decorative banner image

Bibliography

Genres

Show all
I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
(-) VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Glass, Herbert

Year: 1993
Complete Citation:
Glass, Herbert. “Ives: Mt. Rushmore of American Music.” Los Angeles Times. February 7, 1993: 52.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1993
Complete Citation:
Glass, Herbert. “On the Record: An American Triple Play.” Los Angeles Times, May 16, 1993, 51.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2002
Complete Citation:
Glass, Herbert. “Thomas Hampson: Defining Ives.” Gramophone, Vol. 79 (2002): A3.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Gold, Gerald

Year: 1991
Complete Citation:
Gold, Gerald. “Record Notes; Yankee Doodle is Doing Dandy. (Arts & Leisure Desk).” The New York Times, July 21, 1991.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Goldberg, Isaac

Year: 1932
Complete Citation:
Goldberg, Isaac. “Nicolas Slonimsky and the New American Composers.” Disques III, 5, July 1932, 29-30.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Goldman, Richard

Year: 1974
Complete Citation:
Goldman, Richard. “American Music: 1918-1960.” In New Oxford History of Music, Vol. 10, 574-583. London, United Kingdom: Oxford University Press, 1974.
Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Goldstein, Howard

Year: 2012
Complete Citation:
Goldstein, Howard. “Reviews: Chamber - Ives: Complete Violin Sonatas.” BBC Music Magazine, Vol. 20, No. 4 (2012): 84.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Goodfriend, James

Year: 1966
Complete Citation:
Goodfriend, James. “Charles Ives: Making Up for Lost Time.” HiFi/Stereo Review 17/1 (July 1966): 72.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Goodman, Hal

Year: 1987
Complete Citation:
Goodman, Hal. “Home Video; Music.” The New York Times. November 1, 1987, sec. 2, 38.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Gorlinski, Gini

Year: 2010
Complete Citation:
Gorlinski, Gini. “Charles Ives.” In The 100 most influential musicians of all time. New York, NY: Britannica Educational Publishing, 2010.
Source: Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries

Goss, Madeline

Year: 1955
Complete Citation:
Goss, Madeline. “Charles Ives.” Diapason II [Milan] 5/1 (January 1955): 5-14.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Gottschalk, Kurt

Year: 2016
Complete Citation:
Gottschalk, Kurt. “Sirius Quartet: Seriously Compatible.” Down Beat: Jazz, Blues & Beyond, Vol. 83, No. 9 (2016): 28.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Grannis, Lewis C.

Year: 1935
Complete Citation:
Grannis, Lewis C. Connecticut Composers, 53-57. New Haven, CT: State Federation of Music Clubs, 1935.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Greenfield, Edward

Year: 1972
Complete Citation:
Greenfield, Edward. “Ives from England.” High Fidelity/Musical America 22/4, April 1972, 20.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Greenfield, Philip

Year: 2012
Complete Citation:
Greenfield, Philip. “Heaven to Earth.” American Record Guide, Vol. 75, No. 4 (2012): 266.
Source: Magazine (recording review?)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2014
Complete Citation:
Greenfield, Philip. “Adagio: Consideration of a Serious Matter.” American Record Guide, Vol. 77, No. 2 (2014): 186.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Griffiths, Paul

Year: 1978
Complete Citation:
Griffiths, Paul. A Concise History of Avant-Garde Music. New York, NY: Thames and Hudson, 1978.
Source: Book
Reprints:

Griffiths, Paul. <i>Modern Music: A Concise History from Debussy to Boulez</i>. New York, NY: Oxford University Press, 1985. Griffiths, Paul. <i>Modern Music and After</i>. Revised edition. Oxford: Oxford Uni-versity Press, 1995.

VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1994
Complete Citation:
Griffiths, Paul. Modern music: a concise history. London, United Kingdom: Thames and Hudson, 1994.
Source: Book
VII. Entries in Larger Volumes
D. Other

Grout, Donald Jay

Year: 1960
Complete Citation:
Grout, Donald Jay. A History of Western Music. New York, New York: W.W. Norton & Co., 1960.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Gutman, David

Year: 1996
Complete Citation:
Gutman, David. “Passing Notes: Composer’s Lives.” Gramophone, Vol. 73 (1996): 21, 23, 25.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews