Jones, Chris
Year: 2014
Complete Citation:
Jones, Chris. “An Effective Twist on Following Your Dreams.” Chicago Tribune, May 21, 2014.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Karlovits, Bob
Year: 2013
Complete Citation:
Karlovits, Bob. “‘Charles Ives’ Showcases Strife, Music, Basketball.” McClatchy - Tribune Business News, November 14, 2013.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Keats, Sheila
Year: 1954
Complete Citation:
Keats, Sheila. “Reference Articles on American Composers: An Index.” Juilliard Review 1 (Fall 1954): 28-29.Source: Journal
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Kerwin, Bud, choreographer
Year: 1974
Complete Citation:
Bud Kerwin, choreographer. The Subjective Man (1974); choreographic setting. Music: From the Swimmers', Like a Sick Eagle', Walt Whitman', The Cage', The Indians. Prf: 1974 October 20: Indianapolis; Clowes Memorial Hall, Butler University; Charles Ives Celebration Program; Dina Korta,
Cheryl Palonis. Gathering: A Choreographic Tribute to Charles Ives (1976). M.F.A.; Department of Ballet and Modern Dance; University of Utah.Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Kirkpatrick, John
Year: 1988
Complete Citation:
Kirkpatrick, John. “Charles Ives.” In The New Grove Twentieth-Century American Masters: Ives, Thomson, Sessions, Cowell, Gershwin, Copland, Carter, Cage, Bernstein. New York, New York: W.W. Norton, 1988.Source: Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Kisselgoff, Anna
Year: 1978
Complete Citation:
Kisselgoff, Anna. “City Ballet Offers ‘Calcium Light Night.’” The New York Times, January 21, 1978, 26.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1983
Complete Citation:
Kisselgoff, Anna. “Ballet: Martin’s ‘Calcium Light Night’: Review.” The New York Times, November 24, 1983.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Year: 1985
Complete Citation:
Kisselgoff, Anna. “Dance View: Peter Martins Turns to Drama in His New Ballet.” The New York Times (January 27, 1985): 2: 8.Notes: In giving an account of Martins as choreographer, the writer tells about “Calcium Light Night,” his “very first ballet in 1977--78,” which "demon- strated an interest in dramatic form" and which was his "most original ballet.”
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1988
Complete Citation:
Kisselgoff, Anna. “Ballet: ‘Ives, Songs,’ by Jerome Robbins: Review.” The New York Times, February 6, 1988.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1988
Complete Citation:
Kisselgoff, Anna. “Dance View; ‘Ives, Songs’: A Rollicking, Exquisite Odyssey: Review.” The New York Times, February 14, 1988.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Cir-cus, with Tricycle.” The New York Times. June 19, 1999.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Circus, with Tricycle.” New York Times. June 19, 1999, sec. B: 15.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Divergent Progeny of Granddaddy Ives.” The New York Times, June 18, 1999, sec. E, 28.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Divergent Progeny of Granddaddy Ives.” The New York Times, June 18, 1999, sec. E, 28.Notes: Claims that Ives is the “granddaddy of American music's 20th century experimentalists.”
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Year: 2000
Complete Citation:
Kisselgoff, Anna. “On Pulling Teeth, and ‘Degenerate Art’ Brought to Life.” The New York Times. January 8, 2000, sec. B, 17.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
L., Barbara
Year: 2001
Complete Citation:
Barbara L. “Atlanta Ballet nearly Flawless: All Edition."Sarasota Herald-Tribune, 2001, October 2.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Llloyd, Norman
Year: 1968
Complete Citation:
Lloyd, Norman. “Ives, Charles Edward.” The Golden Encyclopedia of Music. New York, NY: Golden Press, 259-260.Notes: For young readers. An in-formative article, with minor errors. Discussion of Ives's Symphony No. 4, photograph, musical example No. 28 (tone clusters in Concord Sonata). Numerous other citations: 60, 126, 251, 473, 661.
Source: Article in Encyclopedia
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Lubovitch, Lar, chroeographer
Complete Citation:
Lar Lubovitch, choreographer. Scherzo for Massah Jack (1973); ballet; American Ballet Theater.Notes: Music: Trio for violin, cello, and piano (Adagio and Scherzo), includ-ing "My Old Kentucky Home."
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Mackrell, Judith
Year: 2000
Complete Citation:
Mackrell, Judith. “Witching Hour: Black Magic and Slapstick Are an Unlikely Mix for a Night of American-Themed Ballet.” The Guardian, April 15, 2000, 5.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Mainieri, Mike
Complete Citation:
Mainieri, Mike. “In the Universe of Ives.” Jazz composition. An American Diary.
NYC Records, 6015, 1995, CD.Notes: Based on Universe Symphony concepts, quotes trumpet part for The Unanswered Question. <br>Joe Lovano, tenor and soprano saxophones, alto clarinet; Mike Maini- eri, xylophones, bass marimba, gongs, chimes, and midi vibes; Eddie Gomez, bass; Peter Erskine, drums, percussion. Notes by Howard Mandel.<br><br>
Source: Jazz Composition
XII. Interdisciplinary Performances with Ives’s Music
C. Other