Bozynski, Michelle Carole
Year: 1995
Complete Citation:
Bozynski, Michelle Carole. “Transcendentalism and social context as meaning in the music of Charles Ives: a case study of The things our fathers loved.” M.Mus. Thesis, University of Alberta, 1995.Source: M.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Brandt, R. Lynne
Year: 1998
Complete Citation:
Brandt, R. Lynne. “Transcendentalism and intertextuality in Charles Ives's war songs of 1917.” M.M. Thesis, University of North Texas, 1998.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Bruce-Clyne, Katherine
Year: 1993
Complete Citation:
Bruce-Clyne, Katherine. “Analyses of ten songs by Charles Edward Ives.” M.A. thesis, City College of New York, 1993.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Bryant, Sister Emily Marie
Year: 1966
Complete Citation:
Bryant, Sister Emily Marie. “The avant-garde character of Charles Ives's music exemplified in representative vocal, chamber, and symphonic works.” M.A. thesis, Mount St. Mary's College, 1966.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Buhrman, Laurel Chenault
Year: 1961
Complete Citation:
Buhrman, Laurel Chenault. “An analysis of the music of Charles Ives.”Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Cantrick, Susan Birdsall
Year: 1983
Complete Citation:
Cantrick, Susan Birdsall. “Charles Ives’s ‘String Quartet No. 2’: An Analysis and Evaluation.” M.M. thesis, Peabody Institute of the Johns Hopkins University, Peabody Conservatory of Music, 1983.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Year: 1983
Complete Citation:
Cantrick, Susan Birdsall. Charles Ives’ “String Quartet no. 2”: an analysis and evaluation. M.M. thesis, Peabody Institute of the Johns Hopkins University, Peabody Conservatory of Music, 1983.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Castleman, Lisa D.
Year: 2013
Complete Citation:
Castleman, Lisa D. “A conductor's practical approach to "Country Band" March by Charles Ives.” M.M. Thesis, California State University, Long Beach, 2013.Source: M.M. Thesis
B. Theses
Chase, Gilbert
Year: 1966
Complete Citation:
Chase, Gilbert. “Composer from Connecticut.” In America’s Music: From the Pilgrims to the Present. 2nd ed., 403-28. New York, NY: McGraw Hill, 1966.Source: Chapter in Book
Reprints: Chase, Gilbert. “Composer from Connecticut.” In <i>America’s Music: From the Pilgrims to the Present</i>. 3rd ed. Urbana, IL: University of Illinois Press, 1987: 429-446.
VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1966
Complete Citation:
Chase, Gilbert. “America’s Music: From the Pilgrims to the Present.” New York: McGraw-Hill Book Company, 1966.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Clark, Philip Steven
Year: 1966
Complete Citation:
Clark, Philip Steven. “An analysis of the second movement, "Hawthorne," of Piano sonata no. 2, "Concord, Mass., 1840-1860" by Charles Ives.” M.M. Thesis, DePauw University, 1966.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Cole, Michael S.
Year: 1975
Complete Citation:
Cole, Michael S. “Concord revisited: Charles Ives and the American transcendentalists.” M.A. Thesis, York University, 1975.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Collaer, Paul; Sally, Abeles, translator
Year: 1961
Complete Citation:
Collaer, Paul. A History of Modern Music, 43, 366-367, 388. Translated from French to English by Sally Abeles. New York, NY: Grosset & Dunlap.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Conway, Bret K.
Year: 1985
Complete Citation:
Conway, Bret K. “Harmonic evolution in Charles Edward Ives's 114 songs.” M.M. thesis, Baylor University, 1985.Source: M.M. Thesis
C. Baccalaureate Essays
B. Theses
Cooke, Deryck
Year: 1959
Complete Citation:
Cooke, Deryck. The Language of Music. Stocksbridge, United Kingdom: Clarendon House Publications, 1959.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Cox, Paul Walthen
Year: 1970
Complete Citation:
Cox, Paul Wathen. “An Analysis of Sonority Types in Selected Songs of Charles Ives.” M.M. thesis, Indiana University, 1970.Notes: Discusses certain sonorities, quartal and quintal chords, polychords, clusters, and hybrid sonorities. Thirty-eight songs analyzed. Appendix B lists 114 Songs in chronological order with authors of the texts.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Cox, Paul Wathen
Year: 1970
Complete Citation:
Cox, Paul Wathen. “An analysis of sonority tapes in selected songs of Charles Ives.” M.M. Thesis, Indiana University, 1970.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Crain, Timothy Mark
Year: 1995
Complete Citation:
Crain, Timothy Mark. “Rhythm and form in Ives's Scherzo (Over the pavements).” M.M. thesis, University of Alabama, 1995.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Crook, David W.
Year: 1980
Complete Citation:
Crook, David W. “Charles Ives and nineteenth century American household music.” B.A. thesis, Redlands, CA: University of Redlands, 1980.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Curtis, Daniel
Year: 2008
Complete Citation:
Curtis, Daniel. “A conductor's thesis in three parts.” B.A. thesis, Amherst College, 2008.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses