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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
(-) VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Buckoff, Ronald Nick

Year: 1988
Complete Citation:
Buckoff, Ronald Nick. “Charles Ives, a history and bibliography of criticism (1920-1939), and Ives's influence (to 1947) on Bernard Herrmann, Elie Siegmeister, and Robert Palmer.” Ph.D. Diss., Cornell University, 1988.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Buddin, David E.

Complete Citation:
Buddin, David E. “A few lessons in transformation from Ives' Waltz-Rondo: Litany for orchestra.” Ph.D. diss., Rutgers University, 2006.
Source: Ph.D. dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Buell, Richard

Year: 1986
Complete Citation:
Buell, Richard. “Finch Gives His all to Ives’ ‘Concord’ Sonata.” Boston Globe, July 29, 1986, 27.
Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances

Buhrman, Laurel Chenault

Year: 1961
Complete Citation:
Buhrman, Laurel Chenault. “An analysis of the music of Charles Ives.”
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Bullard, Doug

Year: 2005
Complete Citation:
Bullard, Doug. “Neely Bruce and Charles Ives, Reunited: Statewide Edition.” The Hartford Courant, June 23, 2005.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Burk, John N.

Year: 1948
Complete Citation:
Burk, John N. “Composer from Connecticut.” In Concert Bulletin of the Boston Symphony Orchestra 67/15 (February 6-7, 1948), 797-798. Boston, MA: Boston Symphony Orchestra, 1948.
Source: Concert Bulletin
Reprints:

Burk, John N. “Composer from Connecticut.” In <i>Concert Bulletin of the Boston Symphony Orchestra </i>67/12<i> </i>(February 13-14, 1948), 870-886; 82/6 (November 2-3 1962), 344, 346, 348, 350-354. Boston, MA: Boston Symphony Orchestra, 1962.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Burkholder, J. Peter

Year: 1983
Complete Citation:
Burkholder, J. Peter. “The Evolution of Charles Ives’s Music: Aesthetics, Quotation, Technique.” Ph.D. diss., University of Chicago, 1983.
Source: Ph.D. dissertation
Reprints:

Chapters 1-4 reprinted as <i>Charles Ives: The Ideas Behind the Music</i>. New Haven, CT: Yale University Press, 1985. * Chapter 5 reprinted as ““Quotation” and Emulation: Charles Ives's Uses of His Models.” <i>The Musical Quarterly</i> 71, no. 1 (1985): 1-26.

VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1983
Complete Citation:
Burkholder, J. Peter. “The evolution of Charles Ives’s music: aesthetics, quotation, technique (Vol. 1).” Ph.D Dissertation, University of Chicago, 1983.
Source: Ph.D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1983
Complete Citation:
Burkholder, J. Peter. “The Evolution of Charles Ives’s Music: Aesthetics, Quotation, Technique." PhD diss., University of Chicago, 1983.
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

C.H.

Year: 1948
Complete Citation:
C.H. “Joan Field Officers Ives’ First Sonata: Young Violinist also Presents Chausson, Mozart, Bach and Ysaye Works at Town Hall.” The New York Times, October 12, 1948, 32.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Call, William Anson

Year: 1971
Complete Citation:
Call, William Anson. “A Study of the Transcendental Aesthetic Theories of John S. Dwight and Charles E. Ives and the Relationship of These Theories to Their Respective Work as Music Critic and Composer.” D.M.A. diss., University of Illinois, 1971.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Cameron, Janet

Year: Year unlisted
Complete Citation:
Cameron, Janet. “An Analysis of the First Movement of the First Piano Sonata by Charles Ives.” Seminar paper, University of Illinois, year unlisted.
Source: Seminar paper
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Cameron, Michael

Year: 1963
Complete Citation:
Cameron, Michael. “Pianist Hamelin Gives Ives’ Sonata Heartfelt Hearing: Chicago Final Edition.” Chicago Tribune, September 4, 2004.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Canning, Hugh

Year: 1931
Complete Citation:
Canning, Hugh. “Charles Ives: Final 7 Edition.” Sunday Times (London, England), September 18, 2005.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Cantrell, Scott

Year: 1996
Complete Citation:
Cantrell, Scott. “New Ear Will Present Selections from Composer Charles Ives.” Kansas City Star. January 21, sec. I, 8.
Notes:

Announcement of an all-Ives program given by a contemporary music ensemble at St. Mary’s Episcopal Church, Kansas City. The concert included songs, instrumental pieces (some arranged for this group), and readings from <i>Essays Before a Sonata </i>as “Essays Before an Audience” with various accompaniments.

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2000
Complete Citation:
Cantrell, Scott. “Series Returns Spotlight to Charles Ives.” Dallas Morning News, November 26, 2000, 12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2004
Complete Citation:
Cantrell, Scott. “Composer Inspired a World of Possibilities: DSO Con-cert Will Honor Musical Pioneer Charles Ives.” Dallas Morning News, September 20, 2004, sec. E, 4.
Notes:

A general article announcing performances by the Dallas Symphony Orchestra of Symphonies Nos. 2 and 3 and Orches-tral Set No. 1: Three Places in New England.

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Cantrick, Susan Birdsall

Year: 1983
Complete Citation:
Cantrick, Susan Birdsall. “Charles Ives’s ‘String Quartet No. 2’: An Analysis and Evaluation.” M.M. thesis, Peabody Institute of the Johns Hopkins University, Peabody Conservatory of Music, 1983.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Year: 1983
Complete Citation:
Cantrick, Susan Birdsall. Charles Ives’ “String Quartet no. 2”: an analysis and evaluation. M.M. thesis, Peabody Institute of the Johns Hopkins University, Peabody Conservatory of Music, 1983.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Cariaga, Daniel

Year: 2003
Complete Citation:
Cariaga, Daniel. “Music Review; Ives Finds Splendid Exponent in Svrcek: HOME EDITION.” The Los Angeles Times, April 17, 2003.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances