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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
A. Dissertations
B. Theses
C. Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Theatre
B. Dance
D. Reviews
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Young, Jerry Lee

Year: 1980
Complete Citation:
Young, Jerry Lee. “Characteristics of traditional Western art music as symbolic and structural elements in the music of Charles E. Ives.” M.Mus. Thesis, University of Texas at Austin, 1980.
Source: M.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Zechel, Charles

Year: 1981
Complete Citation:
Zechel, Charles. “Not for sissy ears: stream-of-consciousness in the music of Charles Ives.” B.A. Thesis, Reed College, 1981.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Zobel, Mark A.

Year: 2005
Complete Citation:
Zobel., Mark A. “‘Music Close to the Soul and Deeply Felt’: The Use of American Hymn Tunes in Charles Ives’s Third Symphony.” Ph.D. diss., University of Colorado- Boulder, 2005.
Notes:

The author stresses his own interpretations of the protestant religious connotations of the hymn-tunes as used by Ives. See B1533.

Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

no author listed

Complete Citation:
Review: Robert. Cue (1914). The piece is "marked by turbulence...and commands respect."
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Complete Citation:
“Music: Central Park in the Dark; Hallowe’en; The Unanswered Ques-tion’, Scherzo: Over the Pavements’, “In the Inn”; “In the Night.” Comment: George Balanchine. “Ivesiana, G. Balanchine.”” Center: A Magazine for the Performing Arts 1/5 (August--Septem-ber 1954).



Prf: 1954 September 14: New York; New York Center of Music and Drama; Leon Barzin and Hugo Fiorato, conductors.
Source: Magazine
Reprints:

Reprint: George Balanchine and Francis Mason. Balanchine's Com- plete Stories of the Great Ballets. Garden City, NY: Double- day, 1977: 341--343.

XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Complete Citation:
Other prf: Netherlands Ballet Orkest; Combustion Chamber in the Netherlands; Relach Ensemble in Philadelphia; Noamnesia in Chicago.
Source: Performance (dance)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Complete Citation:
Mandel, Howard.
“Review: Mark Tucker. “Behind the Beat.”” Institute for Studies in American Music Newsletter (Fall 1995) 25/1: 13.
Source: Newsletter
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1965
Complete Citation:
“San Francisco Ballet Sets Dances to Hindemith, Ives.” The Atlanta Journal and the Atlanta Constitution, March 14, 1965, 11D.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1968
Complete Citation:
“Hartford Ballet Co. to Dance New Works.” The Hartford Courant, March 24, 1968, 23E.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1976
Complete Citation:
Steinberg, Michael. “Arts & Films: Foster and Ives Blended at Dartmouth Review/Music.” Boston Globe, 1976, 29.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1979
Complete Citation:
October 23, 1979. (Hallowe’en): New York. Telecast over WNET as Peter Martins, Principal Dancer.
1980 February 20: WNET's Dance America Series. See also Jennifer Dunning. "Venturing Out to the Limits of Part-nering." New York Times (1998 June 13) B: 7.
Source: Telecast
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1988
Complete Citation:
“Stages of Life, from Ives and the City Ballet: Nassau and Suffolk Edition.” Newsday, February 6, 1988.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1988
Complete Citation:
“New York: Dance Notation Bureau, Incorporated.” Dance Not-ation Journal 3/1 (December 1988).
Notes:

Labanotated

Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1989
Complete Citation:
Fata morgana (1989); for Jerome Robbins Archives. Music: The Pond; The Rainbow,Tone Roads No. 1; Tone Roads No. 3; Like a Sick Eagle; and "From Hanover Square" from Orchestral Set No. 2.

Prf: 1989 May 19-14: New York; Joyce Theater.
Source: Performance (dance)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 2013
Complete Citation:
“‘Charles Ives’ Showcases Strife, Music, Basketball.” The Pittsburgh Tribune-Review, November 14, 2013.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 2013
Complete Citation:
“Father Takes the Stage; Daughter, the Court.” The New York Times, June 13, 2013.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Year: 2014
Complete Citation:
“Strawdog Theatre Company’s Chicago Premiere of Charles Ives Take Me Home a Unique Opportunity.” Internet Wire, October 13, 2014.
Source: Online News
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Year: 2014
Complete Citation:
“Charles Ives Take Me Home.” Windy City Times, vol. 29, no. 34 (2014): 22.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews