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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
(-) X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
(-) XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Adkins, Cecil, and Alis Dickinson.

Year: 1974
Complete Citation:
Adkins, Cecil, and Alis Dickinson. “Supplement (1974) to Doctoral Dissertations in Musicology.” Journal of the American Musicological Society 27, 110.3 (Fall): 475-514.
Source: Journal
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Albert, Thomas Russell

Year: 1974
Complete Citation:
Albert, Thomas Russell. “The Harmonic Language of Charles Ives’ Concord Sonata.” D.M.A. diss., University of Illinois, 1974.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Alexander, Michael

Year: 1986
Complete Citation:
Alexander, Michael. “Improvisation in the Music of Charles.” Ph.D. diss., Keele University, 1986.
Source: Ph.D. Disseration
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Allen, Barbara Oakley

Year: 1979
Complete Citation:
Allen, Barbara Oakley. “An analysis of six Ives songs: with suggestions for performance.” D.M.A. term project, Stanford University, 1979.
Source: D.M.A. Term Project
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Anderson, Deborah, choreographer and dancer

Year: 1986
Complete Citation:
Deborah Anderson, choreographer and dancer. Waiting (1986); Dance Theater Workshop. Music: Largo from Pre--First Violin Sonata.
Prf: 1986 August 15: New York; Studios, Bessie Schönberg Theater.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Anderson, Jack

Year: 1978
Complete Citation:
Anderson, Jack. “City Ballet Joins ‘Ivesiana,’ ‘Calcium Light Night.’” The New York Times. May 28, 47.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1985
Complete Citation:
Anderson, Jack. “City Ballet: ‘Poulenc Sonata’ and ‘Calcium Light Night’: Review.” The New York Times, 1985.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1989
Complete Citation:
Anderson, Jack. “Small-Town America.” The New York Times, February 14, 1989, sec. C, 16.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1989
Complete Citation:
Anderson, Jack. “Small--Town America.” The New York Times, February 14, 1989, sec. C, 16.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Year: 1992
Complete Citation:
Anderson, Jack. “Review/Dance; Lubovitch Vignettes Set to Ives: Review.” The New York Times, January 31, 1992.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1993
Complete Citation:
Anderson, Jack. “A Dutch Tribute to Ives’s Life and Music.” The New York Times, October 14, 1993, sec. C, 18.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1993
Complete Citation:
Anderson, Jack. “A Dutch Tribute to Ives’s Life and Music.” The New York Times. October 14, 1993, sec. C: 18.
Notes:

Like Ives’s music, Ms. Blankert’s production combined tough mindedness with sentiment.

Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1999
Complete Citation:
Anderson, Jack. “Balanchine and Ives: Marriage of Mysteries.” The New York Times, June 15, 1999, sec. E, 5.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1999
Complete Citation:
Anderson, Jack. “Balanchine and Ives: Marriage of Mysteries.” The New York Times. June 15, 1999, sec. E: 5.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Anderson, William

Year: 1975
Complete Citation:
Anderson, William. “Editorially Speaking: Composer Charles Ives Enters History.” Stereo Review 34/3 (March 1975): 4.
Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Archibald, Bruce

Year: 1966
Complete Citation:
Archibald, Bruce. “Reviewed Works: The Orchestra Song by William Schuman; Variations on “America” (Charles Ives, for organ, 1891; William Schuman, for orch., 1963) by Charles Ives.” Notes, vol. 23, no. 1 (September 1966): 157.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Arnold, Jerome Steven

Year: 2014
Complete Citation:
Arnold, Jerome Steven. ““Country Band” March: Historical Perspectives, Stylistic Considerations and Rehearsal Strategies.” D.M.A. diss., George Mason University.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Ashley, Roberta

Year: 1965
Complete Citation:
Ashley, Roberta. “Ballet Goes Pop: Look what the Stately San Francisco Ballet is Up To.” The Sun, April 11, 1965, WM11.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Austin, Larry

Year: 1976
Complete Citation:
Austin, Larry. “Reconstruction of Ives’ Universe Symphony.” In Desert Plants: Conversations with 23 American Musicians, interviewed by Walter Zimmermann, 207-220. Vancouver, BC: A.R.C. Publications, 1976.
Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1985
Complete Citation:
Austin, Larry. “Charles Ives’s Life Pulse Prelude for Percussion Orchestra: A Realization for Modem Performance from Sketches for His Universe Symphony.” Percussionist 23, no. 6 (1985): 58-84.
Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices