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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Bruhn, Christopher

Year: 2015
Complete Citation:
Bruhn, Christopher. Review of Charles E. Ives: Symphony no. 4, edited by William Brooks, James B. Sinclair, Kenneth Singleton, and Wayne D. Shirley. Journal of the Society for American Music, vol. 9, no. 3 (2015): 357-360.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Bruhn, Christopher Edwin

Year: 2006
Complete Citation:
Bruhn, Christopher Edwin. “Ives’s multiverse: the Concord Sonata as American cosmology.” Ph.D. diss., City University of New York, 2006
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Bryan, Paul

Year: 1975
Complete Citation:
Bryan, Paul. “Reviewed Work: March Intercollegiate, Two-Step for Band by Charles E. Ives, Keith Brion.” Notes 31, no. 3 (March 1975): 655-656.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Buckoff, Ronald Nick

Year: 1988
Complete Citation:
Buckoff, Ronald Nick. “Charles Ives, a history and bibliography of criticism (1920-1939), and Ives's influence (to 1947) on Bernard Herrmann, Elie Siegmeister, and Robert Palmer.” Ph.D. Diss., Cornell University, 1988.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Buddin, David E.

Complete Citation:
Buddin, David E. “A few lessons in transformation from Ives' Waltz-Rondo: Litany for orchestra.” Ph.D. diss., Rutgers University, 2006.
Source: Ph.D. dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Bunzl, Alice

Year: 1963-1964
Complete Citation:
Bunzl, Alice. “Reviewed Works: The Gong on the Hook and Ladder, or Firemen's Parade on Main Street by Charles E. Ives; Movement for 2 Trumpets, Trombone, and Piano by Wallingford Riegger; Introduction and Fugue. For Four Cellos or Cello Orchestra. Op. 69 by Wallingford Riegger; Ensemble for String Orchestra by Henry Cowell; Concerto for 5 Kettledrums & Orchestra by Robert Parris.” Notes, vol. 21, no. 1/2 (Winter 1963-Spring 1964) 249-251.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Burkholder, J. Peter

Year: 1983
Complete Citation:
Burkholder, J. Peter. “The Evolution of Charles Ives’s Music: Aesthetics, Quotation, Technique.” Ph.D. diss., University of Chicago, 1983.
Source: Ph.D. dissertation
Reprints:

Chapters 1-4 reprinted as <i>Charles Ives: The Ideas Behind the Music</i>. New Haven, CT: Yale University Press, 1985. * Chapter 5 reprinted as ““Quotation” and Emulation: Charles Ives's Uses of His Models.” <i>The Musical Quarterly</i> 71, no. 1 (1985): 1-26.

VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1983
Complete Citation:
Burkholder, J. Peter. “The Evolution of Charles Ives’s Music: Aesthetics, Quotation, Technique." PhD diss., University of Chicago, 1983.
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1983
Complete Citation:
Burkholder, J. Peter. “The evolution of Charles Ives’s music: aesthetics, quotation, technique (Vol. 1).” Ph.D Dissertation, University of Chicago, 1983.
Source: Ph.D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Call, William Anson

Year: 1971
Complete Citation:
Call, William Anson. “A Study of the Transcendental Aesthetic Theories of John S. Dwight and Charles E. Ives and the Relationship of These Theories to Their Respective Work as Music Critic and Composer.” D.M.A. diss., University of Illinois, 1971.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Carleton, Chantal

Year: 2015
Complete Citation:
Carleton, Chantal. “The Distance between the Notes: The Journey from Text to Music in American Epiphanic Poetry.” Ph.D. diss., Indiana University, 2015.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Carlson, Paul Bollinger

Year: 1964
Complete Citation:
Carlson, Paul Bollinger. “An historical background and stylistic analysis of three twentieth century compositions for violin and piano.” Ph.D. diss., University of Missouri at Kansas City, 1964.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Carman, Judith

Year: 2005
Complete Citation:
Carman, Judith. “Music Reviews: Some Things Old, All Things New: Miscellaneous Collections and Anthologies - American: “Ives, Charles (1874-1954). 129 Songs, edited by H. Wiley Hitchcock.” Journal of Singing: The Official Journal of the National Association of Teachers of Singing, Vol. 62, No. 1 (2005): 107-108.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Chau, Paul S.

Year: 1982
Complete Citation:
Chau, Paul S. “The piano trio paul chau.” D.M.A. diss., University of Colorado, 1982.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Chernov, Eric B.

Year: 2009
Complete Citation:
Chernov, Eric B. “Where the truer beauties lie: analytical issues in four unbarred songs by Charles Ives.” Ph.D. Dissertation, State University of New York at Buffalo, 2009.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Chien, Gloria

Year: 2004
Complete Citation:
Chien, Gloria. “Comic and cosmic : the idiosyncratic humor of Charles Ives as illustrated in his scherzos and take-offs.” D.M.A. Thesis, New England Conservatory of Music, 2004.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Childs, Andrew S.

Year: 2004
Complete Citation:
Childs, Andrew S. “The children's hour: the thematic use of childhood in the songs of Charles Ives.” D.M.A. Thesis, University of Washington, 2004.
Source: D.M.A. Thesis
A. Dissertations

Clark, Sondra Rae

Year: 1972
Complete Citation:
Clark, Sondra Rae. “The Evolving Concord Sonata: A Study of Choices and Variants in the Music of Charles Ives.” Ph.D. diss., Stanford University, 1972.
Source: Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Clooney, Denise von Glahn

Year: 1995
Complete Citation:
Clooney, Denise von Glahn. “Reconciliations: Time, Space, and the American Place in Music of Charles Ives.” Ph.D. diss., University of Washington, 1995.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Coakley, John P.

Year: 1982
Complete Citation:
Coakley, John P. “The artistic process as religious enterprise: the vocal texts of Charles Ives and the poetry of E.E. Cummings.” Ph.D. diss., Brown University, 1982.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations