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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
(-) VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Bylander, Cindy

Year: 2014
Complete Citation:
Bylander, Cindy. “Charles Ives and Poland’s Stalowa Wola Festival: Inspirations and Legacies.” The Polish Review, vol. 59, no. 2 (2014): 43-60.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Carter, Elliott

Year: 1946
Complete Citation:
Carter, Elliott. “Notes on the Program: Charles Ives.” Program notes for Second Annual Festival of Contemporary American Music, 6-10. Columbia University, New York, May 10-13, 1946.
Source: Program Notes/Festival Publication
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Chase, Gilbert

Year: 1966
Complete Citation:
Chase, Gilbert. “Composer from Connecticut.” In America’s Music: From the Pilgrims to the Present. 2nd ed., 403-28. New York, NY: McGraw Hill, 1966.
Source: Chapter in Book
Reprints:

Chase, Gilbert. “Composer from Connecticut.” In <i>America’s Music: From the Pilgrims to the Present</i>. 3rd ed. Urbana, IL: University of Illinois Press, 1987: 429-446.

VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1966
Complete Citation:
Chase, Gilbert. “America’s Music: From the Pilgrims to the Present.” New York: McGraw-Hill Book Company, 1966.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Clendenin, William R.

Year: 1965
Complete Citation:
Clendenin, William R. Music, History and Theory, 392-393. Garden City, NY: Doubleday, 1965.
Source: Book
VII. Entries in Larger Volumes
D. Other

Collaer, Paul, Albert vander Linden and F. van den Bremt, eds.

Year: 1960
Complete Citation:
Collaer, Paul, Albert vander Linden and F. van den Bremt, eds. “Charles Ives.” In Atlas historique de la musique. Paris, France: Elsevier 1960.
Source: Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries

Collaer, Paul; Sally, Abeles, translator

Year: 1961
Complete Citation:
Collaer, Paul. A History of Modern Music, 43, 366-367, 388. Translated from French to English by Sally Abeles. New York, NY: Grosset & Dunlap.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Cooke, Deryck

Year: 1959
Complete Citation:
Cooke, Deryck. The Language of Music. Stocksbridge, United Kingdom: Clarendon House Publications, 1959.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Cowell, Henry, ed.

Year: 1933
Complete Citation:
Cowell, Henry, ed. “American Composers on American Music: A Symposium.” Stanford, California: Stanford University Press, 1933.
Source: Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Crunden, Robert M.

Year: 1977
Complete Citation:
Crunden, Robert M. “Charles Ives’s Place in American Culture.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchchock and Vivian Perlis, 4-15. Urbana: University of Illinois Press, 1977.
Source: Chapter in Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Dahlhaus, Carl

Year: 1980
Complete Citation:
Dahlhaus, Carl. Musik des 19. Jahrhundert (Neues Handbuch der Musikwissenschrift). Vol. 6. Wiesbaden, Germany: Akademie Verlagsgellschaft Athenian, 1980.
Notes:

Cites Concord Sonata's “random accumulation of dissonance.”

Source: Book
Reprints:

Dahlhaus, Carl. Musik des 19. Jahrhundert (Neues Handbuch der Musikwissenschrift) [<i>Nineteenth-Century Music</i>]. Translated to English by J. Bradford Robinson. California Studies in 19th Century Music, 5. Berkeley, CA: University of California Press, 1989.

VII. Entries in Larger Volumes
A. Textbook Accounts

Daniel, Oliver

Year: 1955
Complete Citation:
Daniel, Oliver. “The New Festival.” American Composers Alliance Bulletin 5/1 (1955): 3-9, 14-23.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Demuth, Norman

Year: 1952
Complete Citation:
Demuth, Norman. Musical Trends in the Twentieth Century. London, United Kingdom: Rockliff, 1952.
VII. Entries in Larger Volumes
A. Textbook Accounts

Dickinson, Peter

Year: 1974
Complete Citation:
Dickinson, Peter. “New York, New Haven.” Musical Times 115 (December 1974): 1067-1069.
Notes:

Related to Ives Centennial conference

Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Engel, A. Lehman

Year: 1932
Complete Citation:
Engel, A. Lehman. “Music Notes: The Yaddo Festival of American Music.” Symposium III, 4 (October 1932): 495-502.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Ewen, David

Complete Citation:
Ewen, David. David Ewen Introduces Modern Music: A History and Appreciation: From Wagner to the Avant--Garde, 2, 6, 105, 190, 282. New York, NY: Chilton Publishing, 1969.
Notes:

Additional mentions of Charles Ives.

VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1949
Complete Citation:
Ewen, David. American composers today, a biographical and critical guide. New York, NY: H.W. Wilson Co., 1949.
Source: Book
VII. Entries in Larger Volumes
D. Other
Year: 1949
Complete Citation:
Ewen, David. American Composers of Today: A Biographical and Cri-tical Guide, 130-132. New York, NY: H.W. Wilson Company, 1949.
Source: Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Year: 1952
Complete Citation:
Ewen, David. “Charles Ives.” In The complete book of 20th century music. New York, Prentice-Hall, 1952.
Notes:

1959 edition discusses Symphony No. 3 (“The Camp Meeting”) and Three Places in New England. The author states that the 1968 edition is a replacement for the previous title. A brief biographical comments; compact discussions of 114 Songs', From the Steeples and the Mountains; Symphonies Nos. 2, 3, 4; Three Places in New England; Sonata No. 2, "Concord, Mass., 1840-1860," for piano; and Quartet No. 2; with considerable information regarding premieres.

Source: Chapter in Book
Reprints:

Ewen, David. “Charles Ives.” In <i>The complete book of 20th century music</i>. New York, Prentice-Hall, 1959. * Ewen, David. <i>The World of Twentieth-Century Music</i>, 177, 394-403. Engle-wood Cliffs, NJ: Prentice-Hall, 1968:

VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1954
Complete Citation:
Ewen, David. “Charles Ives." In Ewen's musical masterworks: the encyclopedia of musical masterpieces. New York: Bonanza Books, 1954.
Source: Chapter in Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries