Image
Complete Citation:
Abraham, Gerald. The Concise Oxford History of Music, 824. London, United Kingdom: Oxford University Press, 1979.
Bibliography
Genres
Abraham, Gerald
Year: 1979
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Alexander, J. Heywood
Year: 2002
Complete Citation:
Alexander, J. Heywood. “Charles Ives.” In To stretch our ears: a documentary history of America's music. New York, NY: W.W. Norton, 2002.VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Austin, William F.
Year: 1966
Complete Citation:
Austin, William F. Music in the Twentieth Century, from Debussy through Stravinsky. New York, New York: W.W. Norton, 1966.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Austin, William W.
Complete Citation:
Austin, William W. Music in the 20th Century, 57-61. New York, NY: W.W. Norton, 1966.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Banyai, Istvan
Year: 2004
Complete Citation:
Banyai, Istvan. Illustration, 2004. New Yorker, June 7, 2004, 97.Source: Illustration
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Bernstein, Martin and Martin Picker
Year: 1966
Complete Citation:
Bernstein, Martin and Martin Picker. “Contemporary American Music.” In An Introduction to Music, 525, 541-549. Third Edition. Englewood Cliffs, NJ: Prentice-Hall, 1966.Notes:
Section on Charles Ives
Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Bower, Tim
Year: 2001
Complete Citation:
Bower, Tim. Caricature. New Yorker, 2001 January 22): 17.Source: Caricature
Reprints:
Reproduced: announcement for an American Composers Orchestra concert.
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Breger, Leonard
Year: 1997
Complete Citation:
Leonard Breger. “Homage: Charles Ives 4th Symphony,” acrylic collage on cut-out shape masonite, 1997. Composer Homages Series.Notes:
Includes a likeness of Ives.
Source: Acrylic Cutout
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Brotman, Adolf E.
Complete Citation:
Brotman, Adolf E. Sketch/line drawing. Music Journal (March 1966) 24/3: 47.Notes:
Based on a photograph by Halley Erskine. See frontispiece of Burk’s <i>Omnibus</i>.
Source: Drawing
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Burk, James M.
Year: 1973
Complete Citation:
See: James M. Burk. “From Our Readers.” Music Journal 31/10 (De-cember 1973): 38.Source: Postage Stamp
XVI. Photographs and Artwork
C. Other
C. Other
Burk, James Mack
Year: 1977
Complete Citation:
Burk, James Mack. An Hour with Ives. 1977. In The Charles Ives Festival- Conference, Oc-tober 19, 1974: Brooklyn.Source: Photograph
Reprints:
Made around the Ives house in West Redding and Danbury. [No original photographs of Ives.] Also includes slides made from other photographs including those printed in books. The James Mack Burk Collection also con-tains prints of photographs taken and printed by Sipprell, Erskine, and Rathburn.
XVI. Photographs and Artwork
A. Photographs
A. Photographs
Chandler, Bruce
Complete Citation:
Chandler, Bruce. Woodcut portrait, 1977. In A Meditation on Charles Ives, by Mark Weiss. Ephemon Collection, Rare Book, New York Public Library, 1977.Source: Woodcut portrait
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Chase, Gilbert
Year: 1966
Complete Citation:
Chase, Gilbert. “America’s Music: From the Pilgrims to the Present.” New York: McGraw-Hill Book Company, 1966.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Year: 1966
Complete Citation:
Chase, Gilbert. “Composer from Connecticut.” In America’s Music: From the Pilgrims to the Present. 2nd ed., 403-28. New York, NY: McGraw Hill, 1966.Source: Chapter in Book
Reprints:
Chase, Gilbert. “Composer from Connecticut.” In <i>America’s Music: From the Pilgrims to the Present</i>. 3rd ed. Urbana, IL: University of Illinois Press, 1987: 429-446.
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Cober, Alan E.
Year: 1994
Complete Citation:
Cober, Alan E. Illustration. Atlantic Monthly 273/1 (January 1994): 106.Source: Illustration
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Collaer, Paul; Sally, Abeles, translator
Year: 1961
Complete Citation:
Collaer, Paul. A History of Modern Music, 43, 366-367, 388. Translated from French to English by Sally Abeles. New York, NY: Grosset & Dunlap.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Cooke, Deryck
Year: 1959
Complete Citation:
Cooke, Deryck. The Language of Music. Stocksbridge, United Kingdom: Clarendon House Publications, 1959.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Cowell, Sidney
Complete Citation:
Cowel, Sidney. Photograph of Ives and Henry Cowell. Reproduced: brochure about Cowell (Broadcast Music, Inc.).Source: Photograph
XVI. Photographs and Artwork
A. Photographs
A. Photographs
Dahlhaus, Carl
Year: 1980
Complete Citation:
Dahlhaus, Carl. Musik des 19. Jahrhundert (Neues Handbuch der Musikwissenschrift). Vol. 6. Wiesbaden, Germany: Akademie Verlagsgellschaft Athenian, 1980.Notes:
Cites Concord Sonata's “random accumulation of dissonance.”
Source: Book
Reprints:
Dahlhaus, Carl. Musik des 19. Jahrhundert (Neues Handbuch der Musikwissenschrift) [<i>Nineteenth-Century Music</i>]. Translated to English by J. Bradford Robinson. California Studies in 19th Century Music, 5. Berkeley, CA: University of California Press, 1989.
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Dattel, Michel
Complete Citation:
Dattel, Michel. Homage to Charles Ives (1996--1999); mixed media (col-lage, watercolor, ink) on paper (16 x 24 inches).Notes:
“A graphic interpretation of Ives’ music, especially ‘The Unanswered Question’ (1906) and ‘Three Places in New England’ (1903--1904).”
Source: Mixed media
XVI. Photographs and Artwork
B. Artwork
B. Artwork