Bibliography

Hamm, Charles

Year: 1983

Complete Citation:

Hamm, Charles. “The Search for a National Identity.” In Music in the New World, 424-437. New York, NY: W.W. Norton, 1983.

Source: Chapter in Book

VII. Entries in Larger Volumes
A. Textbook Accounts

Hansen, Peter S.

Year: 1961

Complete Citation:

Hansen, Peter S. “Music in the United States.” In An Introduction to 20th Century Music, 77-84. Boston, MA: Allyn and Bacon, 1961.

Source: Book

Reprints:

Hansen, Peter S. “Music in the United States.” In An Introduction to 20th Century Music, 2nd ed. Boston, MA: Allyn and Bacon, 1961. * Hansen, Peter S. “Music in the United States.” In An Introduction to 20th Century Music, 3rd ed. Boston, MA: Allyn and Bacon, 1967. * Hansen, Peter S. “Music in the United States.” In An Introduction to 20th Century Music, 86-96. 4th ed. Boston, MA: Allyn and Bacon, 1961.

VII. Entries in Larger Volumes
A. Textbook Accounts

Year: 1967

Complete Citation:

Hansen, Peter S. An Introduction to Twentieth Century Music. Boston, MA: Allyn and Bacon, 1967.

Source: Book

VII. Entries in Larger Volumes
A. Textbook Accounts

Henry, Derrick

Year: 1989

Complete Citation:

Henry, Derrick. “Baritone's Dramatic Portrayal Brings Music of Composer Charles Ives to Life.” Atlanta Constitution, October 2, 1989, sec. B, 3.

Source: Newspaper

XII. Interdisciplinary Performances with Ives’s Music
A. Theatre

Hitchcock, H. Wiley

Year: 1974

Complete Citation:

Hitchcock, H. Wiley. Music in the United States [La música en los Estados Uni-dos, una introdución a su historia]. Translated to Spanish. Buenos Aires, Argentina: Editorial Victor Leru, 1972.

Source: Book

Reprints:

Second Edition, 1974: 149-172. Third Edition, 1988: 161-186. Fourth Edition, 2000: 171--199.

VII. Entries in Larger Volumes
A. Textbook Accounts

Year: 1988

Complete Citation:

Hitchcock, H. Wiley. Music in the United States: A Historical Introduction, 161-186. 3rd ed. New Jersey: Prentice-Hall, 1988.

Source: Book

VII. Entries in Larger Volumes
A. Textbook Accounts

Hoffmann, Niels Frederic

Year: 1980

Complete Citation:

Hoffmann, Niels Frederic. “Der Alltag im musikalischen Kunstwerk. Von Offenbach bis Kagel.” In Musik im Alltag: Zehn Kongressbeitrage, edited by Reinhold Brinkmann. Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, 21. Mainz, Germany: Schott, 1980.

Notes:

Ives is one of the com-posers whose works are cited as having used everyday elements in their compositions.

Source: Chapter in Book

VII. Entries in Larger Volumes
A. Textbook Accounts

Howard, John Tasker

Year: 1931

Complete Citation:

Howard, John Tasker. Our American Music: Three Hundred Years of It, 576-578. New York, NY: Thomas Y. Crowell Co., 1931.

Source: Book

VII. Entries in Larger Volumes
A. Textbook Accounts

Hughes, Don Anselm

Year: 1954

Complete Citation:

Hughes, Don Anselm. The New Oxford History of Music, Vol. II. London, United Kingdom: Oxford University Press, 1954.

Source: Book

VII. Entries in Larger Volumes
A. Textbook Accounts

Kerman, Joseph

Year: 1985

Complete Citation:

Kerman, Joseph. Listen. Third Brief Edition. Waco, TX: Worth, 1985.

Notes:

For listening studies, Kerman uses “The Rockstrewn Hills Join in the People's Outdoor Meeting” from Orchestral Set No. 2.

Source: Book

VII. Entries in Larger Volumes
A. Textbook Accounts

Lang, Paul Henry

Year: 1961

Complete Citation:

Lang, Paul Henry. One Hundred Years of American Music, 98--99, 108. New York, NY: G. Schirmer, 1961.

Notes:

Scattered passing references.

Source: Book

VII. Entries in Larger Volumes
A. Textbook Accounts

Layton, Robert

Year: 1960

Complete Citation:

Layton, Robert. “Music in the United States.” Twentieth Century Music, edited by Rollo H. Myers, 197-198. London, United Kingdom: John Calder, 1960.

Notes:

“His works show an extraordinary admixture of sheer genius and downright incom-petence.”

Source: Chapter in Book

Reprints:

Revised and Enlarged Edition, 1968: 232-240.

VII. Entries in Larger Volumes
A. Textbook Accounts

Machlis, Joseph

Year: 1979

Complete Citation:

Machlis, Joseph. Introduction to contemporary music. 2nd ed. New York, NY: Norton, 1979.

Source: Book

VII. Entries in Larger Volumes
A. Textbook Accounts

Majoros, David, compiler

Complete Citation:

Majoros, David, compiler. “Charles E. Ives: American Composer.” A Musical/Dramatic Portrait (ca. 1988); baritone and piano. Performance in Appleton, WI; Lawrence University; Bradford, MA: Bradford College; Fulton, MO: William Woods University; Las Vegas, NV: University of Nevada-

Notes:

Two acts: Act I (in baseball uniform with ball and bat); Act II (in vest, tweed jacket, hat, and cane); songs interspersed with recitation from Ives's writings. A Musical/Dramatic Portrait (ca. 1988); baritone and piano. Superior, WI: University of Wisconsin- Superior; David Majoros, baritone; Christine Sotomayor Lopez, piano.

XII. Interdisciplinary Performances with Ives’s Music
A. Theatre

Richard Dufallo and Brenden Gill, developers.

Year: 1975

Complete Citation:

Richard Dufallo and Brenden Gill, developers. Meeting Mr. Ives (1975); theater piece.

Notes:

Music: The Unanswered Question’, General William Booth Enters into Heaven', Like a Sick Eagle', and The Children's Hour. Prf: 1975 August 20--24: Lenox, MA; Lenox Art Center; Dennis Nahat, choreographer and stage director; Wayne Turnage, bari-tone; Catherine Rowe, soprano; Donald Symington (George Ives); David Westfass (Charles Ives).

Source: Theater Piece

XII. Interdisciplinary Performances with Ives’s Music
A. Theatre

Routh, Francis

Year: 1968

Complete Citation:

Routh, Francis. “Contemporary music: an introduction.” London, United Kingdom: English Universities Press, 1968.

VII. Entries in Larger Volumes
A. Textbook Accounts

Sadie, Stanley, and Alison Latham, ed.

Year: 1986

Complete Citation:

Sadie, Stanley, and Alison Latham, ed. Stanley Sadie’s Music Guide: An Introduction, 458-463. Englewood Cliffs, NJ: Prentice-Hall, 1986.

Notes:

The main entry includes some biography and a list of works and uses Three Places in New England for study: “Putnam’s Camp,” No. 2. “Charles Ives was composing pieces of irrational juxtaposition of musi-cal ideas and deliberately distorted harmonies” (423).

Source: Book

VII. Entries in Larger Volumes
A. Textbook Accounts

Salzman, Eric

Year: 1967

Complete Citation:

Salzman, Eric. Twentieth -Century Music: An Introduction, 61, 64, 97, 143--148, 152, 164. Englewood Cliffs, NJ: Prentice- Hall, 1967.

Source: Book

Reprints:

Salzman, Eric. Twentieth -Century Music: An Introduction, 128--131. Second Edition. Englewood Cliffs, NJ: Prentice- Hall,. 1974. * Third Edition, 1988. * Fourth Edition, 2002: 136--139.

VII. Entries in Larger Volumes
A. Textbook Accounts

Year: 1967

Complete Citation:

Salzman, Eric. “Ives.” In 20th-century Music: An Introduction, 143-147. Englewood Cliffs, NJ: Prentice Hall, 1967.

Source: Chapter in Book

Reprints:

Salzman, Eric. “Ives.” In 20th-century Music: An Introduction, 128-131. Englewood Cliffs, NJ: Prentice Hall, 1974.

VII. Entries in Larger Volumes
A. Textbook Accounts

Saminsky, Lazare

Year: 1949

Complete Citation:

Saminsky, Lazare. Living Music of the Americas, 43, 149-152. New York, NY: Howell, Soskin and Crown, 1949.

Source: Book

VII. Entries in Larger Volumes
A. Textbook Accounts

Bibliography

Genres

Hamm, Charles

Hansen, Peter S.

Henry, Derrick

Hitchcock, H. Wiley

Hoffmann, Niels Frederic

Howard, John Tasker

Hughes, Don Anselm

Kerman, Joseph

Lang, Paul Henry

Layton, Robert

Machlis, Joseph

Majoros, David, compiler

Richard Dufallo and Brenden Gill, developers.

Routh, Francis

Sadie, Stanley, and Alison Latham, ed.

Salzman, Eric

Saminsky, Lazare