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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
(-) VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Buhrman, Laurel Chenault

Year: 1961
Complete Citation:
Buhrman, Laurel Chenault. “An analysis of the music of Charles Ives.”
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Burkholder, J. Peter

Year: 1983
Complete Citation:
Burkholder, J. Peter. “The evolution of Charles Ives’s music: aesthetics, quotation, technique (Vol. 1).” Ph.D Dissertation, University of Chicago, 1983.
Source: Ph.D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1983
Complete Citation:
Burkholder, J. Peter. “The Evolution of Charles Ives’s Music: Aesthetics, Quotation, Technique.” Ph.D. diss., University of Chicago, 1983.
Source: Ph.D. dissertation
Reprints:

Chapters 1-4 reprinted as <i>Charles Ives: The Ideas Behind the Music</i>. New Haven, CT: Yale University Press, 1985. * Chapter 5 reprinted as ““Quotation” and Emulation: Charles Ives's Uses of His Models.” <i>The Musical Quarterly</i> 71, no. 1 (1985): 1-26.

VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1983
Complete Citation:
Burkholder, J. Peter. “The Evolution of Charles Ives’s Music: Aesthetics, Quotation, Technique." PhD diss., University of Chicago, 1983.
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1990
Complete Citation:
Burkholder, J. Peter. “Chalres Ives the Avant-Gardist, Charles Ives the Traditionalist.” In Bericht über das Internationale Symposion “Charles Ives und die amerikanische Musiktradition bis zur Gegenwart,” Köln 1988, edited by Klaus Wolfgang Niemöller, Manuel Gervink, and Paul Terse. Regensburg: Gustav Bosse Verlag, 1990.
Source: Chapter in Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Burkholder, J. Peter, ed.

Year: 1996
Complete Citation:
Burkholder, J. Peter, ed. Charles Ives and His World Festival, Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18.
Notes:

Seventh in Bard College’s annual "Rediscoveries" series.

Source: Festival Publication
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Buschmeier, Gabriele, Ulrich Konrad, and Albrecht Riedmüller, eds.

Year: 2008
Complete Citation:
Buschmeier, Gabriele, Ulrich Konrad, and Albrecht Riedmüller, eds. Transkription und Fassung in der Musik des 20. Jahrhunderts: Beiträge des Kolloquiums in der Akademie der Wissenschaften und der Literatur, Mainz, vom 5. bis 6. März 2004. Stuttgart, Germany: Franz Steiner Verlag, 2008.
Source: Conference Publication
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Bylander, Cindy

Year: 2014
Complete Citation:
Bylander, Cindy. “Charles Ives and Poland’s Stalowa Wola Festival: Inspirations and Legacies.” The Polish Review, vol. 59, no. 2 (2014): 43-60.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Call, William Anson

Year: 1971
Complete Citation:
Call, William Anson. “A Study of the Transcendental Aesthetic Theories of John S. Dwight and Charles E. Ives and the Relationship of These Theories to Their Respective Work as Music Critic and Composer.” D.M.A. diss., University of Illinois, 1971.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Cameron, Janet

Year: Year unlisted
Complete Citation:
Cameron, Janet. “An Analysis of the First Movement of the First Piano Sonata by Charles Ives.” Seminar paper, University of Illinois, year unlisted.
Source: Seminar paper
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Cantrick, Susan Birdsall

Year: 1983
Complete Citation:
Cantrick, Susan Birdsall. Charles Ives’ “String Quartet no. 2”: an analysis and evaluation. M.M. thesis, Peabody Institute of the Johns Hopkins University, Peabody Conservatory of Music, 1983.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Year: 1983
Complete Citation:
Cantrick, Susan Birdsall. “Charles Ives’s ‘String Quartet No. 2’: An Analysis and Evaluation.” M.M. thesis, Peabody Institute of the Johns Hopkins University, Peabody Conservatory of Music, 1983.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Carleton, Chantal

Year: 2015
Complete Citation:
Carleton, Chantal. “The Distance between the Notes: The Journey from Text to Music in American Epiphanic Poetry.” Ph.D. diss., Indiana University, 2015.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Carlson, Paul Bollinger

Year: 1964
Complete Citation:
Carlson, Paul Bollinger. “An historical background and stylistic analysis of three twentieth century compositions for violin and piano.” Ph.D. diss., University of Missouri at Kansas City, 1964.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Carter, Elliott

Year: 1946
Complete Citation:
Carter, Elliott. “Notes on the Program: Charles Ives.” Program notes for Second Annual Festival of Contemporary American Music, 6-10. Columbia University, New York, May 10-13, 1946.
Source: Program Notes/Festival Publication
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Catmull, Joan Carol

Complete Citation:
Catmull, Joan Carol. “The Transcendentalism of Charles E. Ives.” B.A. thesis, Brigham Young University, 1969.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Chau, Paul S.

Year: 1982
Complete Citation:
Chau, Paul S. “The piano trio paul chau.” D.M.A. diss., University of Colorado, 1982.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Chernov, Eric B.

Year: 2009
Complete Citation:
Chernov, Eric B. “Where the truer beauties lie: analytical issues in four unbarred songs by Charles Ives.” Ph.D. Dissertation, State University of New York at Buffalo, 2009.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Chien, Gloria

Year: 2004
Complete Citation:
Chien, Gloria. “Comic and cosmic : the idiosyncratic humor of Charles Ives as illustrated in his scherzos and take-offs.” D.M.A. Thesis, New England Conservatory of Music, 2004.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Clarke, Gary E.

Year: 1965
Complete Citation:
Clarke, Gary E. "A study of the music of Charles Edward Ives.” B.A. thesis, Cornell College, 1965.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays