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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
(-) XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Abbot, Christopher

Year: 2002
Complete Citation:
Abbot, Christopher. “Ives: “An American Journey.”” Fanfare: The Magazine for Serious Record Collectors, Vol. 25, No. 6 (2002): 142-144.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2003
Complete Citation:
Abbot, Christopher. “The Want List 2003 [Christopher Abbot].” Fanfare: The Magazine for Serious Record Collectors, Vol. 27, No. 2 (2003): 71.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Abdul, Raoul

Year: 1998
Complete Citation:
Abdul, Raoul. “Cleveland premieres Ives’ Emerson Concerto.” Amsterdam News. October 15, 1998, 20.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Abott, Reverend Jacob

Year: 1834-1858
Complete Citation:
Reverend Abbott, Jacob. Rollo at Play, Rollo at School; Rollo at Work', Rollo Learning to Read; Rollo Learning to Talk; Rollo's Correspondence; Rollo's Experiments', Rollo's Museums', Rollo's Philosophy, Rollo's Vacations', and Rollo's Travels. Another group was devoted to Rollo's tours of Europe: Rollo on the Atlantic, Rollo in Holland', Rollo in London', Rollo in Naples; Rollo in Paris', Rollo in Scot-land', Rollo in Switzerland', Rollo on the Rhine', and Rollo in Genoa.
Source: Literary References
Reprints:

"Rollo," the name Ives called musicians unwilling to listen to advanced dissonances and other techniques found in modern music, was derived from a character in books (1834--1858) by Reverend Jacob Abbott. Rollo could understand only the simplest of situations that had been taught or had been explained to him in great detail. Original publishers include Boston, MA: Weeks, Jordan, and Company; Philadelphia, PA: Hogan & Thompson; Boston, MA: Gould, Kendall & Lincoln.

XIII. Ives in Literature
B. Fiction

Adkins, Cecil, and Alis Dickinson.

Year: 1974
Complete Citation:
Adkins, Cecil, and Alis Dickinson. “Supplement (1974) to Doctoral Dissertations in Musicology.” Journal of the American Musicological Society 27, 110.3 (Fall): 475-514.
Source: Journal
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Alan M. Kriegsman

Year: 1968
Complete Citation:
Kriegsman, Alan M. “A.U.’s Mandel to Unveil Ives Piano Works.” The Washington Post and Times Herald, March 17, 1968, G8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Albert, Thomas Russell

Year: 1974
Complete Citation:
Albert, Thomas Russell. “The Harmonic Language of Charles Ives’ Concord Sonata.” D.M.A. diss., University of Illinois, 1974.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Alburger, Mark

Year: 2000
Complete Citation:
Alburger, Mark. “Concert Reviews: Marin Symphony Goes All-American.” 21st Century Music, Vol. 7, No. 6 (2000): 25.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2002
Complete Citation:
Alburger, Mark. “Two Visionaries in Two Centuries [Concert Review].” 21st Century Music, Vol. 9, No. 4 (2002): 6-7.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Alburger, Mark. “Concert Reviews: Three (or Four) Great Orchestrators; Symphonies from Symphony.” 21st Century Music, Vol. 10, No. 10 (2003): 6.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Alexander, Michael

Year: 1986
Complete Citation:
Alexander, Michael. “Improvisation in the Music of Charles.” Ph.D. diss., Keele University, 1986.
Source: Ph.D. Disseration
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Allen, Barbara Oakley

Year: 1979
Complete Citation:
Allen, Barbara Oakley. “An analysis of six Ives songs: with suggestions for performance.” D.M.A. term project, Stanford University, 1979.
Source: D.M.A. Term Project
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Allison, John

Year: 2003
Complete Citation:
Allison, John. “CBSO/Wolff: Final 5 Edition.” Times (London, England), January 17, 2003.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Amarante, Joe

Year: 2014
Complete Citation:
Amarante, Joe. “James Sinclair and ONE Mark 40 Years with Birthday Bash of Ives.” McClatchy - Tribune Business News, March 6, 2014.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Anderson, Colin

Year: 2007
Complete Citation:
Anderson, Colin. “Classical Recordings: Ives - Symphony No. 1, Symphony No. 4, “Central Park in the Dark.”” Fanfare (January 2007).
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Anderson, Martin

Year: 2000
Complete Citation:
Anderson, Martin. “First Performances: Proms-The Rest of the Premières.” Tempo (2000): 32-35.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Anderson, Rick

Year: 2003
Complete Citation:
Anderson, Rick. “Charles Ives (Sound Recording Review).” Notes, vol. 60, no. 2 (2003): 517.
Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Anderson, William

Year: 1979
Complete Citation:
Anderson, William. “Advice to Young Composers.” Stereo Review 43/3 (September 1979): 6.
Notes:

The advice he gives is similar to description of Ives: don't “teach at a university,” get “a job in insurance and compose on the side... [and] avoid modern-music concert. ... The method hasn't even been tried, as far as I know, since Charles Ives.”

Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Andrade Malde, Julio

Year: 2014
Complete Citation:
Andrade Malde, Julio. “Actualidad nacional: Final breve con algunos extras.” Scherzo: Revista de Música, Vol. 29 (2014): 19.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Andreyeva, Victoria

Year: 2000
Complete Citation:
Andreyeva, Victoria. “Concert Reviews: Microtonal Music on Prechistenka Street.” 21st Century Music, Vol. 7, No. 9 (2000): 20-21.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances