Gammill, Ellen Reed
Year: 1975
Complete Citation:
Gammill, Ellen Reed. “The transcendental philosophy of Charles E. Ives.” M.M. thesis, Southern Methodist University, 1975.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Gann, Kyle
Year: 2000
Complete Citation:
Gann, Kyle. “That Grumpy Old Pianist Is Ives.” New York Times, Febru-ary 20 2000, sec. B, 34.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2003
Complete Citation:
Gann, Kyle. “Not Gift Wrapped: New Frederic Rzewski Discs Reveal a Thinking Person's Postmodern Music.” The Village Voice, Vol. 48, No. 6 (2003): 101.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Gardner, Kara Anne
Year: 1999
Complete Citation:
Gardner, Kara Anne. “Living by the Ladies' Smiles: The Feminization of American Music and the Modernist Reaction.” Ph.D. diss., Stanford University, 1999.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1999
Complete Citation:
Gardner, Kara Anne. “Living the Ladies’ Smiles: The Feminization of American Music and the Modern Reaction (Amy Beach, Edward MacDowell, Charles Ives).” Ph.D. diss., Stanford University, 1999.Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Gartner, Kenneth Ralph
Year: 1979
Complete Citation:
Gartner, Kenneth Ralph. “The Expansion of Pianism since 1945.” Ph.D. diss., New York University, 1979.Notes: Ives is considered in the back-ground discussion of compositional processes of the first half of the twentieth century.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Garvelmann, Donald
Year: 1977
Complete Citation:
Garvelmann, Donald. “Immersed in Ives.” The American Record Guide 40, no. 9 (August 1977): 16-19.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Gatens, William J.
Year: 2006
Complete Citation:
Gatens, William J. “Collections: “In the Old World and the New.”” American Record Guide, Vol. 69, No. 3 (2006): 195.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Gaudet, Michael Ronald
Year: 1986
Complete Citation:
Gaudet, Michael Ronald. “A study of selected essays and songs of Charles Ives as expressions of progressive idealism.” M.A. thesis, University of Victoria, 1985.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Gerschefski, Peter E.
Year: 1959
Complete Citation:
Gerschefski, Peter E. “A critical analysis of the works of Charles Ives.” M.A. Thesis, University of Southern California, 1959.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Gillespie, Matthew D.
Year: 2004
Complete Citation:
Gillespie, Matthew D. “Charles Ives: an examination of three songs with some thoughts on multiple perspectives in his works.” M.M. Thesis, East Carolina University, 2004.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Year: 2014
Complete Citation:
Gillespie, Matthew D. “A Continuum of Tonal Coherence: Pitch Organization in ‘General William Booth Enters into Heaven’ by Charles Ives, and, ‘Chiaroscuro’ for Chamber Ensemble.” Ph.D. diss., University of Pittsburgh, 2014.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Gilman, Janet Lynn
Year: 1994
Complete Citation:
Gilman, Janet Lynn. “Charles Ives - master songwriter: the methods behind his madness.” Ph.D. diss., University of Southern California, 1994.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Gilmore, Bob
Year: 2010
Complete Citation:
Gilmore, Bob. “Criticism: Recorded - Heather O’Donnell: “Responses to Ives.”” JMI: The Journal of Music in Ireland, Vol. 1, No. 6 (2010): 60.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Ginell, Richard S.
Year: 2013
Complete Citation:
Ginell, Richard S. “Ojai Festival and Mark Morris: Tour de Force, of Course.” American Record Guide, Vol. 76, No. 5 (2013): 19-21.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Gingerich, Lora Louise
Year: 1983
Complete Citation:
Gingerich, Lora Louise. “Processes of Motivic Transformation in the Keyboard and Chamber Music of Charles Ives.” Ph.D. diss., Yale University, 1983.Source: Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Glarner, Robert Lewis
Year: 1993
Complete Citation:
Glarner, Robert Lewis. “An investigation into the relationship of instrumental density and dynamics of the fourth symphony by Charles Ives.” Ph.D. Dissertation, University of Arizona, 1993.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Glass, Herbert
Year: 1987
Complete Citation:
Glass, Herbert. “On the Record: Mainstream Americana.” Los Angeles Times, January 18, 1987, 60.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1989
Complete Citation:
Glass, Herbert. “On the Record: More Early Americana on CDs.” Los Ange-les Times, October 8, 1989: 62.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1991
Complete Citation:
Glass, Herbert. “Ives—Will He Have Staying Power This Time?” Los Ange-les Times, April 14, 1991, sec. CAL, 49.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews