Sebastian, John
Year: 1939
Complete Citation:
Sebastian, John. “Charles Ives at Last.” New Masses, February 7, 1939, 30.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Sellars, James E.
Year: 1976
Complete Citation:
Sellars, James E. “Independence Declared Early, Ratified by Ives.” The Hartford Courant, July 18, 1976, 11F.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Sender, Shelby L.
Year: 2013
Complete Citation:
Sender, Shelby L. “Innovation in Twentieth-Century American Piano Music.” D.M.A. diss., University of Maryland, College Park, 2013.Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 2013
Complete Citation:
Sender, Shelby L. “Innovation in Twentieth-Century American Piano Music.” D.M.A. diss., University of Maryland, College Park, 2013.Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Senick, John Peter
Year: 1982
Complete Citation:
Senick, John Peter. “An analysis of selected songs of Charles Ives.” M.A. Thesis, Syracuse University, 1982.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Serebrier, José
Year: 1984
Complete Citation:
Serebrier, José. “The Everest of Symphonies.” BMI 4 (1984): 36-37.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Service, Jr., Alfred Roy
Year: 1958
Complete Citation:
Service, Jr., Alfred Roy. “A Study of the Cadence as a Factor in Musical Intelligibility in Selected Piano Sonatas by American Composers.” Ph.D. diss., University of Iowa, 1958.Notes: Ives is one of seven-teen composers discussed.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Sewell, Amanda Jo
Year: 2004
Complete Citation:
Sewell, Amanda Jo. “Reception and self-perception in the music of Charles Ives.” B.A. Thesis, Butler University, 2004.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Sharp, Mary Elizabeth
Year: 1979
Complete Citation:
Sharp, Mary Elizabeth. “A Survey of Musical Quotation from 1940-1975.” M.M. thesis, University of Louisville, 1979.Notes: References to Ives: in Part 1, “Introduction”: “The use of common material such as folk tunes, hymns, and patriotic songs will not be included since the music is not from the concert tradition. However, this creates a problem of inconsistency in some cases. Charles Ives quotes music from popular material together with concert pieces which have programmatic signifi-cance.”; in Part 5, “Early Twentieth-Century Practices in the Use of Quotation”: “The very same motive (Beethoven’s Symphony No. 5) is quoted by Ives in the Concord Sonata and is used as a cyclic device to depict fate and the character of Beethoven himself’; and in Parts 7-10, “Charles Ives' Use of Quotation.”
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Shavin, Norman
Year: 1952
Complete Citation:
Shavin, Norman. “If Modern Music and Listeners Both Endure.” Louis-ville Times, February 5, 1952, sec. 2, 18.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Shelton, Gregory Allard
Year: 1985
Complete Citation:
Shelton, Gregory Allard. An analysis of Charles Ives’s Three-page Sonata for Piano. M.A. Thesis, The American University, 1985.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Sherman, John K.
Year: 1943
Complete Citation:
Sherman, John K. “Contemporary Music Group in Concert.” Minne-apolis Star Journal (December 2, 1943): 14.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Sherman, R.
Year: 1986
Complete Citation:
Sherman, R. “Modern Works in Abundance.” The New York Times, February 19, 1986, CN13.Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances
Sherman, Robert
Year: 1988
Complete Citation:
Sherman, Robert. “MUSIC; Some Concert ‘Firsts’ are Scheduled.(Westchester Weekly Desk).” The New York Times, March 6, 1988.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1990
Complete Citation:
Sherman, Robert. “MUSIC; Broadway Stars Step into the Breach.” The New York Times, January 14, 1990.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1998
Complete Citation:
Sherman, Robert. “A Pair of Programs of String Quartets.” The New York Times, March 29, 1998.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Sherwood, Gayle D.
Year: 1995
Complete Citation:
Sherwood, Gayle D. “The choral works of Charles Ives: chronology, style, reception.” Ph.D. Dissertation, Yale University,1995.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Shulman, Ivan
Year: 2008
Complete Citation:
Shulman, Ivan. “Symphony no. 2 by Charles Ives: An Historic Review and Consideration of Performance Practice.” M.M. thesis, California State University at Long Beach, 2008.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Shultis, Christopher L.
Year: 1993
Complete Citation:
Shultis, Christopher L. “Silencing the Sounded Self: John Cage and the Experimental Tradition in Twentieth-Century American Poetry and Music.” Ph.D. diss., University of New Mexico, 1993.Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Siegmeister, Elie
Year: 1938
Complete Citation:
Siegmeister, Elie. Music and Society Critics Group Pamphlet No. 10. New York, NY: Critic Groups Press, 1938.Source: Pamphlet
A. Reviews and Announcements of Premieres and Significant Performances