Bibliography

Wilson, Lawrence

Year: 1981

Complete Citation:

Wilson, Lawrence. “Ragtime: Its Roots, Style, and Influence,” 90-92. D. Mus. dis-s., Indiana University, 1981.

Source: D. Mus. Dissertation

VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Wilson, P.T.

Year: 1994

Complete Citation:

Wilson, P.T. “Charles Ives: Consistent in Chaos; A Study of Selected Large Orchestral Works.” Ph.D. diss., York University, 1994.

Source: Ph.D. Dissertation

VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Winters, Thomas Dyer

Year: 1986

Complete Citation:

Winters, Thomas Dyer. “Additive and repetitive techniques in the experimental works of Charles Ives.” Ph.D. diss., University of Pennsylvania, 1986.

Source: Ph.D. Dissertation

VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Wirt, Ronald L.

Year: 1976

Complete Citation:

Wirt, Ronald L. “Musical quotation in the works of Charles Ives.” B.A. Thesis, Reed College, 1976.

Source: B.A. Thesis

VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Wolf, Henry Samuel

Year: 1957

Complete Citation:

Wolf, Henry Samuel. “The Twentieth Century Piano Sonata.” Ph.D. diss., Boston University, 1957.

Notes:

Ives is one of eight com-posers whose sonatas are discussed.

Source: Ph.D. Dissertation

VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Wong, Justin

Year: 2007

Complete Citation:

Wong, Justin. “A performance approach to Charles Ives' Fourth violin sonata.” M.M. Thesis, California State University, Long Beach, 2007.

Source: M.M. Thesis

VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Wright, Allan

Year: 2007

Complete Citation:

Wright, Allan. “Frank Zappa’s orchestral works: art music or “bogus pomp”?” University of Glasgow, M.M. thesis, 2007.

Notes:

Only one mention of Ives.

Source: M.M. Thesis

VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Young III, Harmon Griffith

Year: 1995

Complete Citation:

Young III, Harmon Griffith. “The Sacred Choral Music of Dave Brubeck: A Historical, Analytical, and Critical Examination.” Ph.D. diss., University of Florida, 1995.

Source: Ph.D. Disseration

VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Year: 1995

Complete Citation:

Young III, Harmon Griffith. “The Sacred Music of Dave Brubeck: A Historical, Analytical, and Critical Examination.” Ph.D. diss., University of Florida, 1995.

Source: Ph.D. Dissertation

VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Young, Jerry Lee

Year: 1980

Complete Citation:

Young, Jerry Lee. “Characteristics of traditional Western art music as symbolic and structural elements in the music of Charles E. Ives.” M.Mus. Thesis, University of Texas at Austin, 1980.

Source: M.Mus. Thesis

VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Zechel, Charles

Year: 1981

Complete Citation:

Zechel, Charles. “Not for sissy ears: stream-of-consciousness in the music of Charles Ives.” B.A. Thesis, Reed College, 1981.

Source: B.A. Thesis

VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Zobel, Mark A.

Year: 2005

Complete Citation:

Zobel., Mark A. “‘Music Close to the Soul and Deeply Felt’: The Use of American Hymn Tunes in Charles Ives’s Third Symphony.” Ph.D. diss., University of Colorado- Boulder, 2005.

Notes:

The author stresses his own interpretations of the protestant religious connotations of the hymn-tunes as used by Ives. See B1533.

Source: Ph.D. Dissertation

VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

no author listed

Year: 1965

Complete Citation:

“Gets Grant.” New York Amsterdam News, February 27, 1965, 16.

Source: Newspaper