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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
(-) VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
(-) XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Schoffman, Nachum

Year: 1977
Complete Citation:
Schoffman, Nachum. “The Songs of Charles Ives.” Ph.D. diss., Hebrew University of Jerusalem, 1977.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Schulman, Jennie

Year: 2000
Complete Citation:
Schulman, Jennie. “Eliot Feld brings provocation to NYC ballet.” Back Stage 41, no. 7 (February 2000).
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 2000
Complete Citation:
Schulman, Jennie. “Eliot Feld Brings Provocation to NYC Ballet.” Back Stage 41, no.7 (February 2000).
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 2004
Complete Citation:
Schulman, Jennie. “NYC ballet in Balanchine American Fest.” Back Stage 45, no. 25 (June 2004).
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Schulz, Thomas

Year: 2020 (in progress)
Complete Citation:
Schulz, Thomas. "Die Lieder von Charles E. Ives.” Ph.D. diss., Köln Universität, 2020 (in progress).
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Schwartz, David Thomas

Year: 2004
Complete Citation:
Schwartz, David Thomas. “The integrity of structure or the structure of integrity: an analysis of Charles Ives' Hallowe'en; Concerto for piano and chamber ensemble.” Ph.D. Dissertation, University of California, Santa Barbara, 2004.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Schwarz, K.R.

Year: 1988
Complete Citation:
Schwarz, K.R. “Dance; As American as Robbins & Ives.(Arts and Leisure Desk).” The New York Times, January 31, 1988.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Schwarz, K. Robert

Year: 1988
Complete Citation:
Schwarz, K. Robert. “As American as Robbins & Ives: The New Ballet Choreographed by Jerome Robbins to Songs by Charles Ives Reflects the Composer's Life.” The New York Times, January 31, 1988, H10.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Seaman, David and Michael Zeller

Year: 1992
Complete Citation:
Seaman, David and Michael Zeller. Mitten ins Herz: Melodram für eine Sängerin und einen Schauspieler; mit Musik von George Gershwin, Kurt Weill, Charles Ives und Richard Wagner. Nürnberg, Germany: Pocket Opera Companion, 1992.
Source: Pamphlet
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Sender, Shelby L.

Year: 2013
Complete Citation:
Sender, Shelby L. “Innovation in Twentieth-Century American Piano Music.” D.M.A. diss., University of Maryland, College Park, 2013.
Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 2013
Complete Citation:
Sender, Shelby L. “Innovation in Twentieth-Century American Piano Music.” D.M.A. diss., University of Maryland, College Park, 2013.
Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Senick, John Peter

Year: 1982
Complete Citation:
Senick, John Peter. “An analysis of selected songs of Charles Ives.” M.A. Thesis, Syracuse University, 1982.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Service, Jr., Alfred Roy

Year: 1958
Complete Citation:
Service, Jr., Alfred Roy. “A Study of the Cadence as a Factor in Musical Intelligibility in Selected Piano Sonatas by American Composers.” Ph.D. diss., University of Iowa, 1958.
Notes:

Ives is one of seven-teen composers discussed.

Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Sewell, Amanda Jo

Year: 2004
Complete Citation:
Sewell, Amanda Jo. “Reception and self-perception in the music of Charles Ives.” B.A. Thesis, Butler University, 2004.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Sharp, Mary Elizabeth

Year: 1979
Complete Citation:
Sharp, Mary Elizabeth. “A Survey of Musical Quotation from 1940-1975.” M.M. thesis, University of Louisville, 1979.
Notes:

References to Ives: in Part 1, “Introduction”: “The use of common material such as folk tunes, hymns, and patriotic songs will not be included since the music is not from the concert tradition. However, this creates a problem of inconsistency in some cases. Charles Ives quotes music from popular material together with concert pieces which have programmatic signifi-cance.”; in Part 5, “Early Twentieth-Century Practices in the Use of Quotation”: “The very same motive (Beethoven’s Symphony No. 5) is quoted by Ives in the Concord Sonata and is used as a cyclic device to depict fate and the character of Beethoven himself’; and in Parts 7-10, “Charles Ives' Use of Quotation.”

Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Shelton, Gregory Allard

Year: 1985
Complete Citation:
Shelton, Gregory Allard. An analysis of Charles Ives’s Three-page Sonata for Piano. M.A. Thesis, The American University, 1985.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Sherwood, Gayle D.

Year: 1995
Complete Citation:
Sherwood, Gayle D. “The choral works of Charles Ives: chronology, style, reception.” Ph.D. Dissertation, Yale University,1995.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Shulman, Ivan

Year: 2008
Complete Citation:
Shulman, Ivan. “Symphony no. 2 by Charles Ives: An Historic Review and Consideration of Performance Practice.” M.M. thesis, California State University at Long Beach, 2008.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Shultis, Christopher L.

Year: 1993
Complete Citation:
Shultis, Christopher L. “Silencing the Sounded Self: John Cage and the Experimental Tradition in Twentieth-Century American Poetry and Music.” Ph.D. diss., University of New Mexico, 1993.
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Skinner, Myles L.

Year: 2007
Complete Citation:
Skinner, Myles L. “Toward a Quarter -Tone Syntax: Analyses of Selected Works by Blackwood, Hába, Ives, and Wyschnegradsky.” Ph.D. diss., University of Buffalo, 2007.
Source: Ph. D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations