decorative banner image

Bibliography

Genres

Show all
I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
(-) VII. Entries in Larger Volumes
(-) VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Schulz, Thomas

Year: 2020 (in progress)
Complete Citation:
Schulz, Thomas. "Die Lieder von Charles E. Ives.” Ph.D. diss., Köln Universität, 2020 (in progress).
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Schwartz, David Thomas

Year: 2004
Complete Citation:
Schwartz, David Thomas. “The integrity of structure or the structure of integrity: an analysis of Charles Ives' Hallowe'en; Concerto for piano and chamber ensemble.” Ph.D. Dissertation, University of California, Santa Barbara, 2004.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Seaman, David and Michael Zeller

Year: 1992
Complete Citation:
Seaman, David and Michael Zeller. Mitten ins Herz: Melodram für eine Sängerin und einen Schauspieler; mit Musik von George Gershwin, Kurt Weill, Charles Ives und Richard Wagner. Nürnberg, Germany: Pocket Opera Companion, 1992.
Source: Pamphlet
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Sender, Shelby L.

Year: 2013
Complete Citation:
Sender, Shelby L. “Innovation in Twentieth-Century American Piano Music.” D.M.A. diss., University of Maryland, College Park, 2013.
Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 2013
Complete Citation:
Sender, Shelby L. “Innovation in Twentieth-Century American Piano Music.” D.M.A. diss., University of Maryland, College Park, 2013.
Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Senick, John Peter

Year: 1982
Complete Citation:
Senick, John Peter. “An analysis of selected songs of Charles Ives.” M.A. Thesis, Syracuse University, 1982.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Service, Jr., Alfred Roy

Year: 1958
Complete Citation:
Service, Jr., Alfred Roy. “A Study of the Cadence as a Factor in Musical Intelligibility in Selected Piano Sonatas by American Composers.” Ph.D. diss., University of Iowa, 1958.
Notes:

Ives is one of seven-teen composers discussed.

Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Sewell, Amanda Jo

Year: 2004
Complete Citation:
Sewell, Amanda Jo. “Reception and self-perception in the music of Charles Ives.” B.A. Thesis, Butler University, 2004.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Sharp, Mary Elizabeth

Year: 1979
Complete Citation:
Sharp, Mary Elizabeth. “A Survey of Musical Quotation from 1940-1975.” M.M. thesis, University of Louisville, 1979.
Notes:

References to Ives: in Part 1, “Introduction”: “The use of common material such as folk tunes, hymns, and patriotic songs will not be included since the music is not from the concert tradition. However, this creates a problem of inconsistency in some cases. Charles Ives quotes music from popular material together with concert pieces which have programmatic signifi-cance.”; in Part 5, “Early Twentieth-Century Practices in the Use of Quotation”: “The very same motive (Beethoven’s Symphony No. 5) is quoted by Ives in the Concord Sonata and is used as a cyclic device to depict fate and the character of Beethoven himself’; and in Parts 7-10, “Charles Ives' Use of Quotation.”

Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Shelton, Gregory Allard

Year: 1985
Complete Citation:
Shelton, Gregory Allard. An analysis of Charles Ives’s Three-page Sonata for Piano. M.A. Thesis, The American University, 1985.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Sherwood, Gayle D.

Year: 1995
Complete Citation:
Sherwood, Gayle D. “The choral works of Charles Ives: chronology, style, reception.” Ph.D. Dissertation, Yale University,1995.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Shulman, Ivan

Year: 2008
Complete Citation:
Shulman, Ivan. “Symphony no. 2 by Charles Ives: An Historic Review and Consideration of Performance Practice.” M.M. thesis, California State University at Long Beach, 2008.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Shultis, Christopher L.

Year: 1993
Complete Citation:
Shultis, Christopher L. “Silencing the Sounded Self: John Cage and the Experimental Tradition in Twentieth-Century American Poetry and Music.” Ph.D. diss., University of New Mexico, 1993.
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Simms, Bryan R.

Year: 1996
Complete Citation:
Simms, Bryan R. Music in the Twentieth Century: An Anthology. New York, NY: Schirmer, 1996.
Notes:

Accompanying CD includes Charlie Rutlage and from Paracelsus.

Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Skinner, Myles L.

Year: 2007
Complete Citation:
Skinner, Myles L. “Toward a Quarter -Tone Syntax: Analyses of Selected Works by Blackwood, Hába, Ives, and Wyschnegradsky.” Ph.D. diss., University of Buffalo, 2007.
Source: Ph. D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Sly, Caroline Ware

Year: 1970
Complete Citation:
Sly, Caroline Ware. “The language of Ives's solo songs.” M.A. thesis, Smith College, 1970.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Slominsky, Nicholas

Year: 1957
Complete Citation:
Slominsky, Nicholas. “Ives, Charles.” In Die Musik in Geschichte und Gegenwart, vol. 6 (1957): 1574-1580.
Source: Journal
VII. Entries in Larger Volumes
B. Encyclopedia Entries

Slominsky, Nicolas

Year: 1937
Complete Citation:
Slominsky, Nicolas. Music since 1900. New York, New York: W.W. Norton, 1937.
Source: Book
Reprints:

Second Edition, 1938. Third Edition, 1949. Fourth Edition, 1971. Fifth Edition, 1994.

VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 2001
Complete Citation:
Slonimsky, Nicolas. “Ives, Charles Edward.” In Baker's Biographical Dic-tionary of Musicians. 8th rev. ed. New York, NY: Schirmer, 2001.
Source: Chapter in Book
VII. Entries in Larger Volumes
C. Dictionary Entries

Slonimsky, Nicolas

Year: 1989
Complete Citation:
Slonimsky, Nicolas. Lectionary of Music: An Entertaining Reference and Reader’s Companion. New York, NY: McGraw-Hill, 1989.
Notes:

Numerous cita-tions to Ives’s compositions as examples.

Source: Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries