Greenfield, Ruth Wolkowsky
Year: 1976
Complete Citation:
Greenfield, Ruth Wolkowsky. “Charles Edward Ives and the stylistic aspects of his First Piano Sonata.” D.M.A. Thesis, University of Miami, 1976.Source: D.M.A. Thesis
A. Dissertations
Gregg, Thomas A.
Year: 1989
Complete Citation:
Gregg, Thomas A. “Song Composers and their Poetry Choices: An Analysis of the Literary Background and Textual Selections of Twelve Composers.” Ph.D. diss., Ohio State University, 1989.Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Gregg, Thomas Andrew
Year: 1989
Complete Citation:
Gregg, Thomas Andrew. “Song Composers and Their Poetry Choices: An Analysis of the Literary Background and Textual Selections of Twelve Composers.” D.M.A. diss., Ohio State University, 1989.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Griffith, Michael Ted
Year: 1987
Complete Citation:
Griffith, Michael Ted. “Analysis and selected stylistic problems of five works for small chamber orchestra.” D.M.A. diss., University of Colorado, 1987.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Griffiths, Paul
Year: 1978
Complete Citation:
Griffiths, Paul. A Concise History of Avant-Garde Music. New York, NY: Thames and Hudson, 1978.Source: Book
Reprints: Griffiths, Paul. <i>Modern Music: A Concise History from Debussy to Boulez</i>. New York, NY: Oxford University Press, 1985. Griffiths, Paul. <i>Modern Music and After</i>. Revised edition. Oxford: Oxford Uni-versity Press, 1995.
VII. Entries in Larger Volumes
A. Textbook Accounts
Groh, Jack
Year: 1978
Complete Citation:
Groh, Jack. “A conductor's analysis of and preparation and approach to polyrhythms: with particular attention to polyrhythms in certain of the choral works of Charles E. Ives.” D.M.A. diss., University of Missouri-Kansas City, 1978.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Grout, Donald Jay
Year: 1960
Complete Citation:
Grout, Donald Jay. A History of Western Music. New York, New York: W.W. Norton & Co., 1960.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Hamm, Charles
Year: 1983
Complete Citation:
Hamm, Charles. “The Search for a National Identity.” In Music in the New World, 424-437. New York, NY: W.W. Norton, 1983.Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Hamm, Chelsey
Year: 2016
Complete Citation:
Hamm, Chelsey. “Charles Ives and Democracy: Association, Borrowing, and Treatment of Dissonance.” Ph.D. diss., Jacobs School of Music, Indiana University, 2016.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Hamm, Chelsey L.
Year: 2016
Complete Citation:
Hamm, Chelsey L. “Charles Ives and Democracy: Association, Borrowing, and Treatment of Dissonance in His Music. Jacobs School of Music.” Ph.D. diss., Indiana University, 2016.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Hansen, Peter S.
Year: 1961
Complete Citation:
Hansen, Peter S. “Music in the United States.” In An Introduction to 20th Century Music, 77-84. Boston, MA: Allyn and Bacon, 1961.Source: Book
Reprints: Hansen, Peter S. “Music in the United States.” In <i>An Introduction to 20th Century Music</i>, 2nd ed. Boston, MA: Allyn and Bacon, 1961. * Hansen, Peter S. “Music in the United States.” In <i>An Introduction to 20th Century Music</i>, 3rd ed. Boston, MA: Allyn and Bacon, 1967. * Hansen, Peter S. “Music in the United States.” In <i>An Introduction to 20th Century Music</i>, 86-96. 4th ed. Boston, MA: Allyn and Bacon, 1961.
VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1967
Complete Citation:
Hansen, Peter S. An Introduction to Twentieth Century Music. Boston, MA: Allyn and Bacon, 1967.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Harvey, Mark Sumner
Year: 1983
Complete Citation:
Harvey, Mark Sumner. “Charles Ives: A Prophet of American Civil Religion.” Ph.D. diss., Boston University, 1983.Source: Ph.D. Dissertation
Reprints: Harvey, Mark Sumner. “On the Boundary of Aesthetic and Cultural Analysis: The Music of Charles Ives as Symbol and Context.” <i>Connecticut Review</i> (1987). [Abridged Version] * Harvey, Mark Sumner. “Charles Ives: Prophet of American Civil Re-ligion." Soundings: An Interdisciplinary Journal (Sum-mer-Fall 1989) 72/2-3: 501-525.
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Harvin, Laurence E.
Year: 1972
Complete Citation:
Harvin, Laurence E. “The Piano Trio from the Performer’s Viewpoint with Particular Attention Given to the Ives Trio.” D.M.A. diss., Florida State University, 1972.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Henderson, Clayton
Year: 1969
Complete Citation:
Henderson, Clayton Wilson. “Quotation as a Style Element in the Music of Charles Ives.” Ph.D. diss., Washington University, 1969.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Henderson, Joyce Joy
Year: 2008
Complete Citation:
Henderson, Joyce Joy. “Die Concord Sonata von Charles Ives.” Ph.D. diss., Freie Universität, Berlin, 2008.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Hilliard, John Stanley
Year: 1983
Complete Citation:
Hilliard, John Stanley. “Part I: Two Pieces for Orchestra (Original Composition Not Part of Microfilm Copy); Part II: Charles Ives’ Robert Browning Overture: Style and Structure.” D.M.A. Thesis, Cornell University, 1983.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Hinton, Hugh
Year: 2002
Complete Citation:
Hinton, Hugh. “Ives and transcendentalism: a third look.” D.M.A. dis-s., New England Conservatory of Music, 2002.Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Hitchcock, H. Wiley
Year: 1974
Complete Citation:
Hitchcock, H. Wiley. Music in the United States [La música en los Estados Uni-dos, una introdución a su historia]. Translated to Spanish. Buenos Aires, Argentina: Editorial Victor Leru, 1972.Source: Book
Reprints: Second Edition, 1974: 149-172. Third Edition, 1988: 161-186. Fourth Edition, 2000: 171--199.
VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1988
Complete Citation:
Hitchcock, H. Wiley. Music in the United States: A Historical Introduction, 161-186. 3rd ed. New Jersey: Prentice-Hall, 1988.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts