Image
Complete Citation:
Ballard, Lincoln M. “Similar directions, possible influences: parallels between the music of Alexander Scriabin and Charles Ives.” M.M. Thesis, Florida State University, 2001.
Bibliography
Genres
Ballard, Lincoln M.
Year: 2001
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Bambarger, Bradley
Year: 1999
Complete Citation:
Bambarger, Bradley. "Classical Music: Jazzical Gas." Billboard 111/36 (September 4, 1999): 46.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2000
Complete Citation:
Bambarger, Bradley. “Classical: Keeping Score.” Billboard: The International Newsweekly of Music, Video and Home Entertainment, Vol. 112, No. 26 (2000): 74.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Banks, Timothy Paul
Year: 1985
Complete Citation:
Banks, Timothy Paul. “Psalm 90 and Harvest home chorales by Charles Ives: a history and performance analysis.” D.M.A. Dissertation, University of Colorado, 1985.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Barela, Margaret M.
Year: 2003
Complete Citation:
Barela, Margaret M. “Copland: Piano Sonata; Ives: Piano Sonata 1.” American Record Guide, Vol. 66, No. 1 (2003): 120-121.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2005
Complete Citation:
Barela, Margaret M. “Guide to Record: Ives - “Concord Sonata”; with Barber - “Sonata.” American Record Guide, Vol. 68, No. 1 (2005): 124-125.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2005
Complete Citation:
Barela, Margaret M. Guide to Records: Ives - Unknown Piano Pieces. American Record Guide, Vol. 68, No. 1 (2005): 123-124.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Barnes, C.
Year: 1967
Complete Citation:
Barnes, C. “Charles Ives’ Salute to the Fourth of July: Violently Original.” The Christian Science Monitor, 1967, 10.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Barns, Greg
Year: 2003
Complete Citation:
Barns, Greg. “SOUNDS: 1 Edition.” Mercury, August 30, 2003.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Barnettt, Christina Powers
Year: 1986
Complete Citation:
Barnettt, Christina Powers. “Charles Ives: 114 Songs and Transcendental Philosophy.” D.M.A. Dissertation, University of Texas at Austin, 1986.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Barry, Malcolm
Year: 1979
Complete Citation:
Barry, Malcolm. “Modern.” Concert Reviews. Music and Musicians 27, no. 12 (August 1979): 47.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Barros, Paul de
Year: 2002
Complete Citation:
Barros, Paul de. “Reviews: Sideshow: “Songs of Charles Ives.”” Down Beat: Jazz, Blues & Beyond, Vol. 69, No. 5 (2002): 61-62.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Baskerville, David Ross
Year: 1965
Complete Citation:
Baskerville, David Ross. “Jazz influence on art music to mid-century.” Ph.D. diss., University of California, Los Angeles, 1965.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Bayne, Harry McBrayer
Year: 1990
Complete Citation:
Bayne, Harry McBrayer. 1990. “A Critical Study of Henry Bellamann's Life and Work.” Ph.D. diss., University of Mississippi.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Beck, Jay L.
Year: 1983
Complete Citation:
Beck, Jay L. “The compositional process of Charles Ives's first piano sonata, first movement.” M.M. thesis, Brigham Young University, 1983.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Beck, Jill
Year: 1985
Complete Citation:
Beck, Jill. “Principles and Techniques of Choreography: A Study of Five Choreographers from 1983.” Ph.D. diss., City University of New York, 1985.Notes:
Analysis of the choreographers' works using Labanotation score and video documentation. Also on videocassette {E309}.<br>Prf: 2003 December 6: Slippery Rock, PA; Slippery Rock Univer-sity of Pennsylvania.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Beck, Nancy Ann
Year: 1977
Complete Citation:
Beck, Nancy Ann. “The effect of Charles Ives' religious philosophy on the content of some of his latter songs, 1919-1921.” M.A. Thesis, Ball State University, 1977.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Belland, Anna
Year: 1981
Complete Citation:
Belland, Anna. “Piano Variations by Ives, Valen, Lutoslawski, Dallapiccola- A Discussion of Their Styles and Forms.” D. Mus. dissertation, Indiana University, 1981.Notes:
“Charles Ives: Varied Air and Variations” (p. 3-20).
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Year: 1981
Complete Citation:
Belland, Anna. “Piano Variations by Ives, Valen, Lutoslawski, Dallapiccola: A Discussion of Their Styles and Forms.” D. Mus. diss., Jacobs School of Music, Indiana University, 1981.Notes:
Includes chapter “Charles Ives: Varied Air and Variations”
Source: D. Mus. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Bellison, L.
Year: 1954
Complete Citation:
Bellison, L. “2 Get the Right Pitch on the Jew’s-Harp: Professional Musicians, both from City, Win Chance to Play Under Stokowski.” The New York Times, February 17, 1954, 26.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances