Rayson, John Baird
Year: 1982
Complete Citation:
Rayson, John Baird. “The problem of style in the songs of Charles Ives.” M.A. Thesis, University College, Cardiff, 1982.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Reeve, Lew
Year: 1970
Complete Citation:
Reeve, Lew. “Charles Ives’ Music Done Well in Con-cert.” Minneapolis Star. April 8.Notes: Ives’s “transcendental philosophy, love of Emerson, and ability with pungent ex-pression comes through.” States erroneously that Ives died in 1969 to the age of 80.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Reichert, Linda
Year: 1996
Complete Citation:
Reichert, Linda. “Charles Ives and quarter-tone music: a transcription of "Three Quarter-tone Pieces for Two Pianos.” D.M.A. Thesis, Temple University, 1996.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Reinthaler, Joan
Year: 1973
Complete Citation:
Reinthaler, Joan. “Festival.” The Washington Post and Times Herald, April 16, 1973, B9.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Reitz, Howard D.
Year: 1969
Complete Citation:
Reitz, Howard D. “Performance-related research document no. 1.” D.M.A. research project, University of Colorado, 1969.Source: D.M.A. Research Project
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Riepe, Russell
Year: 1969
Complete Citation:
Riepe, Russell. “Charles Ives: Robert Browning Overture.” M.A. Thesis, University of Rochester, 1969.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Riley, Owen Howard
Year: 2003
Complete Citation:
Riley, Owen Howard. “Charles Ives, Duke Ellington, Aaron Copland: a search for an American identity in early twentieth century American music.” M.A. Thesis, California State University, Dominguez Hills 2003.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Rinehart, John McLain
Year: 1970
Complete Citation:
Rinehart, John McLain. “Ives’ Compositional Idioms: An Investigation of Selected Short Compositions as Microcosms of His Musical Language.” Ph.D. diss., Ohio State University, 1970.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Robinson, Bradley Craig
Year: 1999
Complete Citation:
Robinson, Bradley Craig. “A study of Charles Ives's use of self-borrowing in the composition of selected songs for solo voice and piano.” D.M.A. diss., University of Illinois at Urbana-Champaign, 1999.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Robison, Richard William
Year: 1969
Complete Citation:
Robison, Richard William. “Reading contemporary choral literature : an analytical study of selected contemporary choral compositions with recommendations for the improvement of choral reading skills.” Ph.D. diss., Brigham Young University, 1969.VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Rockwell, John
Year: 1979
Complete Citation:
Rockwell, John. “Underground Music Surfaces for a Nine- Day Festival.” The New York Times, June 3, 1979.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1984
Complete Citation:
Rockwell, John. “Best of Ives, Wall to Wall.” The New York Times, March 16, 1984, sec. 3, 1.Notes: Announcement of twelve-hour marathon of performances.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Rodriguez, Paul Anthony
Year: 1985
Complete Citation:
Rodriguez, Paul Anthony. “Charles E. Ives: transcendental influence in selected short piano compositions.” M.A. thesis, California State University, Fullerton, 1985.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Rodriguez, Yolanda Maxine
Year: 2008
Complete Citation:
Rodriguez, Yolanda Maxine. “The influence of Charles Ives on the solo piano music of John Cage.” M.M. Thesis, California State University, Long Beach, 2008.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Roeder, Matthew James
Year: 2005
Complete Citation:
Roeder, Matthew James. “Select ragtime music of Scott Joplin, Charles Ives, and Igor Stravinsky: a set of analyses.” D.M.A. Thesis, University of Colorado, 2005.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Roller, Jonathan Brian
Year: 1995
Complete Citation:
Roller, Jonathan Brian. “An analysis of selected movements from the symphonies of Charles Ives using linear and set theoretical analytical models.” Ph.D. diss., University of Kentucky, 1995.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Rosen, Lee Cyril
Year: 1965
Complete Citation:
Rosen, Lee Cyril. “The Violin Sonatas of Charles Ives.” B.M. thesis, University of Illinois, 1965.Source: B.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Ross, Alex
Year: 1994
Complete Citation:
Ross, Alex. “How Ever Did You Do It, Mr. Ives?” The New York Times. November 15, 1994, sec. C: 20.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1996
Complete Citation:
Ross, Alex. “Vindicating Ives on Dates and Music,” review of Charles Ives and His World Festival. The New York Times (August 20, 1996) sec. C, 13, 14.Notes: In a review of programs, Ross comments on verification of dates on Ives’s compositions, especially by using Gayle Sherwood's methods.
Source: Newspaper
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 2004
Complete Citation:
Review: Alex Ross. “Pandemonium.” New Yorker 80/15 (June 7): 97--99.Notes: Review of “Charles Ives: An American Original in Context” Festival. Includes an illustration by Istvan Banyai.
Source: Magazine
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series