Hanks, Sarah Elizabeth
Year: 1963
Complete Citation:
Hanks, Sarah Elizabeth. “Charles Ives: the creative process of the composer especially in the Second pianoforte sonata, Concord, Mass., 1840-1860.” M.A. thesis, Smith College, 1963.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Hansen, Lawrence
Year: 2014
Complete Citation:
Hansen, Lawrence. IVES: 3 Places in New England; SIBELIUS: Symphony 4; WAGNER: Dawn & Rhine Journey. In: American Record Guide, Vol. 77, No. 2 (2014): 249-250.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2015
Complete Citation:
Hansen, Lawrence. “Masterpieces in Miniature.” American Record Guide, Vol. 78, No. 2 (2015): 178-179.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Hanudel, Patrick
Year: 2009
Complete Citation:
Hanudel, Patrick. “Collections: “Short Stories.”” American Record Guide Vol. 72, No. 6 (2009): 212.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Harer, Carolyn Bertha
Year: 1955
Complete Citation:
Harer, Carolyn Bertha. “Charles Ives and a stylistic analysis of his three piano sonatas.” M.M. Thesis, North Texas State College, 1955.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Harrison, Lou
Year: 1946
Complete Citation:
Harrison, Lou. “The Music of Charles Ives.” Listen: The Guide to Good Music 9/1 (November 1946): 7--9.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Hartford, Kassandra L.
Year: 2002
Complete Citation:
Hartford, Kassandra L. “Gertrude Stein and Charles Ives: American modernists.” B.A. Honors Thesis, Departments of American Studies and Music, Mount Holyoke College, 2002.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Harvey, Mark Sumner
Year: 1983
Complete Citation:
Harvey, Mark Sumner. “Charles Ives: A Prophet of American Civil Religion.” Ph.D. diss., Boston University, 1983.Source: Ph.D. Dissertation
Reprints: Harvey, Mark Sumner. “On the Boundary of Aesthetic and Cultural Analysis: The Music of Charles Ives as Symbol and Context.” <i>Connecticut Review</i> (1987). [Abridged Version] * Harvey, Mark Sumner. “Charles Ives: Prophet of American Civil Re-ligion." Soundings: An Interdisciplinary Journal (Sum-mer-Fall 1989) 72/2-3: 501-525.
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Harvin, Laurence E.
Year: 1972
Complete Citation:
Harvin, Laurence E. “The Piano Trio from the Performer’s Viewpoint with Particular Attention Given to the Ives Trio.” D.M.A. diss., Florida State University, 1972.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Haskins, Rob
Year: 2006
Complete Citation:
Haskins, Rob. “Collections: “Over Hills & Far Away.”” American Record Guide, Vol. 69, No. 2 (2006): 222.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Haylock, Julian
Year: 2015
Complete Citation:
Haylock, Julian. “Recording Review: Mozart String Quartet 21 in D Major; Ives String Quartet 2; Verdi String Quartet.” The Strad, Vol. 126, (2015): 91, 93.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Hecht, Roger
Year: 2001
Complete Citation:
Hecht, Roger. “Ives: “Symphonies” (4); “3 Places in New England”; “Orchestra Set 2.”” American Record Guide, Vol. 64, No. 4 (2001): 137-138.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2001
Complete Citation:
Hecht, Roger. “Guide to Records: Ives - Symphony 2; “Robert Browning Overture.”” American Record Guide, Vol. 64, No. 1 (2001): 141-142.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2004
Complete Citation:
Hecht, Roger. “Collections - “Leonard Bernstein: the Americans.”” American Record Guide, Vol. 67, No. 5, (2004): 223-225.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2007
Complete Citation:
Hecht, Roger. “Guide to Records - Ives: Symphonies.” American Record Guide, Vol. 70, No. 1 (2007): 112-113.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2010
Complete Citation:
Hecht, Roger. Guide to Records - Ives: “Decoration Day”; “Fourth of July”; “Thanksgiving & Forefathers' Day”; “The General Slocum”; Overture; Postlude. American Record Guide, Vol. 73, No. 2 (2010): 106-107.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2011
Complete Citation:
Hecht, Roger. Ives: “Concord Symphony;” Copland: “Organ Symphony.” American Record Guide, Vol. 74, No. 3 (2011): 133-134.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2014
Complete Citation:
Hecht, Roger. “Guide to Records: Seattle Symphony - “Ives: Symphony 2; Gershwin: ‘American in Paris’; Carter: ‘Instances.’”” American Record Guide, Vol. 77, No. 5 (2014): 109-110.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Helm, Everett
Year: 1962
Complete Citation:
Helm, Everett. “Another Concord Sonata.” Musical America 82, no. 6 (June 1962): 27-28.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Hemming, Roy
Year: 1985
Complete Citation:
Hemming, Roy. “Michael Tilson Thomas.” Stereo Review 50/7 (July 1985): 53-55.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews