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Bibliography

Frankenstein, Alfred

Year: 1965
Complete Citation:
Frankenstein. Alfred. “Ives’s Fourth Symphony-An ‘Unplayable’ Work Gets Played.” High Fidelity/Musical America 15. no. 11 (November 1965): 83-84.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1967
Complete Citation:
Frankenstein, Alfred. “Ives: Music for Chorus.” High Fidelity/Musical America 17/1, January 1967.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1968
Complete Citation:
Frankenstein, Alfred. “The Complete Piano Works—Old Friends and Fresh Discoveries.” High Fidelity/Musical America 18/6 (June 1968): 81. 
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1970
Complete Citation:
Frankenstein, Alfred. “New Ivesian Discoveries.” High Fidelity/Musical America 20/3, March 1970, 92.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Frantz, Donald Howe, Jr.

Year: 1960
Complete Citation:
Frantz, Donald Howe, Jr. “Search for Significant Form, 1905-1915: An Evaluation of the Symbols of Tradition and Revolt in American Literature, Painting, and Music.” Ph.D. diss., University of Southern California, 1960.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Frayne, Rob

Year: 1992
Complete Citation:
Frayne, Rob. “An analysis of partitions and strata in Charles Ives’s Three places in New England.” M. Mus. thesis, University of Ottawa, 1992.
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Freed, Gwendolyn

Year: 2003
Complete Citation:
Freed, Gwendolyn. “CD REVIEW; St. Olaf Choir Sparkles on all-Ives Disc: METRO Edition.” Star Tribune, February 2, 2003.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Freed, Richard

Year: 1982
Complete Citation:
Freed, Richard. “A Superb New Set of Charles Ives's Violin/Piano Sonatas from Authoritative Performers of His Music.” Stereo Review 47/11, November 1982, 70-71.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

French, Gil

Year: 2009
Complete Citation:
French, Gil. “Collections: “Lincoln Portraits.”” American Record Guide, Vol. 72, No. 4, (2009): 204-205.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2009
Complete Citation:
French, Gil. “Chamber Music on the Rise: Canandaigua Lake Music Festival.” American Record Guide, Vol. 72, No. 6, (2009): 34-35.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

French, Gilbert G.

Year: 2002
Complete Citation:
French, Gilbert G. “Ives: “From the Steeples and the Mountains”; “The Things Our Fathers Loved”; “The Pond”; [and others].” American Record Guide, Vol. 65, No. 3, (2002): 125-126.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Froelich, Andrew I.

Year: 1988
Complete Citation:
Froelich, Andrew I. “The Four Violin Sonatas by Charles Ives.” Ph.D. diss., Michigan State University, 1988.
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Fruchterman, Alessandra Astete

Year: 2018
Complete Citation:
Fruchterman, Alessandra Astete. “A red point in a green land: the setting of art song in foreign language by Barber, Britten, and Ives.” M.M. thesis, Belmont University, 2018.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Fruehwald, Robert Douglas

Year: 1985
Complete Citation:
Fruehwald, Robert Douglas. “Motivic transformation in the "Thoreau" movement of Charles Ives' Concord Sonata.” Ph. D. Dissertation, Washington, University 1985.
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Frye, Daniel W.

Year: 1974
Complete Citation:
Frye, Daniel W. ““In summer fields" by Charles E. Ives.” M.M.E. thesis, Bowling Green University, Ohio, 1974.
Source: M.M.E. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Fuchsberg, Larry

Year: 2004
Complete Citation:
Fuchsberg, Larry. “CD Review; Ives Pieces have their Ups, Downs.” Star Tribune (Minneapolis, MN), June 27, 2004, 18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Fuhrmann, Peter

Year: 1977
Complete Citation:
Fuhrmann, Peter. “Ist seine Zeit gekommen? Charles Ives: Sinfonien Nr. 1-4.” Opernwelt 18/6 (1977): 48.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Gabbi, Marianna Paone

Year: 1978
Complete Citation:
Gabbi, Marianna Paone. “Charles Ives, the violin sonatas: a lecture recital, together with three recitals of selected works of L. v. Beethoven, J. Brahms, E. Chausson, C. Debussy, W. Latham, G. Tartini, and A. Vivaldi.” D.M.A. diss., North Texas State University, 1978.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Gaburo, Kenneth Louis

Year: 1962
Complete Citation:
Gaburo, Kenneth Louis. “Studies in Pitch Symmetry in Twentieth Cen-tury Music.” D.M.A. diss., University of Illinois, 1962.
Notes:

Chapter IV includes references to music by Ives.

Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Gail, Dorothea

Year: 2008
Complete Citation:
Gail, Dorothea. “Die 4. Symphonie von Charles Ives, Quellen—Werk- struktur—religios-asthetischer Kontext.” Ph.D. diss., Hochschule fur Musik und darstellende Kunst, Frankfurt am Main, 2008.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations