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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Morehouse, Christopher

Year: 2005
Complete Citation:
Morehouse, Christopher. “Ivesian Borrowing, Imagery, and Place in Eric Stokes’s ‘The Continental Harp and Band Report’: An American Miscellany’ (1975).” D.M.A. diss., University of Cincinnati, 2005.
Notes:

Discusses the various influences of Ives on Eric Stokes in his composition, "The Continental Harp and Band Report."

Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Morgan, Phillip

Year: 1967
Complete Citation:
Morgan, Phillip. “Three contemporary trios for piano, violin, and violoncello.” D.M.A. thesis, University of Rochester, 1967.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Mulligan, Terry Gilbert

Year: 1978
Complete Citation:
Mulligan, Terry Gilbert. “Charles Ives: a study of the works for chamber ensemble written between 1898 and 1908 which utilize wind instrument.” Ph.D. Diss., University of Texas at Austin, 1978.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Mumper, Dwight Robert

Year: 1971
Complete Citation:
Mumper, Dwight Robert. “The First Piano Sonata of Charles Ives.” D.M.A. diss., Indiana University, 1971.
Source: D.M.A. dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Muñiz, Jorge

Year: 2004
Complete Citation:
Muñiz, Jorge. “The Use of Quotation in the Music of John Corigliano.” D.M.A. diss., Manhattan School of Music, 2004.
Notes:

Includes references to Ives.

Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Nicholls, David Roy

Year: 1986
Complete Citation:
Nicholls, David Roy. “New and Experimental Compositional Tech- niques in American Music from Charles Ives to the Second World War.” Ph.D. diss., University of Cambridge, 1986.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

North, William Sills Wright

Year: 1965
Complete Citation:
North, William Sills Wright. “Ned Rorem as a twentieth century song composer.” D.M.A. diss., University of Illinois, 1965.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Northcott, Bayan

Year: 1996
Complete Citation:
Northcott, Bayan. “The Double Life of Charles Ives; all-American Original Or Proto-Modernist Fake? in the Light of a BBC Retrospective, Bayan Northcott Reassesses Ives's Posthumous Reputation (Classical Music).” The Independent, January 12, 1996, 14.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

O’Donnell, Shaugn J.

Year: 1997
Complete Citation:
O’Donnell, Shaugn J. “Transformational voice leading in atonal music.” Ph.D. diss., City University of New York, 1997.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

O’Gorman, Edward

Year: 1946
Complete Citation:
O’Gorman, Edward. “Music of Charles Ives Highlights Festival.” New York Post, May 13, 1946, 30.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

O’Kelly, Kevin

Year: 1989
Complete Citation:
O’Kelly, Kevin. “The Songs of Charles Ives and the Cultural Contexts of Death.” Ph.D. diss., University of North Carolina, 1989.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Osowski, Kenneth M.

Year: 2005
Complete Citation:
Osowski, Kenneth M. “The continuing spirit of Emerson and Beethoven in Ives's Concord sonata.” D.M.A. thesis, Peabody Conservatory of Music, 2005.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Otten, Jürgen

Year: 2004
Complete Citation:
Otten, Jürgen. “Auf Transzendentalistischem Pfad: Das Festival Maerzmusik in Berlin Beschäftigte Sich Mit Charles Ives Und Den Konsequenzen.” Neue Zeitschrift Für Musik, vol. 165, no. 3 (2004): 68-68.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Owens, Thomas Clarke

Year: 1999
Complete Citation:
Owens, Thomas Clarke. "Charles Ives and his American context: images of "Americanness" in the arts.” Ph.D. diss., Yale University, 1999.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Palmer, Kenneth Robert

Year: 1986
Complete Citation:
Palmer, Kenneth Robert. “A performer's guide to Charles Ives' piano sonata no. 2 "Concord, Mass., 1840-1860"; Quintet for piano and strings.” Ph.D. diss., Washington University, 1986.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Park, Hyun

Year: 2008
Complete Citation:
Park, Hyun. “Selected American Violin Works and their European Context.” D.M.A. diss., University of Maryland, College Park, 2012.
Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Paul, David Christopher

Year: 2006
Complete Citation:
Paul, David Christopher. “Converging paths to the canon: Charles Ives, Gustav Mahler, and American culture.” Ph.D. Diss., University of California, Berkeley, 2006.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Perlis, Vivian

Year: 1996
Complete Citation:
Vivian Perlis. “Ives Spirit Muses Brits,” review of The Unanswered Question Festival; January 19 to 21: London. Piano and Key-board (May/June) 180: 12-14.
Source: Magazine
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Permoser, Manfred

Year: 2005
Complete Citation:
Permoser, Manfred. “Echo: “Kontraste”: Minoritenkirche Krems / Stein.” Österreichische Musikzeitschrift, Vol. 60, No. 12 (2005): 47-48.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Perry, Rosalie Sandra

Year: 1971
Complete Citation:
Perry, Rosalie Sandra. “Charles Ives and American Culture.” Ph.D. diss., University of Texas at Austin, 1971.
Source: Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations