Coleman, Donna
Year: 1986
Complete Citation:
Coleman, Donna. “A source study of the fifth movement of Charles Ives's first piano sonata: toward a critical edition.” D.M.A. thesis, University of Rochester, 1986.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Cooney, Denise Van Glahn
Year: 1995
Complete Citation:
Cooney, Denise von Glahn. “Reconciliations: Time, Space and American Place in the Music of Charles Ives.” Ph.D. diss., University of Wash-ington, 1995.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Cornett-Murtada, Vanessa
Year: 2004
Complete Citation:
Cornett-Murtada, Vanessa. “Quotation, revolution, and American culture: the use of folk tunes and the influence of Charles Ives in Frederic Rzewski's North American ballads for solo piano.” D.M.A. Thesis, University of North Carolina at Greensboro, 2004.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Covington, Katherine Russell
Year: 1982
Complete Citation:
Covington, Katherine Russell. “A Study of Textural Stratification in 20th- century Compositions.” Ph.D. diss., Indiana University, 1982.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Cowell, Henry
Year: 1948
Complete Citation:
Cowell, Henry. “Charles Ives: Second Pianoforte Sonata, ‘Concord. Mass., 1840-1860.’ Second edition. [Review of Second Pianoforte Sonata by Charles Ives.]” Notes 5/3 (June 1948): 413.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1955
Complete Citation:
Cowell, Henry. “The Flavour of American Music.” Score and I.M.A. Magazine 12 (June 1955): 5-8.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Cox, Paul Walthen
Year: 1970
Complete Citation:
Cox, Paul Wathen. “An Analysis of Sonority Types in Selected Songs of Charles Ives.” M.M. thesis, Indiana University, 1970.Notes: Discusses certain sonorities, quartal and quintal chords, polychords, clusters, and hybrid sonorities. Thirty-eight songs analyzed. Appendix B lists 114 Songs in chronological order with authors of the texts.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Cox, Paul Wathen
Year: 1970
Complete Citation:
Cox, Paul Wathen. “An analysis of sonority tapes in selected songs of Charles Ives.” M.M. Thesis, Indiana University, 1970.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Crain, Timothy Mark
Year: 1995
Complete Citation:
Crain, Timothy Mark. “Rhythm and form in Ives's Scherzo (Over the pavements).” M.M. thesis, University of Alabama, 1995.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Crook, David W.
Year: 1980
Complete Citation:
Crook, David W. “Charles Ives and nineteenth century American household music.” B.A. thesis, Redlands, CA: University of Redlands, 1980.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Crory, Neil
Year: 2008
Complete Citation:
Crory, Neil. Charles Ives: Romanzo Di Central Park. Vol. 49, Opera Canada Publications, Toronto, 2008.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Cuffiani, Barbara
Year: 1996
Complete Citation:
Cuffiani, Barbara. “Gli Studi per pianoforte di Charles Edward Ives: studio sulla genesi e la tradizione dei testi musicali.” Ph.D. diss., Università di Pavia, 1996.Source: Ph.D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Curtis, Daniel
Year: 2008
Complete Citation:
Curtis, Daniel. “A conductor's thesis in three parts.” B.A. thesis, Amherst College, 2008.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Cyr, Gordon
Year: 1972
Complete Citation:
Cyr, Gordon. “Review of Scherzo, All the Way Around and Back by Charles Ives.” Notes 29/2 (December 1972): 332.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1972
Complete Citation:
Cyr, Gordon. “Review of Symphony no. 1 by Charles Ives.” Notes 29/2 (December 1972): 319.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1972
Complete Citation:
Cyr, Gordon. “Solo and Ensemble Music: by Charles Ives.” Notes, Volume 29, Issue 2 (December 1972).Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Darby, Joseph Eugene
Year: 1992
Complete Citation:
Darby, Joseph Eugene. “Charles Ives's second string quartet and the European tradition.” M.Mus. thesis, University of Illinois at Urbana-Champaign, 1992.Source: M.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Daugherty, Michael
Year: 1982
Complete Citation:
Daugherty, Michael. “Goethe and Emerson: the link between aesthetic theories and compositional processes of Gustav Mahler and Charles Ives.” M.M.A. Thesis, Yale University, 1982.Source: M.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Davies, Hilary W.
Year: 1987
Complete Citation:
Davies, Hilary W. "The correlation between source and style in the music of Ives.” Ph.D. diss., University of Wales, 1987.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Davis, Joel Scott
Year: 2011
Complete Citation:
Davis, Joel Scott. “The Populist Variations: The Role of Hymnody in the Music of Charles Ives, Aaron Copland, and John Adams.” D.M.A. diss., Claremont Graduate University, 2011.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations