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Bibliography

Huntington, Anna

Year: Pre-1966
Complete Citation:
Huntington, Anna. Bronze bust. Sculpture, 1966. Danbury, CT: Danbury Museum and Histori-cal Society (formerly Scott--Fanton Museum). Photograph in HiFi/Stereo Review 17/1 (July 1966): 72.
Source: Sculpture
Reprints:

Another is in the lobby of the Charles Ives Recital Hall, Western Connecticut State College, Dan-bury.

XVI. Photographs and Artwork
B. Artwork

Hutton, Edna Rait

Year: 1965
Complete Citation:
Hutton, Edna Rait. “Years Add Luster to Ives Legacy.” Pan Pipes 57/3 (March 1965): 35.
Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy

Kitaj, R. B.

Complete Citation:
Kitaj, R.B. Drawing, 1975. Parnassus: Poetry in Review (Spring/Summer 1975): cover.
Notes:

Based on a photograph by W. Eugene Smith.

Source: Drawing
XVI. Photographs and Artwork
B. Artwork

Kramer, Norman

Year: 1974
Complete Citation:
Kramer, Norman. “The First Danbury Historical Poster,” print. Danbury: The Custom Framer (1974).
Notes:

A limited edition of 250 silk-screen prints, hand-colored and signed by the artist. Includes a section on Ives in the "Eminent Persons" portion of the poster.

Source: Poster
XVI. Photographs and Artwork
B. Artwork

Kueffer, Bruce

Year: 2001
Complete Citation:
Kueffer, Bruce. Bronze bust. San Francisco: Davies Symphony Hall. In American Mavericks, edited by Susan Key and Larry Rothe, 4 [photograph]. San Francisco/Berkeley: San Francisco Symphony in co-operation with the University of California Press, 2001.
Source: Sculpture
XVI. Photographs and Artwork
B. Artwork

Leeuw, Reinbert de

Year: 1968
Complete Citation:
Leeuw, Reinbert de. “Charles Ives Society Founded in Holland.” Sonorum Speculum no. 35 (Summer 1968): 13-16.
Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy

Levine, David

Year: 1994
Complete Citation:
Levine, David. “Charles Ives,” black and white intaglio etching, 1994. American Academy of Arts and Letters portfolio, 1998.
Notes:

Printed by Stephen Sholinsky.

Source: Etching
XVI. Photographs and Artwork
B. Artwork

[Maloy?], Carl

Year: 1988
Complete Citation:
Maloy, Carl. Sketch, 1988. Cover of an Ives brochure by BMI.
Source: Sketch
XVI. Photographs and Artwork
B. Artwork

McNeely, Tom

Year: 1997
Complete Citation:
McNeely, Tom. Drawing, watercolor on watercolor paper (17 x 23.375 inches), 1997. United States Post Office, 1997.
Notes:

Originally appeared on a first- day cover of the United States postage stamp by Fleetwood.

Source: Watercolor
XVI. Photographs and Artwork
B. Artwork

Norkin, Sam

Complete Citation:
Norkin, Sam. Sketch. Saturday Review (August 28) 31/35: 45.
Notes:

After the photograph by W. Eugene Smith.

Source: Magazine
XVI. Photographs and Artwork
B. Artwork

Noroa, Daniel Quiroga

Year: 1996
Complete Citation:
Noroa, Daniel Quiroga. “Creadon Musical Chilena: Encargo ‘Charles Ives’ para Compositores.” Revista musical chilena 50 (July-December 1996): 85-85.
Source: Magazine
VI. Topical Studies
U. Institutions and Ives’ Legacy

Osborne, Neale

Year: 2004
Complete Citation:
Neale Osborne. Illustration, 2004. Gramophone 82/981, July 2004, 39.
Source: Illustration
XVI. Photographs and Artwork
B. Artwork

Paolozzi, Eduardo

Year: 1974--1977
Complete Citation:
Paolozzi, Eduardo. From Calcium Light Night, nine paint-ings with titles drawn from Ives's compositions, 1974--1977.
Notes:

