decorative banner image

Bibliography

Genres

Show all
I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
(-) X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Panting, Tim

Year: 2001
Complete Citation:
Panting, Tim. “Exiled.” Classical Guitar, Vol. 19, No. 12 (2001): 44.
Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Pellegrino, Joe

Year: 1996
Complete Citation:
Pellegrino, Joe. “Choral Recitative Reviews: “Shall We Gather at the River?” arr. Robert H. McIver.” Pastoral Music, Vol. 20, No. 4 (1996): 43.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Perlis, Vivian

Complete Citation:
Perlis, Vivian. “‘Monumenta Americana’ Revisited.” In A Celebration of American Music: Words and Music in Honor of H. Wiley Hitchcock, 439-448. Edited by Richard Crawford, R. Allen Lott, and Carol J. Oja. Ann Arbor: Univer-sity of Michigan Press, 1990.
Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Pershchetti, Vincent

Year: 1953
Complete Citation:
Pershchetti, Vincent. “Review of ‘Largo for Violin, Clarinet, and Piano.’” Music Library Association Notes, Vol. 11, No. 6 (December 1953).
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Persichetti, Vincent

Year: 1953
Complete Citation:
Persichetti, Vincent. Review of “Largo, for Violin, Clarinet, Piano.” Notes 11, no. 6 (December 1953): 157.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Phillips, Burrill

Year: 1951
Complete Citation:
Phillips, Burrill. “Symphony No. 2 for Large Orchestra. New York: Southern Music Publishing Co., 1951.” Notes 9, no. 3 (June 1952): 499-500.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Rathert, Wolfgang

Year: 1989
Complete Citation:
Rathert, Wolfgang. “The Unanswered Questions of the Ives Edition.” Musical Quarterly 73 (1989): 575-584.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1989
Complete Citation:
Rathert, Wolfgang. “The Unanswered Questions of the Ives Edition,” translated by James Lum. Musical Quarterly 73 (1989): 575-584.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1993
Complete Citation:
Rathert, Wolfgang. “Werk und Text bei Charles Ives.” In Musik als Text. Bericht über den Internationalen Kongreß der Gesellschaft für Musikforschung. Freiburg im Breisgau 1993, Vol. 1, edited by Hermann Danuser and Tobias Plebuch, 281-286. Kassel, Germany: 281-286.
Source: Conference Proceedings Publication
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 2015
Complete Citation:
Rathert, Wolfgang. “Charles E. Ives “Symphony No. 4.”” Die Musikforschung, Vol. 68, No. 2 (2015): 218-221.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Reyes, James E.

Year: 1966
Complete Citation:
Reyes, James E. “Reviewed Work: They Are There! A War Song March, 1917 by Charles E. Ives.” Notes, vol. 20, no. 4 (Autumn 1963): 565-566.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Ring, Gordon

Year: 1991
Complete Citation:
Gordon, Ring. “Variations on ‘America'—A Comparison of Three Versions.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.
Source: Conference paper
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Rosenfeld, Paul

Year: 1931
Complete Citation:
Rosenfeld, Paul. “New American Music.” Scribner’s 89/6 (June 1931): 624--632.
Notes:

Only one cursory mention that “Virgil Thomson, Charles F. <i>[sic] </i>Ives, and Adolph Weiss have each something personal to say.”

Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Routh, Francis

Year: 1968
Complete Citation:
Routh, Francis. “Contemporary music: an introduction.” London, United Kingdom: English Universities Press, 1968.
VII. Entries in Larger Volumes
A. Textbook Accounts

Rudgers, Gregory B.

Year: 2015
Complete Citation:
Rudgers, Gregory B. “Variations on “America,” by Charles Ives, Transcribed by William E. Rhoads, Based on the Orchestra Version by William Schuman.” School Band and Orchestra, Vol. 18, No. 8 (2015): 53.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Sabin, Robert

Year: 1949
Complete Citation:
Sabin, Robert. “Choral and Piano Works by Charles Ives Issued.” Musical America (June 1949) 49/8: 28.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Sadie, Stanley, and Alison Latham, ed.

Year: 1986
Complete Citation:
Sadie, Stanley, and Alison Latham, ed. Stanley Sadie’s Music Guide: An Introduction, 458-463. Englewood Cliffs, NJ: Prentice-Hall, 1986.
Notes:

The main entry includes some biography and a list of works and uses Three Places in New England for study: “Putnam’s Camp,” No. 2. “Charles Ives was composing pieces of irrational juxtaposition of musi-cal ideas and deliberately distorted harmonies” (423).

Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Salzman, Eric

Year: 1967
Complete Citation:
Salzman, Eric. Twentieth -Century Music: An Introduction, 61, 64, 97, 143--148, 152, 164. Englewood Cliffs, NJ: Prentice- Hall, 1967.
Source: Book
Reprints:

Salzman, Eric. <i>Twentieth -Century Music: An Introduction</i>, 128--131.<i> </i>Second Edition. Englewood Cliffs, NJ: Prentice- Hall,. 1974. * Third Edition, 1988. * Fourth Edition, 2002: 136--139.

VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1967
Complete Citation:
Salzman, Eric. “Ives.” In 20th-century Music: An Introduction, 143-147. Englewood Cliffs, NJ: Prentice Hall, 1967.
Source: Chapter in Book
Reprints:

Salzman, Eric. “Ives.” In <i>20th-century Music: An Introduction</i>, 128-131. Englewood Cliffs, NJ: Prentice Hall, 1974.

VII. Entries in Larger Volumes
A. Textbook Accounts

Saminsky, Lazare

Year: 1949
Complete Citation:
Saminsky, Lazare. Living Music of the Americas, 43, 149-152. New York, NY: Howell, Soskin and Crown, 1949.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts