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Bibliography

Riley, Owen Howard

Year: 2003
Complete Citation:
Riley, Owen Howard. “Charles Ives, Duke Ellington, Aaron Copland: a search for an American identity in early twentieth century American music.” M.A. Thesis, California State University, Dominguez Hills 2003.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Riley, Robert

Year: 1966
Complete Citation:
Riley, Robert. “Debut Orchestra Gives Tour of ‘New England.’’’ Los Angeles Times, March 6, 1966.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1967
Complete Citation:
Riley, Robert. “Singers on Stage at Wilshire Ebell.” Los Angeles Times, April 17, 1967, D30.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Rinehart, John McLain

Year: 1970
Complete Citation:
Rinehart, John McLain. “Ives’ Compositional Idioms: An Investigation of Selected Short Compositions as Microcosms of His Musical Language.” Ph.D. diss., Ohio State University, 1970.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Ritzel, Rebecca J.

Year: 2004
Complete Citation:
Ritzel, Rebecca J. “Music at Gretna Celebrates Ives, Dvorak Anniversaries.” Intelligencer Journal, June 18, 2004.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Robbins, Michael

Year: 1974
Complete Citation:
Robbins, Michael. “Ives Evenings.” The Washington Post, September 29, 1974, PO22.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Robinson, Bradley Craig

Year: 1999
Complete Citation:
Robinson, Bradley Craig. “A study of Charles Ives's use of self-borrowing in the composition of selected songs for solo voice and piano.” D.M.A. diss., University of Illinois at Urbana-Champaign, 1999.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Robison, Richard William

Year: 1969
Complete Citation:
Robison, Richard William. “Reading contemporary choral literature : an analytical study of selected contemporary choral compositions with recommendations for the improvement of choral reading skills.” Ph.D. diss., Brigham Young University, 1969.
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Rockwell, John

Year: 1971
Complete Citation:
Rockwell, John. “Ives’ 4th Symphony in Local Premiere.” Los Angeles Times, March 27, 1971, A6.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1973
Complete Citation:
Rockwell, John. “Sound of New Music Is Likened to Art.” The New York Times, January 3, 1973.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1988
Complete Citation:
Rockwell, John. “Ives With a Bit of Help.” New York Times, November 20, 1988, 67. 
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1989
Complete Citation:
Rockwell, John. “Review/Music; Previous Carnegie Winners.” The New York Times, September 25, 1989.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1989
Complete Citation:
Rockwell, John. “Pianist’s Cage and Ives.” The New York Times, January 31, 1989, C15.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1990
Complete Citation:
Rockwell, John. “A Pianist Juxtaposes Charles Ives and Art Tatum.” The New York Times, March 26, 1990, C12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Rodgers, Harold A.

Year: 1975
Complete Citation:
Rodgers, Harold A. “Lenox Arts Center: ‘Ives.’” High Fidelity/Musical America 25/12 (December 1975): 26-27.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Rodriguez, Joe

Year: 1933
Complete Citation:
Rodriguez, Jose. “Interest Proved Strong in Modern American Music.” Los Angeles Times January 1, 1933, 30.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Rodriguez, José

Year: 1933
Complete Citation:
Rodriguez, José. “An Old Lady Gets Three Shots in the Arm.” Rob Wagner’s Script, January 7, 1933, 6-7.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Rodriguez, Paul Anthony

Year: 1985
Complete Citation:
Rodriguez, Paul Anthony. “Charles E. Ives: transcendental influence in selected short piano compositions.” M.A. thesis, California State University, Fullerton, 1985.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Rodriguez, Yolanda Maxine

Year: 2008
Complete Citation:
Rodriguez, Yolanda Maxine. “The influence of Charles Ives on the solo piano music of John Cage.” M.M. Thesis, California State University, Long Beach, 2008.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Roeder, Matthew James

Year: 2005
Complete Citation:
Roeder, Matthew James. “Select ragtime music of Scott Joplin, Charles Ives, and Igor Stravinsky: a set of analyses.” D.M.A. Thesis, University of Colorado, 2005.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations