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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Wilson, Lawrence

Year: 1981
Complete Citation:
Wilson, Lawrence. “Ragtime: Its Roots, Style, and Influence,” 90-92. D. Mus. dis-s., Indiana University, 1981.
Source: D. Mus. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Wilson, P.T.

Year: 1994
Complete Citation:
Wilson, P.T. “Charles Ives: Consistent in Chaos; A Study of Selected Large Orchestral Works.” Ph.D. diss., York University, 1994.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Winters, Thomas Dyer

Year: 1986
Complete Citation:
Winters, Thomas Dyer. “Additive and repetitive techniques in the experimental works of Charles Ives.” Ph.D. diss., University of Pennsylvania, 1986.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Wolf, Henry Samuel

Year: 1957
Complete Citation:
Wolf, Henry Samuel. “The Twentieth Century Piano Sonata.” Ph.D. diss., Boston University, 1957.
Notes:

Ives is one of eight com-posers whose sonatas are discussed.

Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Woodward, Henry

Year: 1956
Complete Citation:
Woodward, Henry. “Processional: Let There Be Light.” Notes 13, no. 2 (March 1956): 349.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Yellin, Victor Fell

Year: 1974
Complete Citation:
Yellin, Victor Fell. “Review of The Celestial Country by Charles Ives.” Musical Quarterly LX, (July 3, 1974): 500-508.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Young III, Harmon Griffith

Year: 1995
Complete Citation:
Young III, Harmon Griffith. “The Sacred Music of Dave Brubeck: A Historical, Analytical, and Critical Examination.” Ph.D. diss., University of Florida, 1995.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1995
Complete Citation:
Young III, Harmon Griffith. “The Sacred Choral Music of Dave Brubeck: A Historical, Analytical, and Critical Examination.” Ph.D. diss., University of Florida, 1995.
Source: Ph.D. Disseration
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Zobel, Mark

Year: 2009
Complete Citation:
Zobel, Mark. “The Third Symphony of Charles Ives.” In CMS Sourcebook in American Music. Hillsdale, NY: Pendragon Press, 2009.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Zobel, Mark A.

Year: 2005
Complete Citation:
Zobel., Mark A. “‘Music Close to the Soul and Deeply Felt’: The Use of American Hymn Tunes in Charles Ives’s Third Symphony.” Ph.D. diss., University of Colorado- Boulder, 2005.
Notes:

The author stresses his own interpretations of the protestant religious connotations of the hymn-tunes as used by Ives. See B1533.

Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

no author listed

Year: 1922
Complete Citation:
“Here’s a Chance to Get a Nice Songs Book Free.” The Sun (New York), August 29, 1922, 19.
Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1929
Complete Citation:
“Publicaciones recibidas.” Musicalia [Havana] 1/5 (March-April 1929): 230.
Notes:

Citations for Ives’s publications received: <i>114 Songs; 50 Songs; </i>a “Pot Pourri” from Scherzo (from Sonata No. 1 for piano); Four Transcrip-tions from "Emerson" (from Sonata No. 2, "Concord, Mass., 1840- 1860" for piano); Sonata No. 1 for violin and piano, and <i>Essays Before </i>a Sonata.

Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1929
Complete Citation:
“Recent Publications. New Music (January 1929).” Musical Courier 98, no. 10 (March 7, 1929): 46.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1953
Complete Citation:
“Violin Sonata No. 1.” Musical Courier 148, no. 2 (September 1953): 33.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1953
Complete Citation:
“Violin Sonata No. 1.” Musical Courier 148, no. 2 (September 1953): 33.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1987
Complete Citation:
Ivesiana. Newsletter - Institute for Studies in American Music XVI, no. 2 (Spring 1987): 3.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 2011
Complete Citation:
Dickinson, Peter. “The Third Symphony of Charles Ives (review).” Music & Letters, vol. 92, no. 1 (2011): 168-171.
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions