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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
(-) VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
(-) IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Rockwell, John

Year: 1979
Complete Citation:
Rockwell, John. “Underground Music Surfaces for a Nine- Day Festival.” The New York Times, June 3, 1979.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1984
Complete Citation:
Rockwell, John. “Best of Ives, Wall to Wall.” The New York Times, March 16, 1984, sec. 3, 1.
Notes:

Announcement of twelve-hour marathon of performances.

Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Ross, Alex

Year: 1993
Complete Citation:
Ross, Alex. “A Battleground for Iconoclasts: A Piano Series shows American Composers at War for the New.” The New York Times, November 14, 1993, 79.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes
Year: 1994
Complete Citation:
Ross, Alex. “The Eccentrics Who Declared Independence for America.” The New York Times. May 22, 1994, sec. H, 33.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
B. Concert Series
Year: 1994
Complete Citation:
Ross, Alex. “How Ever Did You Do It, Mr. Ives?” The New York Times. November 15, 1994, sec. C: 20.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 2004
Complete Citation:
Review: Alex Ross. “Pandemonium.” New Yorker 80/15 (June 7): 97--99.
Notes:

Review of “Charles Ives: An American Original in Context” Festival. Includes an illustration by Istvan Banyai.

Source: Magazine
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 2012
Complete Citation:
Ross, Alex. “Joyful Noise.” The New Yorker, Vol. 88, No. 9 (2012): 104-106.
Source: Magazine
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Rossiter, Frank R.

Year: 1977
Complete Citation:
Rossiter, Frank R. “Charles Ives: Good American and Isolated Artist.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 16-28. Urbana: University of Illinois Press, 1977.
Source: Chapter in Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Rostand, Claude

Year: 1970
Complete Citation:
Rostand, Claude. Autour de Charles Ives, 1874-1954: exposition du vendredi 24 avril au samedi 16 mai 1970: Centre culturel américain, 3, rue du Dragon, Paris 6. Paris, France: Centre Culturel Américain, 1970.
Source: Pamphlet
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Rothstein, Edward

Year: 1984
Complete Citation:
Rothstein, Edward “Nearly 12 Hours of Tribute to Ives.” The New York Times. March 19, 1984, sec. C, 12.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
B. Concert Series

Routh, Francis

Year: 1968
Complete Citation:
Routh, Francis. “Contemporary music: an introduction.” London, United Kingdom: English Universities Press, 1968.
VII. Entries in Larger Volumes
A. Textbook Accounts

Sachs, Joel

Year: 2004
Complete Citation:
Sachs, Joel. “All About Ives—Half a Century Later.” Program notes for seven programs. Lincoln Center, Juilliard School of Music, New York, New York, January 23-30, 2004.
Source: Program Notes
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes

Sadie, Stanley, and Alison Latham, ed.

Year: 1986
Complete Citation:
Sadie, Stanley, and Alison Latham, ed. Stanley Sadie’s Music Guide: An Introduction, 458-463. Englewood Cliffs, NJ: Prentice-Hall, 1986.
Notes:

The main entry includes some biography and a list of works and uses Three Places in New England for study: “Putnam’s Camp,” No. 2. “Charles Ives was composing pieces of irrational juxtaposition of musi-cal ideas and deliberately distorted harmonies” (423).

Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Salzman, Eric

Year: 1967
Complete Citation:
Salzman, Eric. Twentieth -Century Music: An Introduction, 61, 64, 97, 143--148, 152, 164. Englewood Cliffs, NJ: Prentice- Hall, 1967.
Source: Book
Reprints:

Salzman, Eric. <i>Twentieth -Century Music: An Introduction</i>, 128--131.<i> </i>Second Edition. Englewood Cliffs, NJ: Prentice- Hall,. 1974. * Third Edition, 1988. * Fourth Edition, 2002: 136--139.

VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1967
Complete Citation:
Salzman, Eric. “Ives.” In 20th-century Music: An Introduction, 143-147. Englewood Cliffs, NJ: Prentice Hall, 1967.
Source: Chapter in Book
Reprints:

Salzman, Eric. “Ives.” In <i>20th-century Music: An Introduction</i>, 128-131. Englewood Cliffs, NJ: Prentice Hall, 1974.

VII. Entries in Larger Volumes
A. Textbook Accounts

Saminsky, Lazare

Year: 1949
Complete Citation:
Saminsky, Lazare. Living Music of the Americas, 43, 149-152. New York, NY: Howell, Soskin and Crown, 1949.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Scherer, Barrymore Laurence

Year: 1996
Complete Citation:
Scherer, Barrymore Laurence. “Charles Ives: In Con-cert and Context,” review of Between the Bandstand and the Concert Hall: Ives and His Sources, Charles Ives and His World Festival. Wall Street Journal (1996 August 15) A, 8.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Schonberg, Harold

Year: 1974
Complete Citation:
Schonberg, Harold. “The Pulse of America Beats in the Music of Ives.” The New York Times. October 6, 1974.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Schonberg, Harold C.

Year: 1974
Complete Citation:
Schonberg, Harold C. “Innovation—So What Else is New?” The New York Times. October 20, 1974, sec. D, 21.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Schulz, Reinhard

Year: 2001
Complete Citation:
Schulz, Reinhard. Kulturpartisanen im Land von Freedom and Democracy: Osterfestival in Innsbruck mit dem Motto “Das bessere Amerika.” Neue Musikzeitung, Vol. 50, No. 5 (2001): 39.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series