Title of Individual Paintings: <br><br>1. Allegro, moderato: Fireman's Parade (1974-1976). <br><br>2. Central Park in the Dark Some 40 Years Ago (1974-1976). <br><br>3. The Children's Hour (1974-1976). <br><br>4. Largo to Presto (1974-1976). <br><br>5. Aeschylus and Socrates (1974-1976). <br><br>6. Calcium Light Night (1974-1976).<br><br>7. Four German Songs (1974-1976).<br><br>8. From Early Italian Poets (1974--1976). <br><br>9. Nettleton (1977).

Source: Painting Series
XVI. Photographs and Artwork
B. Artwork

Pfaffman, Scott

Year: 1994
Complete Citation:
Pfaffman, Scott. Wooden sculpture of Ives and his father. Sculpture, 1994. Brooklyn, NY Bear’s Community Garden. In “Ives on Flatbush Avenue.” Institute for Studies in American Music Newsletter 23/2 (Spring 1994): 11.
Source: Sculpture
Reprints:

Publication in Institute for Studies in American Music Newsletter<i> </i>includes a letter from Siegmund Levarie with a photograph by Ray Allen.

XVI. Photographs and Artwork
B. Artwork

Philip Van Aver

Year: 1975
Complete Citation:
Van Aver, Philip. “Untitled (Drawing).” Parnassus: Poetry In Review 3/2 (Spring/Summer 1975): 294.
Source: Drawing
XVI. Photographs and Artwork
B. Artwork

Reed, Joseph W.

Year: 1984
Complete Citation:
Reed, Joseph W. “Two Sketches,” 1984. In Three American Originals: John Ford, William Faulkner, & Charles Ives, Middletown, CT: Wesleyan University Press, 1984.
Source: Sketches
XVI. Photographs and Artwork
B. Artwork

Rodrigues, Charles

Year: 1978
Complete Citation:
Rodrigues, Charles. Cartoon. Stereo Review 41/5 (November 1978): 124.
Notes:

Pictures a man in business suit walking by a building with a plaque stating: Charles Ives Insured This Building. October 9, 1919.

Source: Journal/Magazine
XVI. Photographs and Artwork
B. Artwork

Rothstein, Edward

Year: 1980
Complete Citation:
Rothstein, Edward. “Ives Country.” The New York Times, August 22, 1980, sec. C, 8.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy

Sanders, Donald

Year: 1976
Complete Citation:
Sanders, Donald. “Plaques Mark Homes of Ives, Ellington.” Boston Globe, August 17, 1976, 20.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy

Schuman, William

Year: 1940-1941
Complete Citation:
Schuman, William. “A Brief Study of Music Organizations Founded in the Interest of the Living Composer.” Twice a Year (Fall-Winter 1940 and Spring-Summer 1941) 5-6: 361--367.
Notes:

A brief but worthwhile sur-vey, especially of “The League of Composers” (365): “The Arrow Music Press is a cooperative venture. The composer pays all, or a portion of, the expense of publishing his compositions and in return receives all but a small fraction of the return. A very interesting catalogue has al-ready been issued by the press, which appears to be increasing its acti-vities.” With the Arrow Press imprint and its subsidiary Cos Cob Press, the following works of Ives were published: Sonata [No. 4] for violin and piano; Serenity; Sixty--Seventh Psalm; Charlie Rutlage; Evening; The Greatest Man', Walking; Seven Songs’, Third Symphony (“The Camp Meeting”) [CI 87); Sonata No. 2, “Concord, Mass., 1840--1860,” for piano; and Where the Eagle (in the Cos Cob Song Volume). The Cos Cob Press was later absorbed by the Arrow Music Press that in turn was merged into Associated Music Publishers. Ives and Walter Piston had the most titles in this catalogue. The article re-prints “Prologue” from Essays Before a Sonata.

Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy