Coakley, John P.
Year: 1982
Complete Citation:
Coakley, John P. “The artistic process as religious enterprise: the vocal texts of Charles Ives and the poetry of E.E. Cummings.” Ph.D. diss., Brown University, 1982.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Cohen, Jacob
Year: 2017
Complete Citation:
Cohen, Jacob. “Constructions of New England Identity and Place in American Music, 1885-1935.” Graduate Center, CUNY, 2017.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Cole, Michael S.
Year: 1975
Complete Citation:
Cole, Michael S. “Concord revisited: Charles Ives and the American transcendentalists.” M.A. Thesis, York University, 1975.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Coleman, Donna
Year: 1986
Complete Citation:
Coleman, Donna. “A source study of the fifth movement of Charles Ives's first piano sonata: toward a critical edition.” D.M.A. thesis, University of Rochester, 1986.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Cooney, Denise Van Glahn
Year: 1995
Complete Citation:
Cooney, Denise von Glahn. “Reconciliations: Time, Space and American Place in the Music of Charles Ives.” Ph.D. diss., University of Wash-ington, 1995.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Copland, Aaron
Year: 1975
Complete Citation:
Copland, Aaron. “Night Thoughts (Homage to Ives).” Parnassus: Poetry in Review 3/2 (Spring/Summer 1975): 295-299.Source: Journal
XIII. Ives in Literature
A. Poetry
Year: 1975
Complete Citation:
Copland, Aaron. “A Garland for Charles Ives.” Poetry in Review, Spring/Summer 1975, 293-393.Notes: Includes Copland's Night Thoughts for piano and essays by Elliott Carter, Lou Harrison and others.
Source: Magazine
XIII. Ives in Literature
A. Poetry
Cornett-Murtada, Vanessa
Year: 2004
Complete Citation:
Cornett-Murtada, Vanessa. “Quotation, revolution, and American culture: the use of folk tunes and the influence of Charles Ives in Frederic Rzewski's North American ballads for solo piano.” D.M.A. Thesis, University of North Carolina at Greensboro, 2004.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Covington, Katherine Russell
Year: 1982
Complete Citation:
Covington, Katherine Russell. “A Study of Textural Stratification in 20th- century Compositions.” Ph.D. diss., Indiana University, 1982.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Cox, Paul Walthen
Year: 1970
Complete Citation:
Cox, Paul Wathen. “An Analysis of Sonority Types in Selected Songs of Charles Ives.” M.M. thesis, Indiana University, 1970.Notes: Discusses certain sonorities, quartal and quintal chords, polychords, clusters, and hybrid sonorities. Thirty-eight songs analyzed. Appendix B lists 114 Songs in chronological order with authors of the texts.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Cox, Paul Wathen
Year: 1970
Complete Citation:
Cox, Paul Wathen. “An analysis of sonority tapes in selected songs of Charles Ives.” M.M. Thesis, Indiana University, 1970.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Crain, Timothy Mark
Year: 1995
Complete Citation:
Crain, Timothy Mark. “Rhythm and form in Ives's Scherzo (Over the pavements).” M.M. thesis, University of Alabama, 1995.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Cramer, Alice
Year: 1979
Complete Citation:
Cramer, Alice Carver. “Charles Ives in the Tulip Poplars.” Poet Lore 74, no. 1 (Spring 1979): 18.Source: Magazine
XIII. Ives in Literature
A. Poetry
Crook, David W.
Year: 1980
Complete Citation:
Crook, David W. “Charles Ives and nineteenth century American household music.” B.A. thesis, Redlands, CA: University of Redlands, 1980.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Crosson, Robert
Year: 1980
Complete Citation:
Crosson, Robert. “General Booth” and “Ives.” In Geographies. Los Angeles, CA: The Red Hill Press, 1980.
Source: Poem
Reprints: Reprint: Sonneck Society for American Music Bulletin (1989) 15/3: 111.
XIII. Ives in Literature
A. Poetry
Cuffiani, Barbara
Year: 1996
Complete Citation:
Cuffiani, Barbara. “Gli Studi per pianoforte di Charles Edward Ives: studio sulla genesi e la tradizione dei testi musicali.” Ph.D. diss., Università di Pavia, 1996.Source: Ph.D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Curtis, Daniel
Year: 2008
Complete Citation:
Curtis, Daniel. “A conductor's thesis in three parts.” B.A. thesis, Amherst College, 2008.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Darby, Joseph Eugene
Year: 1992
Complete Citation:
Darby, Joseph Eugene. “Charles Ives's second string quartet and the European tradition.” M.Mus. thesis, University of Illinois at Urbana-Champaign, 1992.Source: M.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Daugherty, Michael
Year: 1982
Complete Citation:
Daugherty, Michael. “Goethe and Emerson: the link between aesthetic theories and compositional processes of Gustav Mahler and Charles Ives.” M.M.A. Thesis, Yale University, 1982.Source: M.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Davenport, Guy
Year: 1990
Complete Citation:
Davenport, Guy. “Ives the Master.” In Words on music: from Addison to Barzun. Parnassus: Poetry In Review 3/2 (Spring/Summer 1975): 316-317.Source: Chapter in Book
Reprints: Davenport, Guy. “Ives the master.” In <i>Words on music: from Addison to Barzun</i>. Athens: Ohio University Press, 1990.
XIII. Ives in Literature
A. Poetry