Saminsky, Lazare
Year: 1949
Complete Citation:
Saminsky, Lazare. Living Music of the Americas, 43, 149-152. New York, NY: Howell, Soskin and Crown, 1949.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Schlumpf, Brightin Rose
Year: 2007
Complete Citation:
Schlumpf, Brightin Rose. “Honoring national character and identity through music: Hungarian Béla Bartók's 44 duos for two violins and American Charles Ives's Second violin sonata.” In Senior honors thesis collection (Music), 2000-2007. Ithaca, NY: Cornell University, 2007.Source: Book
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Seaman, David and Michael Zeller
Year: 1992
Complete Citation:
Seaman, David and Michael Zeller. Mitten ins Herz: Melodram für eine Sängerin und einen Schauspieler; mit Musik von George Gershwin, Kurt Weill, Charles Ives und Richard Wagner. Nürnberg, Germany: Pocket Opera Companion, 1992.Source: Pamphlet
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Sewell, Amanda Jo
Year: 2004
Complete Citation:
Sewell, Amanda Jo. “Reception and self-perception in the music of Charles Ives.” B.A. Thesis, Butler University, 2004.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Simms, Bryan R.
Year: 1996
Complete Citation:
Simms, Bryan R. Music in the Twentieth Century: An Anthology. New York, NY: Schirmer, 1996.Notes: Accompanying CD includes Charlie Rutlage and from Paracelsus.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Slominsky, Nicholas
Year: 1957
Complete Citation:
Slominsky, Nicholas. “Ives, Charles.” In Die Musik in Geschichte und Gegenwart, vol. 6 (1957): 1574-1580.Source: Journal
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Slominsky, Nicolas
Year: 1937
Complete Citation:
Slominsky, Nicolas. Music since 1900. New York, New York: W.W. Norton, 1937.Source: Book
Reprints: Second Edition, 1938. Third Edition, 1949. Fourth Edition, 1971. Fifth Edition, 1994.
VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 2001
Complete Citation:
Slonimsky, Nicolas. “Ives, Charles Edward.” In Baker's Biographical Dic-tionary of Musicians. 8th rev. ed. New York, NY: Schirmer, 2001.Source: Chapter in Book
VII. Entries in Larger Volumes
C. Dictionary Entries
Slonimsky, Nicolas
Year: 1989
Complete Citation:
Slonimsky, Nicolas. Lectionary of Music: An Entertaining Reference and Reader’s Companion. New York, NY: McGraw-Hill, 1989.Notes: Numerous cita-tions to Ives’s compositions as examples.
Source: Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Smith, Rebecca E.
Year: 2012
Complete Citation:
Smith, Rebecca E. “Exploring the multi-generational influence of American ragtime music through the works of Charles Ives, William Walton and William Bolcom.” B.A. honors thesis, Western Australian Academy of Performing Arts, Edith Cowan University, 2012.Source: B.A. Honors Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Spahn, Teresa Kathleen
Year: 1988
Complete Citation:
Spahn, Teresa Kathleen. “The innovative style of Charles Ives: a study of the 114 songs.” B.M. Thesis, Converse College, 1988.Source: B.M. Thesis
C. Baccalaureate Essays
Spaide, Christopher Addison
Year: 2011
Complete Citation:
Spaide, Christopher Addison. “Building a home: four portraits in twentieth-century American music.” B.A. thesis, Amherst College, 2011.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Stolba, K. Marie
Year: 1990
Complete Citation:
Stolba, K. Marie. “Late Nineteenth-Century—Early Twentieth-Century Music.” In The Development of Western Music: An History, 789-793. Madison, WI: Brown and Benchmark, 1990.Notes: Discusses "The Alcotts" from the Concord Sonata, which is supplied with the supplementary recordings {D101}.
Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Sullivan, Timothy
Year: 1966
Complete Citation:
Sullivan, Timothy. “An Approach to Analysis of the Second Movement of Symphony No. 4 by Charles E. Ives and An Essay on Composition Based on Observations on the Same Work.” Senior Essay, Yale University, 1966.Source: Senior Essay
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Taruskin, Richard
Year: 2005
Complete Citation:
Taruskin, Richard. The Oxford History of Western Music: The Early Twentieth Century, 245-292. Vol. 4 of The Oxford History of Western Music. Oxford, United Kingdom: Ox-ford University Press, 2005.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 2010
Complete Citation:
Taruskin, Richard. Music in the Early Twentieth Century, 243-302. Volume 4 of Oxford History of Western Music. New York, NY: Oxford University Press, 2010.Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Thomson, Virgil
Year: 1971
Complete Citation:
Thomson, Virgil. American Music since 1910. New York, New York: Holt, Rinehart and Winston, 1971.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Webre, Jude
Year: 2007
Complete Citation:
Webre, Jude. “Can He Let His Children Starve for His Dissonances? The Double Life of Charles Ives.” B.A. thesis, Columbia University, 2007.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Wehrl, Paul
Year: 1990
Complete Citation:
Wehrl, Paul. Charles Ives: “The unanswered question” als Werkbeispiel für den Musikunterricht an bayerischen Realschulen unter Berücksichtigung fachwissenschaftlicher und didaktischer Aspekte. Term paper, Eichstätt, Universität, 1990.Source: Term paper
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Wennerstrom, Mary
Year: 1969
Complete Citation:
Wennerstrom, Mary. Anthology of Twentieth-Century Music. New York, NY: Appleton-Century-Crofts, 1969.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts