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Bibliography

Martin, John

Year: 1955
Complete Citation:
Martin, John. “Ballet: A Magnificent ‘Weirdie’— Troupe at City Center Dances ‘Ivesiana’—New Section Added to Balanchine Work.” The New York Times, March 7, 1955, 22.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Martin, Michael Rheta

Year: 1965
Complete Citation:
Martin, Michael Rheta. The Arts: A Guide to Painting, Sculpture, Archi-tecture, Music and Theater. Indianapolis, IN: Bobbs--Merrill, 1965.
Notes:

A para-graph with a sketch by Leo R. Summers (after a photograph by Frank Gerratana).

Source: Book
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Martins, Peter, choreographer

Year: 1978
Complete Citation:
Peter Martins, choreographer. Calcium Light Night (1977); ballet; New York City Ballet.
Music: The See'r, The New River, Incantation-, At Sea, Ann Street; Gyp the Blood or Hearst! Which is Worst?-, Hallowe'en-, Calcium Light Night. Prf: 1977 November 15: Spokane, WA. 1978 January 19: New York.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

McDonagh, Don

Year: 1968
Complete Citation:
McDonagh, Don. “City Ballet Dances Balanchine Works.” The New York Times, January 10, 1968, 51.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Ogden, Gail

Year: 1998
Complete Citation:
Ogden, Gail. “Dansers Studio Offers all Ives’ Colors: City Edition.” Lincoln Journal Star, April 11, 1998.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Phillips, A.

Year: 1993
Complete Citation:
Phillips, A. “Blankert: ‘Charles Ives.’” Dance Theatre Journal 11/1 (Winter 1993): 37.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Regner, Otto Friedrich

Year: 1972
Complete Citation:
Hartmut Regitz, Otto Friedrich Regner, and Heinz-Ludwig Schneiders. Reclams Ballet- führer. Stuttgart, Germany: Stuttgart Reclams, 1972.
Source: Book
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Reny, Bob

Year: 2015
Complete Citation:
Reny, Bob. “Between the Ears: DoAM Ensemble - “Mists: Charles Ives For Jazz Orchestra.”” IAJRC Journal, Vol. 48, No. 2 (2015): 70-71.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Richard Dufallo and Brenden Gill, developers.

Year: 1975
Complete Citation:
Richard Dufallo and Brenden Gill, developers. Meeting Mr. Ives (1975); theater piece.
Notes:

Music: The Unanswered Question’, General William Booth Enters into Heaven', Like a Sick Eagle', and The Children's Hour. <br><br>Prf: 1975 August 20--24: Lenox, MA; Lenox Art Center; Dennis Nahat, choreographer and stage director; Wayne Turnage, bari-tone; Catherine Rowe, soprano; Donald Symington (George Ives); David Westfass (Charles Ives).

Source: Theater Piece
XII. Interdisciplinary Performances with Ives’s Music
A. Theatre

Riedel, Johannes

Year: 1975
Complete Citation:
Riedel, Johannes. “The Ives Liturgy: A Mass of the Com-mon Man.” Student Musicologists at Minnesota 6 (1975): 225--236.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1975-76
Complete Citation:
Riedel, Johannes. “The Ives Liturgy: A Mass of the Common Man.” Student Musicologists at Minnesota 6 (1975-76): 225-236.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Riedel, Johannes, complier

Year: 1970
Complete Citation:
Johannes Riedel, compiler. The Ives Liturgy: A Mass of the Common Man (1970); service for reader, flute, brass group, instrumental group, and recordings. Compiled, and/or "created," from the writings and com-positions of Ives and American hymns.
Notes:

Included (in order, an asterisk signifies recorded example) excerpts from: *Variations on "America"; *Sonata No. 2, Concord, Mass., 1840--1860, for piano; “Watchman,TellUs of the Night;"*Hymn Variation—Symphony No. 4: 1; Immortality (as an introit); *The Unanswered Question; *Robert Browning Overture; *Symphony No. 4, 1; "Watch- man, Tell Us of the Night;" At the River, "Shall We Gather At the River"; *Central Park in the Dart, "From Greenland's Icy Mountains;" *Quartet No. 1: I; Musical Creed (a memo by Ives); "O, For a Thousand Tongues to Sing"; "What a Friend We Have in Jesus"; *Symphony No. 3: 1; *From the Steeples and the Mountains', Adeste Fidelis in an Organ Prelude. <br><br>Prf: 1970 May 17: Minneapolis; Episcopal Center, University of Minnesota; Sheila Wolk, soprano; Phillip Sandahl, guitar; Lyle Hagert, organ.

Source: Performance
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Robbins, Jerome, choreographer

Year: 1988
Complete Citation:
Jerome Robbins, choreographer. Ives, Songs (1988); New York City Ballet. Arranged in a manner evoking Thornton Wilder's Our Town with a "narrator" dressed as Ives. 1989 February 12: New York; New York State Theater; David Evitts, singer; Gordon Boelmer, piano.
Notes:

Music: The Children's Hour, Memories: Part A: "Very Pleasant"; Waltz', The Cage; The Se'er, Two Little Flowers', At the River, Serenity, He Is There!', Tom Sails Away, White Gulls; Songs My Mother Taught Me; There Is a Lane; In Summer Fields; from The Incantation; Autumn; Like a Sick Eagle; Elegie. <br><br>Prf: 1988 February 4: New York.

Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Rodgers, Harold A.

Year: 1975
Complete Citation:
Rodgers, Harold A. “Lenox Art Center. ‘Ives’ Meeting Mr. Ives.” High Fidelity/Musical America 25/12 (December 1975): 26--27.
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Routh, Francis

Year: 1968
Complete Citation:
Routh, Francis. “Contemporary music: an introduction.” London, United Kingdom: English Universities Press, 1968.
VII. Entries in Larger Volumes
A. Textbook Accounts

Rudhyar, Dane

Year: 1938
Complete Citation:
Rudhyar, Dane. “The Birth of the Transcendental Movement and Its Manifestations in Music and the Modern Dance.” New Mexico Daily Examiner, August 21, 1938, 195-196.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Sadie, Stanley, and Alison Latham, ed.

Year: 1986
Complete Citation:
Sadie, Stanley, and Alison Latham, ed. Stanley Sadie’s Music Guide: An Introduction, 458-463. Englewood Cliffs, NJ: Prentice-Hall, 1986.
Notes:

The main entry includes some biography and a list of works and uses Three Places in New England for study: “Putnam’s Camp,” No. 2. “Charles Ives was composing pieces of irrational juxtaposition of musi-cal ideas and deliberately distorted harmonies” (423).

Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Salzman, Eric

Year: 1967
Complete Citation:
Salzman, Eric. Twentieth -Century Music: An Introduction, 61, 64, 97, 143--148, 152, 164. Englewood Cliffs, NJ: Prentice- Hall, 1967.
Source: Book
Reprints:

Salzman, Eric. <i>Twentieth -Century Music: An Introduction</i>, 128--131.<i> </i>Second Edition. Englewood Cliffs, NJ: Prentice- Hall,. 1974. * Third Edition, 1988. * Fourth Edition, 2002: 136--139.

VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1967
Complete Citation:
Salzman, Eric. “Ives.” In 20th-century Music: An Introduction, 143-147. Englewood Cliffs, NJ: Prentice Hall, 1967.
Source: Chapter in Book
Reprints:

Salzman, Eric. “Ives.” In <i>20th-century Music: An Introduction</i>, 128-131. Englewood Cliffs, NJ: Prentice Hall, 1974.

VII. Entries in Larger Volumes
A. Textbook Accounts

Saminsky, Lazare

Year: 1949
Complete Citation:
Saminsky, Lazare. Living Music of the Americas, 43, 149-152. New York, NY: Howell, Soskin and Crown, 1949.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts