Abraham, Gerald
Year: 1979
Complete Citation:
Abraham, Gerald. The Concise Oxford History of Music, 824. London, United Kingdom: Oxford University Press, 1979.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Addiss, Stephen
Year: 1957
Complete Citation:
Addiss, Stephen. “The vocal music of Charles Ives.” B.A. thesis, Harvard University, 1957.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Adkins, Cecil, and Alis Dickinson.
Year: 1974
Complete Citation:
Adkins, Cecil, and Alis Dickinson. “Supplement (1974) to Doctoral Dissertations in Musicology.” Journal of the American Musicological Society 27, 110.3 (Fall): 475-514.Source: Journal
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Albert, Thomas Russell
Year: 1974
Complete Citation:
Albert, Thomas Russell. “The Harmonic Language of Charles Ives’ Concord Sonata.” D.M.A. diss., University of Illinois, 1974.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Alexander, J. Heywood
Year: 2002
Complete Citation:
Alexander, J. Heywood. “Charles Ives.” In To stretch our ears: a documentary history of America's music. New York, NY: W.W. Norton, 2002.VII. Entries in Larger Volumes
A. Textbook Accounts
Alexander, Michael
Year: 1986
Complete Citation:
Alexander, Michael. “Improvisation in the Music of Charles.” Ph.D. diss., Keele University, 1986.Source: Ph.D. Disseration
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Allen, Barbara Oakley
Year: 1979
Complete Citation:
Allen, Barbara Oakley. “An analysis of six Ives songs: with suggestions for performance.” D.M.A. term project, Stanford University, 1979.Source: D.M.A. Term Project
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Allen, Sandra Gillette
Year: 1966
Complete Citation:
Allen, Sandra Gillette. “Salient formal and thematic structures in the four violin sonatas of Charles Ives.” M.A. Thesis, University of Washington, 1966.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Anderson, Clifford Hugh
Year: 1970
Complete Citation:
Anderson, Clifford Hugh. “An Analytical Study of the Fourth Symphony of Charles Ives.” M.A. Thesis, University of Wyoming, 1970.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Anderson, William
Year: 1975
Complete Citation:
Anderson, William. “Editorially Speaking: Composer Charles Ives Enters History.” Stereo Review 34/3 (March 1975): 4.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Archibald, Bruce
Year: 1966
Complete Citation:
Archibald, Bruce. “Reviewed Works: The Orchestra Song by William Schuman; Variations on “America” (Charles Ives, for organ, 1891; William Schuman, for orch., 1963) by Charles Ives.” Notes, vol. 23, no. 1 (September 1966): 157.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Arnold, Gregory Palmer
Year: 1976
Complete Citation:
Arnold, Gregory Palmer. “Charles Ives: his musical philosophy and compositional style as applied to five works for chamber orchestra.” M.M. thesis, University of Houston, 1976.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Arnold, Jerome Steven
Year: 2014
Complete Citation:
Arnold, Jerome Steven. ““Country Band” March: Historical Perspectives, Stylistic Considerations and Rehearsal Strategies.” D.M.A. diss., George Mason University.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Austin, Larry
Year: 1976
Complete Citation:
Austin, Larry. “Reconstruction of Ives’ Universe Symphony.” In Desert Plants: Conversations with 23 American Musicians, interviewed by Walter Zimmermann, 207-220. Vancouver, BC: A.R.C. Publications, 1976.Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1985
Complete Citation:
Austin, Larry. “Charles Ives’s Life Pulse Prelude for Percussion Orchestra: A Realization for Modem Performance from Sketches for His Universe Symphony.” Percussionist 23, no. 6 (1985): 58-84.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Austin, William F.
Year: 1966
Complete Citation:
Austin, William F. Music in the Twentieth Century, from Debussy through Stravinsky. New York, New York: W.W. Norton, 1966.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Austin, William W.
Complete Citation:
Austin, William W. Music in the 20th Century, 57-61. New York, NY: W.W. Norton, 1966.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Ausubel, Hillel
Year: 1953
Complete Citation:
Ausubel, Hillel. “The Effect of Chromaticism on Tonality: As Found in Selected Compositions from the Period between 1890 and 1910.” Ph.D. diss., Columbia University, 1953.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Averill, Ron
Year: 1995
Complete Citation:
Averill, Ron. “The use of quotation in 20th-century works by Ron Averill, Charles Dodge, and Charles Ives.” D. Mus. Thesis, University of Washington, 1995.Source: D. Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Babb, Timothy Martin
Year: 1994
Complete Citation:
Babb, Timothy Martin. “Text painting in the songs of Charles Ives.” D.M.A. Dissertation, University of South Carolina, 1994.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations