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Bibliography

Ward, Charles

Year: 2000
Complete Citation:
Ward, Charles. “Symphony, Lin Find Baltic Tone, Deliver Moving Sibelius Concerto.” Houston Chronicle, September 18, 2000, 4.
Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2001
Complete Citation:
Ward, Charles. “Two Composers Set Themselves Apart in ‘American Orig-inals.’” Houston Chronicle, January 23, 2001, 7.
Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2001
Complete Citation:
Ward, Charles. “Sound Thinking. Da Camera Explores Musical ‘Land-scapes.’” Houston Chronicle, March 1, 2001, sec. D, 1.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Ward, Charles Wilson

Year: 1974
Complete Citation:
Ward, Charles. “Charles Ives: The Relationship Between Aesthetic Theories and Compositional Processes.” Ph.D. diss., University of Texas at Austin, 1974.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Ward, Keith Charles

Year: 1985
Complete Citation:
Ward, Keith C. "Musical Idealism: A Study of the Aesthetics of Arnold Schoenberg and Charles Ives." D.M.A. diss., Northwestern University, 1985.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Watt, Douglas

Year: 1951
Complete Citation:
Watt, Douglas. “Musical Events: Concert Records.” The New Yorker 27, no. 1 (February 17, 1951): 97-99.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Waxman, Jonathan

Year: 2012
Complete Citation:
Waxman, Jonathan. “Prefacing Music in the Concert Hall: Program Books, Composer Commentaries, and the Conflict over Musical Meaning.” Ph.D. diss., New York University, 2012.
Source: Ph.D. Disseration
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Weatherwax, John

Year: 1934
Complete Citation:
Weatherwax, John. “On the Pacific Coast.” Modern Music 11 (January-February, 1934): 106-177.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Weber, Paul D.

Year: 1979
Complete Citation:
Weber, Paul D. “Charles Ives and nineteenth century American church music.” M.A. Thesis, Yale University, 1979.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Webre, Jude

Year: 2007
Complete Citation:
Webre, Jude. “Can He Let His Children Starve for His Dissonances? The Double Life of Charles Ives.” B.A. thesis, Columbia University, 2007.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Webster, Daniel

Year: 1983
Complete Citation:
Webster, Daniel. “Fine Remembrance of Composer Ives.” The Philadelphia Inquirer, June 19, 1983.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1995
Complete Citation:
Webster, Daniel. “Americana on the Piano: Ives and Three Others.” The Philadelphia Inquirer, April 15, 1995.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Wehrl, Paul

Year: 1990
Complete Citation:
Wehrl, Paul. Charles Ives: “The unanswered question” als Werkbeispiel für den Musikunterricht an bayerischen Realschulen unter Berücksichtigung fachwissenschaftlicher und didaktischer Aspekte. Term paper, Eichstätt, Universität, 1990.
Source: Term paper
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Weiss, Adolph

Year: 1931
Complete Citation:
Weiss, Adolph. “In Defense of Native Composers.” The New York Times, July 26, 1931, sec. 8, 7.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Wendt, Rudolph

Year: 1946
Complete Citation:
Wendt, Rudolph. “A study of Charles Ives' second pianoforte sonata "Concord, Mass., 1840-60.” M.M. Thesis, University of Rochester, 1946.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Wessel, Frederick T.

Year: 1941
Complete Citation:
Wessel, Frederick T. “A study of the lives and works of three representative American art-song composers.” M.M. thesis, DePauw University, 1941.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Weyer, Waldo Wilhelm

Year: 2004
Complete Citation:
Weyer, Waldo Wilhelm. “Die interpretasie van Charles E. Ives se Concord Sonate volgens sy Essays before a sonata.” M.Mus. Thesis, North-West University, Potchefstroom Campus, 2004.
Source: M.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

White, Bruce Howard

Year: 1978
Complete Citation:
White, Bruce Howard. “Evidence of three stylistic periods in selected Psalm settings by Charles E. Ives.” D.M.A. thesis, University of Colorado, 1978.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

White, Michael

Year: 1999
Complete Citation:
White, Michael. “Music Proms 99: The Next Seven Days: Final Edition.” The Independent, August 8, 1999.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Whitney, Annette

Year: 1966
Complete Citation:
Whitney, Annette. “Contemporary American art song: John Alden Carpenter, Charles Edward Ives, Aaron Copland and Ned Rorem.” B.M. thesis, University of Utah, 1966.
Source: B.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays