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Bibliography

Croche, Florstan

Year: 1967
Complete Citation:
Croche, Florstan. “New Records Connecticut Yankee's ‘Sonata’.” The Sun, August 6, 1967, D10.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Crook, David W.

Year: 1980
Complete Citation:
Crook, David W. “Charles Ives and nineteenth century American household music.” B.A. thesis, Redlands, CA: University of Redlands, 1980.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Crory, Neil

Year: 2005
Complete Citation:
Crory, Neil. “A Song - for Anything: Songs by Charles Ives.” Opera Canada, vol. 46, no. 4 (2005): 51.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2008
Complete Citation:
Crory, Neil. “Opera at Home: CDs: Charles Ives: “Romanzo Di Central Park.”” Opera Canada 49, no. 1 (2008): 49-50.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Crutchfield, Will

Year: 1984
Complete Citation:
Crutchfield, Will. “American Symphony And the Ives Fourth.” The New York Times. October 15, 1984, sec. C, 14.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Cuffiani, Barbara

Year: 1996
Complete Citation:
Cuffiani, Barbara. “Gli Studi per pianoforte di Charles Edward Ives: studio sulla genesi e la tradizione dei testi musicali.” Ph.D. diss., Università di Pavia, 1996.
Source: Ph.D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Curtis, Daniel

Year: 2008
Complete Citation:
Curtis, Daniel. “A conductor's thesis in three parts.” B.A. thesis, Amherst College, 2008.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Curtis, William D.

Complete Citation:
Curtis, William D. “Symphony No. 4; Central Park in the Dark, conducted by Selji Ozawa.” The American Record Guide 40/1 (October 1977): 32-34.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Daniel, Oliver

Year: 1953
Complete Citation:
Daniel, Oliver. “New Recordings.” American Composers Alliance Bulletin 3, no. 1 (1953): 17.
Source: Bulletin
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1968
Complete Citation:
Daniel, Oliver. “Ives Is A Four-Letter Word.” The Saturday Review 51, no. 21 (May 25, 1968): 59.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Danler, K. R.

Year: 1985
Complete Citation:
Danler, K.R. “Zwei deutsche Erstaufführungen Eleazar de Carvalho dirigierte die MUSICA VIVA.” Das Orchester 33 (February 1985): 127.
Notes:

Discusses Symphony No. 4.

Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Darby, Joseph Eugene

Year: 1992
Complete Citation:
Darby, Joseph Eugene. “Charles Ives's second string quartet and the European tradition.” M.Mus. thesis, University of Illinois at Urbana-Champaign, 1992.
Source: M.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Darrell, R.D., comp.

Year: 1934
Complete Citation:
Darrell, R.D., comp. “Living American Composers: A List with Notes on the Recordings or Recording Possibilities.” Music Lovers’ Guide 2 (February, 1934): 173.
Source: Book
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Daugherty, Michael

Year: 1982
Complete Citation:
Daugherty, Michael. “Goethe and Emerson: the link between aesthetic theories and compositional processes of Gustav Mahler and Charles Ives.” M.M.A. Thesis, Yale University, 1982.
Source: M.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Davies, Hilary W.

Year: 1987
Complete Citation:
Davies, Hilary W. "The correlation between source and style in the music of Ives.” Ph.D. diss., University of Wales, 1987.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Davis, Joel Scott

Year: 2011
Complete Citation:
Davis, Joel Scott. “The Populist Variations: The Role of Hymnody in the Music of Charles Ives, Aaron Copland, and John Adams.” D.M.A. diss., Claremont Graduate University, 2011.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Davies, John Nigel

Year: 1973
Complete Citation:
Davies, John Nigel. “Two aspects of the American avant-garde: Charles Ives and John Cage: a dissertation.” Ph.D. diss., 1973.
Source: Book
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Davis, Peter

Year: 1974
Complete Citation:
Davis, Peter. “The Ives Boom on Disk: Every Sketch, Scrap and Master-piece.” The New York Times, October 20, 1974, sec. D, 26.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Davis, Peter G.

Year: 1968
Complete Citation:
Davis, Peter G. “Mandel Offers Ives Premieres.” The New York Times, March 24, 1968, 92.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1976
Complete Citation:
Davis, Peter G. “Concert: ‘Charles Ives show,’ Outdoors: Open-Air Performance is Given Twice Paul Winter, Consort at Lincoln Center.” The New York Times, September 5, 1976, 39.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances