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Bibliography

Kesson, Jane Haines

Year: 1950
Complete Citation:
Kesson, Jane Haines. “Four contemporary American composers.” M.A. thesis, University of Pennsylvania, 1950.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Kilian, Paul Henry

Year: 1975
Complete Citation:
Kilian, Paul Henry. “An historical & analytical study of Three Places in New England by Charles Ives.” M.A. thesis, California State University, Los Angeles, 1975.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Kimberley, Nick

Year: 2005
Complete Citation:
Kimberley, Nick. “Reviews: Vocal - Gerald Finley on the Songs of Charles Ives.” Gramophone, Vol. 83 (2005): 77.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kinne, William Joseph

Year: 2015
Complete Citation:
Kinne, William Joseph. “The wind band music of Charles Ives: an annotated repertoire list of original works and arrangements.” D.M.A. Thesis, University of Colorado, 2015.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Kirzinger, Robert

Year: 2000
Complete Citation:
Kirzinger, Robert. “Classical Recordings: Cowell - “Exultation”; “Aeolian Harp”; “The Lilt of the Reel”; “Tiger”; “Dynamic Motion”; “What’s This”; “Amiable Conversation”; “Advertisement”; “Antinomy”; “Time Table”; “The Banshee”; Ives - “The Alcotts”; 3 Improvisations; Study No. 22; “The Celestial Railroad”; Harrison - Piano Sonata No. 3; Prelude for Grandpiano; “Homage to Milhaud”; “New York Waltzes”; Large Ostinato; “May Rain”; Saraband. Fanfare: The Magazine for Serious Record Collectors, Vol. 24, No. 2 (2000): 255-256.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kislinger, Peter

Year: 2005
Complete Citation:
Kislinger, Peter. “Echo: “I hear America singing”: Projekt Thomas Hampson.” Österreichische Musikzeitschrift, Vol. 60, No. 4 (2005): 46-47.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Klein, Howard

Year: 1966
Complete Citation:
Klein, Howard. “Symphony no. 4 by Ives Recording is Extraordinary.” The Atlanta Constitution, January 1, 1966, 2G.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kolodin, Irving

Year: 1965
Complete Citation:
Kolodin, Irving. “Music to My Ears.” The Saturday Review 48, no. 20 (May 15, 1965): 32.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kolosick, J. Timothy

Year: 1981
Complete Citation:
Kolosick, J. Timothy. “A Computer-Assisted, Set-Theoretic Investigation of Vertical Simultaneities in Selected Piano Compositions by Charles E. Ives.” Ph.D. diss., University of Wisconsin, Madison, 1981.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Konold, Wulf

Year: 1972
Complete Citation:
Konold, Wulf. “Schallplatten: Werke von Charles Ives.” Musica 26/3 (May-June 1972): 296-301.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1972
Complete Citation:
Konold, Wulf. “Charles Ives—eine Nachlese.” Musica 26/4 (July-August 1972): 410-411.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Koob, Lindsay

Year: 2004
Complete Citation:
Koob, Lindsay. “Guide to Records: Ives - “The Celestial Country; Silence Unaccompanied.” American Record Guide, Vol. 67, No. 2 (2004): 139-140.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kopp, Christina Lee

Year: 2006
Complete Citation:
Kopp, Christina Lee. “‘A School of New Men’: Composing an Ameri- can Identity in the Early Twentieth Century.” Ph.D. diss., Bos-ton University, 2006.
Notes:

Discusses compositions of Aaron Copland, Edward MacDowell, Arthur Farwell, and Charles Ives.

Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Kozinn, Allan

Year: 1999
Complete Citation:
Kozinn, Allan. “American Music’s Coming of Age.” New York Times, October 10, 1999, sec. 2, 29.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kreigsman, Alan M.

Year: 1968
Complete Citation:
Kreigsman, Alan M. “Record Player: A.U.’s Mandel Adds to Ivesiana.” The Washington Post and Times Herald, April 14, 1968, E8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kruger, Steven

Year: 2015
Complete Citation:
Kruger, Steven. Review of IVES: Symphonies Nos. 1 and 2. Fanfare: The Magazine for Serious Record Collectors, Vol. 38, No. 6 (2015): 255-256.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kuan, Flora Lu

Year: 1983
Complete Citation:
Kuan, Flora Lu. “The piano etudes of Debussy, Skryabin, and Ives.” D.M.A. diss., University of Colorado, 1983.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Kumlien, Wendell Clarke

Year: 1969
Complete Citation:
Kumlien, Wendell Clarke. “The Sacred Choral Music of Charles Ives: A Study in Style Development.” D.M.A. diss., University of Illinois, 1969.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Lacny, Catherine

Year: 1976
Complete Citation:
Lacny, Catherine. “Charles Edward Ives, 1874-1954: a biographical sketch and a treatise of the relationship between his political philosophy and his musical innovations.” M.A. Thesis, Rosary College, 1976.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

LaFave, Kenneth

Year: 2002
Complete Citation:
LaFave, Kenneth. “Ives CD Bellows Pride in being an American.” The Arizona Republic, February 2, 2002.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews