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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Winters, Thomas Dyer

Year: 1986
Complete Citation:
Winters, Thomas Dyer. “Additive and repetitive techniques in the experimental works of Charles Ives.” Ph.D. diss., University of Pennsylvania, 1986.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Wolf, Henry Samuel

Year: 1957
Complete Citation:
Wolf, Henry Samuel. “The Twentieth Century Piano Sonata.” Ph.D. diss., Boston University, 1957.
Notes:

Ives is one of eight com-posers whose sonatas are discussed.

Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Young III, Harmon Griffith

Year: 1995
Complete Citation:
Young III, Harmon Griffith. “The Sacred Music of Dave Brubeck: A Historical, Analytical, and Critical Examination.” Ph.D. diss., University of Florida, 1995.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1995
Complete Citation:
Young III, Harmon Griffith. “The Sacred Choral Music of Dave Brubeck: A Historical, Analytical, and Critical Examination.” Ph.D. diss., University of Florida, 1995.
Source: Ph.D. Disseration
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Zobel, Mark A.

Year: 2005
Complete Citation:
Zobel., Mark A. “‘Music Close to the Soul and Deeply Felt’: The Use of American Hymn Tunes in Charles Ives’s Third Symphony.” Ph.D. diss., University of Colorado- Boulder, 2005.
Notes:

The author stresses his own interpretations of the protestant religious connotations of the hymn-tunes as used by Ives. See B1533.

Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

no author listed

Year: 1951
Complete Citation:
“Scores: Symphony No. 2 by Charles Ives.” Musical Courier 143, no. 9 (May 1, 1951): 29.
Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1977
Complete Citation:
“Editor’s Experiences (Discussion with John Kirkpatrick, Alan Mandel, James Sinclair, William Brooks, Lou Harrison, H. Wiley Hitchcock).” In An Ives Celebration. Papers and Panels of the Charles Ives Centennial Festival Conference. Music in American Life. Urbana, Illinois: University of Illinois Press, 67-85.
Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1994
Complete Citation:
“Charles Ives; Seek and Ye Shall Find: Letter.” The New York Times, June 12, 1994.
Source: Newspaper
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 2016
Complete Citation:
“Charles E Ives, Complete Organ Music.” The Diapason, Vol. 107, No. 6 (2016): 15.
Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices