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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Lang, Paul Henry

Year: 1961
Complete Citation:
Lang, Paul Henry. One Hundred Years of American Music, 98--99, 108. New York, NY: G. Schirmer, 1961.
Notes:

Scattered passing references.

Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Layton, Robert

Year: 1960
Complete Citation:
Layton, Robert. “Music in the United States.” Twentieth Century Music, edited by Rollo H. Myers, 197-198. London, United Kingdom: John Calder, 1960.
Notes:

“His works show an extraordinary admixture of sheer genius and downright incom-petence.”

Source: Chapter in Book
Reprints:

Revised and Enlarged Edition, 1968: 232-240.

VII. Entries in Larger Volumes
A. Textbook Accounts

Machlis, Joseph

Year: 1979
Complete Citation:
Machlis, Joseph. Introduction to contemporary music. 2nd ed. New York, NY: Norton, 1979.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Miller, Edward Oehler

Year: 1970
Complete Citation:
Miller, Edward Oehler. “The Dilemma of Charles Ives.” A.B. honors thesis, Harvard University, 1970.
Source: A.B. Honors Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Muennich, Rose Marie

Year: 1976
Complete Citation:
Muennich, Rose Marie. “The music of Ives, borrowed or not.” M.M. thesis, Michigan State University, 1976.
Source: M.M. Thesis
C. Baccalaureate Essays
B. Theses

Myers, Eric

Year: 2003
Complete Citation:
Myers, Eric. “The cracked mirror: new temporalities in Ives, Messiaen and Feldman.” M.A. thesis, Mills College, 2003.
Source: M.A. Thesis
C. Baccalaureate Essays
B. Theses

Owens, Thomas Clarke

Year: 1991
Complete Citation:
Owens, Thomas Clarke. “Charles Ives's 114 Songs: the Text and the Music.” B.A. thesis, University of North Carolina at Greensboro, 1991.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Randall, Todd J.

Year: 1993
Complete Citation:
Randall, Todd J. “Charles Ives and his champions.” B.A. Honors Thesis, State University of New York College, Geneseo, 1993.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Rosen, Lee Cyril

Year: 1965
Complete Citation:
Rosen, Lee Cyril. “The Violin Sonatas of Charles Ives.” B.M. thesis, University of Illinois, 1965.
Source: B.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Routh, Francis

Year: 1968
Complete Citation:
Routh, Francis. “Contemporary music: an introduction.” London, United Kingdom: English Universities Press, 1968.
VII. Entries in Larger Volumes
A. Textbook Accounts

Sadie, Stanley, and Alison Latham, ed.

Year: 1986
Complete Citation:
Sadie, Stanley, and Alison Latham, ed. Stanley Sadie’s Music Guide: An Introduction, 458-463. Englewood Cliffs, NJ: Prentice-Hall, 1986.
Notes:

The main entry includes some biography and a list of works and uses Three Places in New England for study: “Putnam’s Camp,” No. 2. “Charles Ives was composing pieces of irrational juxtaposition of musi-cal ideas and deliberately distorted harmonies” (423).

Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Salzman, Eric

Year: 1967
Complete Citation:
Salzman, Eric. Twentieth -Century Music: An Introduction, 61, 64, 97, 143--148, 152, 164. Englewood Cliffs, NJ: Prentice- Hall, 1967.
Source: Book
Reprints:

Salzman, Eric. <i>Twentieth -Century Music: An Introduction</i>, 128--131.<i> </i>Second Edition. Englewood Cliffs, NJ: Prentice- Hall,. 1974. * Third Edition, 1988. * Fourth Edition, 2002: 136--139.

VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1967
Complete Citation:
Salzman, Eric. “Ives.” In 20th-century Music: An Introduction, 143-147. Englewood Cliffs, NJ: Prentice Hall, 1967.
Source: Chapter in Book
Reprints:

Salzman, Eric. “Ives.” In <i>20th-century Music: An Introduction</i>, 128-131. Englewood Cliffs, NJ: Prentice Hall, 1974.

VII. Entries in Larger Volumes
A. Textbook Accounts

Saminsky, Lazare

Year: 1949
Complete Citation:
Saminsky, Lazare. Living Music of the Americas, 43, 149-152. New York, NY: Howell, Soskin and Crown, 1949.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Schlumpf, Brightin Rose

Year: 2007
Complete Citation:
Schlumpf, Brightin Rose. “Honoring national character and identity through music: Hungarian Béla Bartók's 44 duos for two violins and American Charles Ives's Second violin sonata.” In Senior honors thesis collection (Music), 2000-2007. Ithaca, NY: Cornell University, 2007.
Source: Book
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Seaman, David and Michael Zeller

Year: 1992
Complete Citation:
Seaman, David and Michael Zeller. Mitten ins Herz: Melodram für eine Sängerin und einen Schauspieler; mit Musik von George Gershwin, Kurt Weill, Charles Ives und Richard Wagner. Nürnberg, Germany: Pocket Opera Companion, 1992.
Source: Pamphlet
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Sewell, Amanda Jo

Year: 2004
Complete Citation:
Sewell, Amanda Jo. “Reception and self-perception in the music of Charles Ives.” B.A. Thesis, Butler University, 2004.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Simms, Bryan R.

Year: 1996
Complete Citation:
Simms, Bryan R. Music in the Twentieth Century: An Anthology. New York, NY: Schirmer, 1996.
Notes:

Accompanying CD includes Charlie Rutlage and from Paracelsus.

Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Slominsky, Nicolas

Year: 1937
Complete Citation:
Slominsky, Nicolas. Music since 1900. New York, New York: W.W. Norton, 1937.
Source: Book
Reprints:

Second Edition, 1938. Third Edition, 1949. Fourth Edition, 1971. Fifth Edition, 1994.

VII. Entries in Larger Volumes
A. Textbook Accounts

Smith, Rebecca E.

Year: 2012
Complete Citation:
Smith, Rebecca E. “Exploring the multi-generational influence of American ragtime music through the works of Charles Ives, William Walton and William Bolcom.” B.A. honors thesis, Western Australian Academy of Performing Arts, Edith Cowan University, 2012.
Source: B.A. Honors Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays