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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Priest, Charles T.

Year: 2008
Complete Citation:
Priest, Charles T. “Regionalism in Selected Musical Works of Charles Faulkner Bryan (1911–1955).” D.M.A. diss., The Southern Baptist Theological Seminary, 2008.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Rangell, Andrew

Year: 1976
Complete Citation:
Rangell, Andrew. “The violin-piano sonatas of Charles Ives: an analytical discussion.” D.M.A. Thesis, The Juilliard School, 1976.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Rathert, Wolfgang

Year: 1987
Complete Citation:
Rathert, Wolfgang. “Ives-Studien.” Ph.D. diss., Freie Universität Berlin, 1987.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1987
Complete Citation:
Rathert, Wolfgang. “Studien zum Werk von Charles Ives.” Ph.D. dis-s., Freie Universität Berlin, 1987.
Notes:

Revised and printed: The Seen and the Unseen: Studien zum Werke von Charles Ives. (1991)

Source: Ph.D. Dis-sertation
Reprints:

Rathert, Wolfgang. <i>The Seen and the Unseen: Studien zum Werke von Charles Ives</i>. Berliner Musikwissenschaftliche Arbeiter, 38. Series edited by Carl Dahlhaus and Rudolf Stephan. Munich/Salzburg, Germany: Musikverlag Emil Katzbichler, 1991.

VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1991
Complete Citation:
Rathert, Wolfgang. “The seen and unseen: Studien zum Werk von Charles Ives.” Ph.D. diss., Freie Universität Berlin, 1987.
Source: Ph.D. Dissertation
Reprints:

Rathert, Wolfgang. <i>The seen and unseen: Studien zum Werk von Charles Ives</i>. Berliner musikwissenscaftliche Arbeiten 38. Munich, Germany: Musikverlag Emil Katzbichler, 1991.

VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 2015
Complete Citation:
Rathert, Wolfgang. “Charles E. Ives “Symphony No. 4.”” Die Musikforschung, Vol. 68, No. 2 (2015): 218-221.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Reichert, Linda

Year: 1996
Complete Citation:
Reichert, Linda. “Charles Ives and quarter-tone music: a transcription of "Three Quarter-tone Pieces for Two Pianos.” D.M.A. Thesis, Temple University, 1996.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Reitz, Howard D.

Year: 1969
Complete Citation:
Reitz, Howard D. “Performance-related research document no. 1.” D.M.A. research project, University of Colorado, 1969.
Source: D.M.A. Research Project
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Reyes, James E.

Year: 1966
Complete Citation:
Reyes, James E. “Reviewed Work: They Are There! A War Song March, 1917 by Charles E. Ives.” Notes, vol. 20, no. 4 (Autumn 1963): 565-566.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Rinehart, John McLain

Year: 1970
Complete Citation:
Rinehart, John McLain. “Ives’ Compositional Idioms: An Investigation of Selected Short Compositions as Microcosms of His Musical Language.” Ph.D. diss., Ohio State University, 1970.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Robinson, Bradley Craig

Year: 1999
Complete Citation:
Robinson, Bradley Craig. “A study of Charles Ives's use of self-borrowing in the composition of selected songs for solo voice and piano.” D.M.A. diss., University of Illinois at Urbana-Champaign, 1999.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Robison, Richard William

Year: 1969
Complete Citation:
Robison, Richard William. “Reading contemporary choral literature : an analytical study of selected contemporary choral compositions with recommendations for the improvement of choral reading skills.” Ph.D. diss., Brigham Young University, 1969.
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Roeder, Matthew James

Year: 2005
Complete Citation:
Roeder, Matthew James. “Select ragtime music of Scott Joplin, Charles Ives, and Igor Stravinsky: a set of analyses.” D.M.A. Thesis, University of Colorado, 2005.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Roller, Jonathan Brian

Year: 1995
Complete Citation:
Roller, Jonathan Brian. “An analysis of selected movements from the symphonies of Charles Ives using linear and set theoretical analytical models.” Ph.D. diss., University of Kentucky, 1995.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Rosenfeld, Paul

Year: 1931
Complete Citation:
Rosenfeld, Paul. “New American Music.” Scribner’s 89/6 (June 1931): 624--632.
Notes:

Only one cursory mention that “Virgil Thomson, Charles F. <i>[sic] </i>Ives, and Adolph Weiss have each something personal to say.”

Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Rossiter, Frank R.

Year: 1970
Complete Citation:
Rossiter, Frank R. “Charles Ives and American Culture: The Process of Development, 1874-1921.” Ph.D. diss., Princeton University, 1970.
Source: Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Rothstein, Evan

Year: 2001
Complete Citation:
Rothstein, Evan. “‘What Its Signs of Promise Are’: The tradition of developing variation and the problem of “folkloristic” music in Ives’s First violin sonata. D. Mus. thesis, Indiana University, 2001.
Source: D. Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Rudgers, Gregory B.

Year: 2015
Complete Citation:
Rudgers, Gregory B. “Variations on “America,” by Charles Ives, Transcribed by William E. Rhoads, Based on the Orchestra Version by William Schuman.” School Band and Orchestra, Vol. 18, No. 8 (2015): 53.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Ruhleder, Kathleen

Year: 2012
Complete Citation:
Ruhleder, Kathleen. “Art Songs of Charles Ives Accessible to Beginning Singers.” D.M.A. diss., Arizona State University, 2012.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Rycenga, Joanne

Year: 1992
Complete Citation:
Rycenga, Jennifer Joanne. “The Composer as a Religious Person in the Context of Pluralism.” Ph.D. diss., Graduate Theological Union, 1992.
Notes:

Compares Ives’s Transcendentalist philosophy with his compositional materials.

Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations