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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
(-) VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
(-) XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Keats, Sheila

Year: 1954
Complete Citation:
Keats, Sheila. “Reference Articles on American Composers: An Index.” Juilliard Review 1 (Fall 1954): 28-29.
Source: Journal
VII. Entries in Larger Volumes
B. Encyclopedia Entries

Kerman, Joseph

Year: 1985
Complete Citation:
Kerman, Joseph. Listen. Third Brief Edition. Waco, TX: Worth, 1985.
Notes:

For listening studies, Kerman uses “The Rockstrewn Hills Join in the People's Outdoor Meeting” from Orchestral Set No. 2.

Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Kerwin, Bud, choreographer

Year: 1974
Complete Citation:
Bud Kerwin, choreographer. The Subjective Man (1974); choreographic setting. Music: From the Swimmers', Like a Sick Eagle', Walt Whitman', The Cage', The Indians. Prf: 1974 October 20: Indianapolis; Clowes Memorial Hall, Butler University; Charles Ives Celebration Program; Dina Korta,
Cheryl Palonis. Gathering: A Choreographic Tribute to Charles Ives (1976). M.F.A.; Department of Ballet and Modern Dance; University of Utah.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Kirkpatrick, John

Year: 1980
Complete Citation:
Kirkpatrick, John. “Ives, Charles E.” In The New Grove Dictionary of Music and Musicians, edited by Stanley Sadie. London, UK: Macmillan Publishers, 1980.
Source: Article
Reprints:

Kirkpatrick, John and Paul C. Echols. “Ives, Charles E.” In <i>The New Grove Dictionary of American Music and Musicians</i>, edited by H. Wiley Hitchcock and Stanley Sadie. New York, NY: Macmillan<i>, </i>1986. * Kirkpatrick, John, et. al. “Ives, Charles E.” In <i>The New Grove 20th-Century American Masters: Ives, Thomson, Sessions, Cowell, Gershwin, Copland, Carter, Barber, Cage, Bernstein</i>. New York, NY: New York: W.W. Norton, 1998: 1-52.

VII. Entries in Larger Volumes
C. Dictionary Entries
Year: 1988
Complete Citation:
Kirkpatrick, John. “Charles Ives.” In The New Grove Twentieth-Century American Masters: Ives, Thomson, Sessions, Cowell, Gershwin, Copland, Carter, Cage, Bernstein. New York, New York: W.W. Norton, 1988.
Source: Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries

Kisselgoff, Anna

Year: 1978
Complete Citation:
Kisselgoff, Anna. “City Ballet Offers ‘Calcium Light Night.’” The New York Times, January 21, 1978, 26.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1983
Complete Citation:
Kisselgoff, Anna. “Ballet: Martin’s ‘Calcium Light Night’: Review.” The New York Times, November 24, 1983.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Year: 1985
Complete Citation:
Kisselgoff, Anna. “Dance View: Peter Martins Turns to Drama in His New Ballet.” The New York Times (January 27, 1985): 2: 8.
Notes:

In giving an account of Martins as choreographer, the writer tells about “Calcium Light Night,” his “very first ballet in 1977--78,” which "demon- strated an interest in dramatic form" and which was his "most original ballet.”

Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1988
Complete Citation:
Kisselgoff, Anna. “Ballet: ‘Ives, Songs,’ by Jerome Robbins: Review.” The New York Times, February 6, 1988.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1988
Complete Citation:
Kisselgoff, Anna. “Dance View; ‘Ives, Songs’: A Rollicking, Exquisite Odyssey: Review.” The New York Times, February 14, 1988.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Divergent Progeny of Granddaddy Ives.” The New York Times, June 18, 1999, sec. E, 28.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Divergent Progeny of Granddaddy Ives.” The New York Times, June 18, 1999, sec. E, 28.
Notes:

Claims that Ives is the “granddaddy of American music's 20th century experimentalists.”

Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Circus, with Tricycle.” New York Times. June 19, 1999, sec. B: 15.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Cir-cus, with Tricycle.” The New York Times. June 19, 1999.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 2000
Complete Citation:
Kisselgoff, Anna. “On Pulling Teeth, and ‘Degenerate Art’ Brought to Life.” The New York Times. January 8, 2000, sec. B, 17.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

L., Barbara

Year: 2001
Complete Citation:
Barbara L. “Atlanta Ballet nearly Flawless: All Edition."Sarasota Herald-Tribune, 2001, October 2.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Lang, Paul Henry

Year: 1961
Complete Citation:
Lang, Paul Henry. One Hundred Years of American Music, 98--99, 108. New York, NY: G. Schirmer, 1961.
Notes:

Scattered passing references.

Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Layton, Robert

Year: 1960
Complete Citation:
Layton, Robert. “Music in the United States.” Twentieth Century Music, edited by Rollo H. Myers, 197-198. London, United Kingdom: John Calder, 1960.
Notes:

“His works show an extraordinary admixture of sheer genius and downright incom-petence.”

Source: Chapter in Book
Reprints:

Revised and Enlarged Edition, 1968: 232-240.

VII. Entries in Larger Volumes
A. Textbook Accounts

Llloyd, Norman

Year: 1968
Complete Citation:
Lloyd, Norman. “Ives, Charles Edward.” The Golden Encyclopedia of Music. New York, NY: Golden Press, 259-260.
Notes:

For young readers. An in-formative article, with minor errors. Discussion of Ives's Symphony No. 4, photograph, musical example No. 28 (tone clusters in Concord Sonata). Numerous other citations: 60, 126, 251, 473, 661.

Source: Article in Encyclopedia
VII. Entries in Larger Volumes
B. Encyclopedia Entries

Lubovitch, Lar, chroeographer

Complete Citation:
Lar Lubovitch, choreographer. Scherzo for Massah Jack (1973); ballet; American Ballet Theater.
Notes:

Music: Trio for violin, cello, and piano (Adagio and Scherzo), includ-ing "My Old Kentucky Home."

Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews