Frankenstein, Alfred
Year: 1965
Complete Citation:
Frankenstein. Alfred. “Ives’s Fourth Symphony-An ‘Unplayable’ Work Gets Played.” High Fidelity/Musical America 15. no. 11 (November 1965): 83-84.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1967
Complete Citation:
Frankenstein, Alfred. “Ives: Music for Chorus.” High Fidelity/Musical America 17/1, January 1967.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1968
Complete Citation:
Frankenstein, Alfred. “The Complete Piano Works—Old Friends and Fresh Discoveries.” High Fidelity/Musical America 18/6 (June 1968): 81. Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1970
Complete Citation:
Frankenstein, Alfred. “New Ivesian Discoveries.” High Fidelity/Musical America 20/3, March 1970, 92.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Frantz, Donald Howe, Jr.
Year: 1960
Complete Citation:
Frantz, Donald Howe, Jr. “Search for Significant Form, 1905-1915: An Evaluation of the Symbols of Tradition and Revolt in American Literature, Painting, and Music.” Ph.D. diss., University of Southern California, 1960.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Frayne, Rob
Year: 1992
Complete Citation:
Frayne, Rob. “An analysis of partitions and strata in Charles Ives’s Three places in New England.” M. Mus. thesis, University of Ottawa, 1992.VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Freed, Gwendolyn
Year: 2003
Complete Citation:
Freed, Gwendolyn. “CD REVIEW; St. Olaf Choir Sparkles on all-Ives Disc: METRO Edition.” Star Tribune, February 2, 2003.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Freed, Richard
Year: 1982
Complete Citation:
Freed, Richard. “A Superb New Set of Charles Ives's Violin/Piano Sonatas from Authoritative Performers of His Music.” Stereo Review 47/11, November 1982, 70-71.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
French, Gil
Year: 2009
Complete Citation:
French, Gil. “Collections: “Lincoln Portraits.”” American Record Guide, Vol. 72, No. 4, (2009): 204-205.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2009
Complete Citation:
French, Gil. “Chamber Music on the Rise: Canandaigua Lake Music Festival.” American Record Guide, Vol. 72, No. 6, (2009): 34-35.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
French, Gilbert G.
Year: 2002
Complete Citation:
French, Gilbert G. “Ives: “From the Steeples and the Mountains”; “The Things Our Fathers Loved”; “The Pond”; [and others].” American Record Guide, Vol. 65, No. 3, (2002): 125-126.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Froelich, Andrew I.
Year: 1988
Complete Citation:
Froelich, Andrew I. “The Four Violin Sonatas by Charles Ives.” Ph.D. diss., Michigan State University, 1988.Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Fruchterman, Alessandra Astete
Year: 2018
Complete Citation:
Fruchterman, Alessandra Astete. “A red point in a green land: the setting of art song in foreign language by Barber, Britten, and Ives.” M.M. thesis, Belmont University, 2018.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Fruehwald, Robert Douglas
Year: 1985
Complete Citation:
Fruehwald, Robert Douglas. “Motivic transformation in the "Thoreau" movement of Charles Ives' Concord Sonata.” Ph. D. Dissertation, Washington, University 1985.Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Frye, Daniel W.
Year: 1974
Complete Citation:
Frye, Daniel W. ““In summer fields" by Charles E. Ives.” M.M.E. thesis, Bowling Green University, Ohio, 1974.Source: M.M.E. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Fuchsberg, Larry
Year: 2004
Complete Citation:
Fuchsberg, Larry. “CD Review; Ives Pieces have their Ups, Downs.” Star Tribune (Minneapolis, MN), June 27, 2004, 18.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Fuhrmann, Peter
Year: 1977
Complete Citation:
Fuhrmann, Peter. “Ist seine Zeit gekommen? Charles Ives: Sinfonien Nr. 1-4.” Opernwelt 18/6 (1977): 48.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Gabbi, Marianna Paone
Year: 1978
Complete Citation:
Gabbi, Marianna Paone. “Charles Ives, the violin sonatas: a lecture recital, together with three recitals of selected works of L. v. Beethoven, J. Brahms, E. Chausson, C. Debussy, W. Latham, G. Tartini, and A. Vivaldi.” D.M.A. diss., North Texas State University, 1978.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Gaburo, Kenneth Louis
Year: 1962
Complete Citation:
Gaburo, Kenneth Louis. “Studies in Pitch Symmetry in Twentieth Cen-tury Music.” D.M.A. diss., University of Illinois, 1962.Notes: Chapter IV includes references to music by Ives.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Gail, Dorothea
Year: 2008
Complete Citation:
Gail, Dorothea. “Die 4. Symphonie von Charles Ives, Quellen—Werk- struktur—religios-asthetischer Kontext.” Ph.D. diss., Hochschule fur Musik und darstellende Kunst, Frankfurt am Main, 2008.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations