Image
Complete Citation:
Cohn, Arthur. “A Divine Document—The Ives Fourth.” American Record Guide 32/3, November 1965, 220-222.
Bibliography
Genres
Cohn, Arthur
Year: 1965
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1965
Complete Citation:
Cohn, Arthur. “On Five Labels Simultaneously, More Music by Charles Ives.” American Record Guide 31/10, June 1965, 958-961.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1966
Complete Citation:
Cohn, Arthur. “Decca’s Nieuw Amsterdam Trio.” The American Record Guide 33, no. 2 (October 1966): 142-143.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1966
Complete Citation:
Cohn, Arthur. “From RCA Victor: After 68 Years, the First Symphony of Chas. E. Ives.” American Record Guide 32/11, July 1966, 1032-1033.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1968
Complete Citation:
Cohn, Arthur. “Ten Records—Keeping Up with Charles Ives.” American Record Guide 34/5, January 1968, 376-81, 437.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1968
Complete Citation:
Cohn, Arthur. “New Music from Odyssey—Splitting Semitones.” American Record Guide 34, no. 12 (August 1968): 1086-1088.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Cohn, Arthur B.
Year: 1964
Complete Citation:
Cohn, Arthur B. “Cambridge, CRI, and Vox, that Supremely Individual Cre-ative Genius Chas. E. Ives.” American Record Guide 30/9, May 1964, 760-64, 768-769.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Cole, Michael S.
Year: 1975
Complete Citation:
Cole, Michael S. “Concord revisited: Charles Ives and the American transcendentalists.” M.A. Thesis, York University, 1975.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Coleman, Donna
Year: 1986
Complete Citation:
Coleman, Donna. “A source study of the fifth movement of Charles Ives's first piano sonata: toward a critical edition.” D.M.A. thesis, University of Rochester, 1986.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Cooney, Denise Van Glahn
Year: 1995
Complete Citation:
Cooney, Denise von Glahn. “Reconciliations: Time, Space and American Place in the Music of Charles Ives.” Ph.D. diss., University of Wash-ington, 1995.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Cooper, Frank
Year: 1974
Complete Citation:
Cooper, Frank. “The Ives Revelation: Columbia's Contribution to the Ives Centennial.” Music/AGO-RCCO Magazine 8/10, October 1974, 30, 43.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Copland, Aaron
Year: 1937
Complete Citation:
Copland, Aaron. “Scores and Records.” Modern Music XIV, 4 (May- June 1937): 232.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1939
Complete Citation:
Copland, Aaron. “Scores and Records.” Modern Music 16/2 (January-February 1939): 123.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Corbett, John
Year: 2009
Complete Citation:
Corbett, John. “Reviews - Theo Bleckmann/Kneebody: “Twelve Songs by Charles Ives.’” Down Beat: Jazz, Blues & Beyond, Vol. 76, No. 5 (2009): 74.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Cornett-Murtada, Vanessa
Year: 2004
Complete Citation:
Cornett-Murtada, Vanessa. “Quotation, revolution, and American culture: the use of folk tunes and the influence of Charles Ives in Frederic Rzewski's North American ballads for solo piano.” D.M.A. Thesis, University of North Carolina at Greensboro, 2004.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Cotton, Martin
Year: 2016
Complete Citation:
Cotton, Martin. “Orchestral Reviews: Carter - Symphonia - “Sum fluxae pretium spei”; Ives “Robert Browning Overture.”” BBC Music Magazine, Vol. 24, No. 4 (2016): 69.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Covell, Roger
Year: 2001
Complete Citation:
Covell, Roger. “Sister Act; CD Reviews Arts & Entertainment: Late Edition.” Sydney Morning Herald, 2001.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Covington, Katherine Russell
Year: 1982
Complete Citation:
Covington, Katherine Russell. “A Study of Textural Stratification in 20th- century Compositions.” Ph.D. diss., Indiana University, 1982.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Cowan, Rob
Year: 2003
Complete Citation:
Cowan, Rob. “CD Masters: A Pianist with Beethoven in His Blood.” BBC Music Magazine, Vol. 12, No. 2 (2003): 112.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2013
Complete Citation:
Cowan, Rob. “Orchestral Reviews: “From the New World.”” Gramophone, Vol. 91 (2013): 59.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews