:
Short biography to acquaint collectors with Ives on the occasion of the issuing of commemorative postage stamp. Mentions several of Ives’s compositions.
Source: Magazine
XVI. Photographs and Artwork
C. Other
C. Other
Thomson, Virgil
Year: 1971
Complete Citation:
Thomson, Virgil. “The Ives Case.” New York Review of Books 14, no. 10, May 21, 1970, 9--11.Source: Magazine
Reprints:
Thomson, Virgil. “The Ives Case.” In <i>American Music Since 1910</i>, 22-30. New York: Holt, Rinehart and Winston, 1971. * Thomson, Virgil. “The Ives Case.” <i>A Virgil Thomson Reader</i>, 460-67. Boston: Houghton Mifflin, 1981. * Thomson, Virgil. “The Ives Case.” In <i>Virgil Thomson: The State of Music & Other Writings</i>, edited by Tim Page. New York, NY: Library of America, 2016.
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Tick, Judith
Year: 1993
Complete Citation:
Tick, Judith. 1993. “Charles Ives and Gender Ideology.” In Musicology and Difference: Gender and Sexuality in Music Scholarship, edited by Ruth Solie, 125--147. Berkeley, CA: University of California Press.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Tyler, George Grayson
Year: 1950
Complete Citation:
Tyler, George Grayson. Two color photographs of Ives. July, 1950. Tyler, a lawyer, was Ives's son--in--law.Source: Photograph
XVI. Photographs and Artwork
A. Photographs
A. Photographs
Usmanbas, Ilhan
Year: 1977
Complete Citation:
Usmanbas, Ilhan. “Random-and Provocative Thoughts on Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 254-256. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Victor, Jini
Year: 1974
Complete Citation:
Victor, Jini. Montage. The New York Times, October 20, 1974, sec. D, 21, 26.Source: Sculpture
Reprints:
Shown as illustration in the article “Charles Ives, Musical Inventor” by Jonathan Cott.
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Vinay, Gianfranco
Year: 1974
Complete Citation:
Vinay, Gianfranco. “Charles Ives e i musicisti europei: anticipazioni e dipendenze.” Nuova Rivista Musicale Italiana 7 (1973): 417-429.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Von Glahn, Denise
Year: 2001
Complete Citation:
Von Glahn, Denise. “Renewing Immortality: The Musical Monument of Charles Ives.” In Hope and Glory: Essays on the Legacy of the Fifty- Fourth Massachusetts Regiment, edited by Martin H. Blatt, Thomas J. Brown, and Donald Yacovone, 191--201. Amherst, MA: University of Massachusetts Press in Association with the Massachusetts Historical Society, 2001.Notes:
In re: "Colonel Robert Shaw and His Colored Regiment" from Orchestral Set No. 1: Three Places In New England.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 2008
Complete Citation:
Von Glahn, Denise. “Charles Ives at “Christo's Gates.”” Twentieth Century Music, Vol. 5, No. 2 (2008): 157-178.Source: Journal
XVI. Photographs and Artwork
B. Artwork
B. Artwork
von Kager, Erica
Year: 1977
Complete Citation:
von Kager, Erica. Portrait, oil painting, before 1977.Notes:
Based on a Halley Erskine photograph.
Source: Painting
XVI. Photographs and Artwork
B. Artwork
B. Artwork
von Rhein, John
Year: 1999
Complete Citation:
von Rhein, John. “Millennial Masterworks.” Chicago Tribune [Arts & Entertainment] (July 25, 1999): 5.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Wallner, Bo
Year: 1968
Complete Citation:
Wallner, Bo. Var tids musik i Norden: Fran 20--Tal Till 60--Tal, 252, 255, 260. Stock-holm, Sweden: Nordiska Musikforlaget, 1968.Notes:
Otto Henrik Donner quoted: "I Charles Ives har jag upplevten tonsdattare som inte laste sig vid nagon skenbar logik eller nagot system." Also mentions Donner’s Symphonie (I'Hommage a Ives) of 1964 {E080}.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Watson, Leda
Year: 1976
Complete Citation:
Watson, Leda. “Homage to Charles Ives,” collage made up of photographs, music pages from the Concord Sonata, “American Music” postage stamp, and other items, ca. 1976.Notes:
Part of a set of 4; 50 numbered, color photograph prints made of each one. The other collages were devoted to Emerson, Hawthorne, and Thoreau [i.e., Concord Sonata, movements].
Source: Collage
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Weiss, Adolph
Year: 1931
Complete Citation:
Weiss, Adolph. “Letter to the Editor.” The New York Times. July 26, 1931, sec. 8, 7.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Whitesell, Lloyd
Year: 1994
Complete Citation:
Whitesell, Lloyd. “Reckless Form, Uncertain Audiences: Responding to Ives.” American Music 12.3 (Autumn 1994): 304-319.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Zaher, Noel
Year: 1990
Complete Citation:
Zaher, Noel. “Letter to the editor.” Perspectives of New Music 28, no.2 (Summer 1990): 331--332.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship