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Bibliography

Huxhold, John

Year: 2010
Complete Citation:
Huxhold, John. “Concerts Everywhere: St. Louis Symphony - Tippett: “A Child of Our Time.”” American Record Guide, Vol. 73, No. 1 (2010): 30.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Hwang, Mi K.

Year: 2009
Complete Citation:
Hwang, Mi K. “Elements of Jazz Style in Twentieth-Century American Organ Works: Selected Works of Charles Ives, William Albright, and William Bolcom.” D.M.A. thesis, University of Arizona, 2009.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Isacoff, Stuart

Year: 2010
Complete Citation:
Isacoff, Stuart. “Classical Music: Denk and Ives, Partners in Pianism.” The Wall Street Journal, October 19, 2010.
Notes:

Eastern Edition

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Ishii, Reiko

Year: 2005
Complete Citation:
Ishii, Reiko. “The Development of Extended Piano Techniques in Twentieth-Century American Music.” D.Mus. diss., Florida State University, 2005.
Source: D.Mus. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Ives, Charles

Year: 1962
Complete Citation:
Ives, Charles. “Essays Before a Sonata.” In Three Classics in the Aesthetic of Music. New York, NY: Dover Publications, 1962.
Source: Chapter in Book
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 2003
Complete Citation:
Ives, Charles. “Culture: The Double Life of a Visionary; the CBSO Tonight Embarks on Britain's First Complete Cycle of Symphonies by Charles Ives. Christopher Morley Looks at the American Maverick Who Wrote some of the 20th Century's most Startling Music before Giving Up Full-Time Composition for the Insurance Business: FIRST Edition.” Birmingham Post, January 14, 2003.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Jacklin, Brendan

Year: 2017
Complete Citation:
Jacklin, Brendan. “Defining Musical Americanism: A Reductive Style Study of the Piano Sonatas of Samuel Barber, Elliott Carter, Aaron Copland, and Charles Ives.” University of Cincinnati, College-Conservatory of Music, 2017.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Jacobs, Arthur

Year: 1950
Complete Citation:
Jacobs, Arthur. “American Music Seminar in Salzburg.” Musical America 70/8 (July 1950): 8.
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Jacobson, Bernard

Year: 1965
Complete Citation:
Jacobson, Bernard. “Premiere of Ives’ Fourth.” Music and Musicians 13, no. 11 (July 1965): 43.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Jarrett, Alfred Roosevelt

Year: 1967
Complete Citation:
Jarrett, Alfred Roosevelt. “‘New Music’ in the U.S.A., 1960--1966.” M.M. thesis, Howard University, 1967.
Notes:

Ives is one of twelve com-posers discussed.

Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Jennert, Rüdiger

Year: 1995
Complete Citation:
Jennert, Rüdiger. “Amerikanische Chormusik des 20. Jahrhunderts: stilische Untersuchungen zu sakralen Chorwerken von Aaron Copland, Charles Edward Ives und Randall Thompson.” Ph.D diss., Staatliche Hochschule für Musik, Freiburg im Breisgau, 1995.
Source: Ph.D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Jensen, Diane M.

Year: 1980
Complete Citation:
Jensen, Diane M. “A study of ragtime elements found in selected works of Charles E. Ives.” M.M. thesis, University of Nebraska-Lincoln, 1980.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Jepson, Barbara

Year: 2004
Complete Citation:
Jepson, Barbara. “LEISURE & ARTS: In the Fray: Charles Ives: Once Neglected, Now Overrated.” The Wall Street Journal, January 20, 2004.
Notes:

Eastern Edition

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Johnson, Harriett

Year: 1965
Complete Citation:
Johnson, Harriett. “An Ives Premiere After 50 Years.” New York Post, April 27, 1965, 20.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Johnson, Judith M.

Year: 2010
Complete Citation:
“Songs my mothers taught me: the sentimental ballads of Charles Ives.” M.A. Thesis, University of Washington, 2010.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Johnson, Lawrence

Year: 1995
Complete Citation:
Johnson, Lawrence. “Patriotic Airs Fill Light Bill at Grant Park: North Sports Final Edition.” Chicago Tribune, August 21, 1995.
Notes:

Special to the Tribune.

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Johnson, Ronald

Year: 1935
Complete Citation:
Johnson, Ronald, 1935. “The Different Musics.” In The Different Musics. New York, NY: W.W. Norton, 1969.
Source: Book
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Jones, Isabel M.

Year: 1932
Complete Citation:
Jones, Isabel M. “American Composers Featured in Concert.” Los Angeles Times 1932, A7.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Jones, Isabel Morse

Year: 1944
Complete Citation:
Jones, Isabel Morse. “All-American Program Set.” Los Angeles Times, May 14, 1944 III: 5.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Jones, Marged

Year: 1980
Complete Citation:
Jones, Marged. “Compositional techniques with suggested rehearsal strategies for selected choral works of Charles Ives.” M.M. thesis, Kent State University, 1980.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses